Ray Bradbury’s novel Fahrenheit 451 is an enduring masterwork of twentieth-century American literature—a chilling vision of a dystopian future built on the foundations of ignorance, censorship, and brutal repression. The origins and evolution of Bradbury’s darkly magnificent tale are explored in A Pleasure to Burn, a collection of sixteen selected shorter works that prefigure the grand master’s landmark novel. Classic, thematically interrelated stories alongside many crucial lesser-known ones—including, at the collection’s heart, the novellas “Long After Midnight” and “The Fireman”—A Pleasure to Burn is an indispensable companion to the most powerful work of America’s preeminent storyteller, a wondrous confirmation of the inimitable Bradbury’s brilliance, magic . . . and fire.

Orwell is most well-known for his two famous books Nineteen Eighty Four and Animal Farm, but their dystopian vision was informed by observations of poverty in England (Down and Out in Paris' and London and Road to Wigan Pier), and disillusion with political and national events of the 1930s and 1940s. Homage to Catalonia chronicled his experience of the Spanish Civil War and formulated his revulsion against totalitarianism, highlighted in his subsequent novels. The new collection (with Professor Richard Bradford's new introduction, and a foreword by Whitbread Prize winner D.J. Taylor) brings together his celebrated novels and seminal non-fiction, with work that influenced him by Jack London, who also explored poverty and totalitarian in The Iron Heel (fiction) The People of the Abyss (non-fiction), and the Russian dissident Yevgeny Zamyatin whose own work We (1921) offers a strong warning about a dystopian police state. A new addition to the Flame Tree deluxe Gothic Fantasy series on classic and modern writers, exploring origins and cultural themes in myth, fable and speculative fiction. The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

"Visions of Dystopia: Huxley vs. Orwell" delves into the profound and chilling worlds created by two literary giants, Aldous Huxley and George Orwell. Through a meticulous comparison of their seminal works, "Brave New World" and "1984", this book explores the contrasting dystopian visions that have gripped readers for generations. Examining themes of oppression, surveillance, and societal control, it offers a thought-provoking analysis of how these authors foresaw the potential dark paths of humanity. A compelling exploration of the power of speculative fiction and the enduring relevance of these masterpieces in today's world.

What happens when media and politics become forms of entertainment? As our world begins to look more and more like Orwell's 1984, Neil's Postman's essential guide to the modern media is more relevant than ever. "It's unlikely that Trump has ever read Amusing Ourselves to Death, but his ascent would not have surprised Postman.” -CNN Originally published in 1985, Neil Postman’s groundbreaking polemic about the corrosive effects of television on our politics and public discourse has been hailed as a twenty-first-century book published in the twentieth century. Now, with television joined by more sophisticated electronic media—from the Internet to cell phones to DVDs—it has taken on even greater significance. Amusing Ourselves to Death is a prophetic look at what happens when politics, journalism, education, and even religion become subject to the demands of entertainment. It is also a blueprint for regaining control of our media, so that they can serve our highest goals. “A brilliant, powerful, and important book. This is an indictment that Postman has laid down and, so far as I can see, an irrefutable one.” –Jonathan Yardley, The Washington Post Book World

Animal Farm is an allegorical novella by George Orwell, first published in England on 17 August 1945. According to Orwell, the book reflects events leading up to the Russian Revolution of 1917 and then on into the Stalinist era of the Soviet Union. Orwell, a democratic socialist, was a critic of Joseph Stalin and hostile to Moscow-directed Stalinism, an attitude that was critically shaped by his experiences during the Spanish Civil War. The Soviet Union, he believed, had become a brutal dictatorship, built upon a cult of personality and enforced by a reign of terror. In a letter to Yvonne Davet, Orwell described Animal Farm as a satirical tale against Stalin ("un conte satirique contre Staline"), and in his essay "Why I Write" (1946), wrote that Animal Farm was the first book in which he tried, with full consciousness of what he was doing, "to fuse political purpose and artistic purpose into one whole".

An illustrated introduction to the poetry of Emily Dickinson.

A profound, quirky, and amusing take on life's biggest questions. People encounter truth by sharing stories and asking questions. Andrew Wilson asks nine big questions about truth, origins, and redemption, and wonders aloud about the possible answers, representing a new fresh way of communicating the gospel.