Don't let this reference Bible's slim, transportable size fool you. The NIV Compact Thinline Reference Bible is the ideal way to keep God's Word at your side, no matter where your day takes you. Not only is it compact and convenient, but it provides you with a reference system for a quick and easy study session, even if you are on the go. Features: * Extra-thin edition---less than one inch thick * Center-column reference system for in-depth study of the Bible * NIV concordance for quick and easy reference * Eight pages of full-color maps to enhance Bible study * Presentation page---ideal for gift giving * Words of Christ in red Testimonials: 'I love this Bible. It's the perfect balance between size and readability. The cover is durable and I LOVE the full concordance. The NIV Compact Thinline Reference Bible is one of the most conveniently sized Bibles out there.'

At a time when the idea of wilderness is being challenged by both politicians and intellectuals, Imagining Wild America examines writing about wilderness and wildness and makes a case for its continuing value. The book focuses on works by John James Audubon, Henry David Thoreau, John Muir, Edward Abbey, Wendell Berry, and Mary Oliver, as each writer illustrates different stages and dimensions of the American fascination with wild nature. John Knott traces the emergence of a visionary tradition that embraces values consciously understood to be ahistorical, showing that these writers, while recognizing the claims of history and the interdependence of nature and culture, also understand and attempt to represent wild nature as something different, other. A contribution to the growing literature of eco-criticism, the book is a response to and critique of recent arguments about the constructed nature of wilderness. Imagining Wild America demonstrates the richness and continuing importance of the idea of wilderness, and its attraction for American writers. John R. Knott is Professor of English, University of Michigan. His previous books include The Huron River: Voices from the Watershed, coedited with Keith Taylor.

A study of seven autobiographies by women who defied the domestic ideology of 19th-century America by serving as itinerant preachers. Literally and culturally homeless, all of them used their autobiographies to construct plausible identities as women and Christians.

With his square, bulldoggish stature, signature rimless glasses, and inimitable smile—part grimace, part snarl—Theodore Roosevelt was an unforgettable figure, imprinted on the American memory through photographs, the chiseled face of Mount Rushmore, and, especially, film. At once a hunter, explorer, naturalist, woodsman, and rancher, Roosevelt was the quintessential frontiersman, a man who believed that only nature could truly test and prove the worth of man. A documentary he made about his 1909 African safari embodied aggressive ideas of masculinity, power, racial superiority, and the connection between nature and manifest destiny. These ideas have since been reinforced by others—Jesse “Buff alo” Jones, Paul Rainey, Martin and Osa Johnson, and Walt Disney. Using Roosevelt as a starting point, filmmaker and scholar Ronald Tobias traces the evolution of American attitudes toward nature, attitudes that remain, to this day, remarkably conflicted, complex, and instilled with dreams of empire.

In 1953, birding guru Roger Tory Peterson and noted British naturalist James Fisher set out on what became a legendary journey-a one hundred day trek over 30,000 miles around North America. They traveled from Newfoundland to Florida, deep into the heart of Mexico, through the Southwest, the Pacific Northwest, and into Alaska's Pribilof Islands. Two years later, Wild America, their classic account of the trip, was published. On the eve of that book's fiftieth anniversary, naturalist Scott Weidensaul retraces Peterson and Fisher's steps to tell the story of wild America today. How has the continent's natural landscape changed over the past fifty years? How have the wildlife, the rivers, and the rugged, untouched terrain fared? The journey takes Weidensaul to the coastal communities of Newfoundland, where he examines the devastating impact of the Atlantic cod fishery's collapse on the ecosystem; to Florida, where he charts the virtual extinction of the great wading bird colonies that Peterson and Fisher once documented; to the Mexican tropics of Xilitla, which have become a growing center of ecotourism since Fisher and Peterson's exposition. And perhaps most surprising of all, Weidensaul finds that much of what Peterson and Fisher discovered remains untouched by the industrial developments of the last fifty years. Poised to become a classic in its own right, Return to Wild America is a sweeping survey of the natural soul of North America today.

"This production offers an engaging, original way for children to learn about a Native American hero. Renowned Abenaki author Bruchac has selected interesting facts that reveal how a young boy is transformed into brave Crazy Horse. ..." AudioFile Magazine

From the visionary rebellion of Easy Rider to the reinvention of home in The Straight Story, the road movie has emerged as a significant film genre since the late 1960s, able to cut across a wide variety of film styles and contexts. Yet, within the variety, a certain generic core remains constant: the journey as cultural critique, as exploration beyond society and within oneself. This book traces the generic evolution of the road movie with respect to its diverse presentations, emphasizing it as an "independent genre" that attempts to incorporate marginality and subversion on many levels. David Laderman begins by identifying the road movie's defining features and by establishing the literary, classical Hollywood, and 1950s highway culture antecedents that formatively influenced it. He then traces the historical and aesthetic evolution of the road movie decade by decade through detailed and lively discussions of key films. Laderman concludes with a look at the European road movie, from the late 1950s auteurs through Godard and Wenders, and at compelling feminist road movies of the 1980s and 1990s.