Until recently, Irish religion has been seen as defined by Catholic power in the South and sectarianism in the North. In recent years, however, both have been shaken by widespread changes in religious practice and belief, the rise of new religious movements, the revival of magical-devotionalism, the arrival of migrant religion and the spread of New Age and alternative spirituality. This book is the first to bring together researchers exploring all these areas in a wide-ranging overview of new religion in Ireland. Chapters explore the role of feminism, Ireland as global ‘Celtic’ homeland, the growth of Islam, understanding the New Age, evangelicals in the Republic, alternative healing, Irish interest in Buddhism, channelled teachings and religious visions. This book will be an indispensable handbook for professionals in many fields seeking to understand Ireland’s increasingly diverse and multicultural religious landscape, as well as for students of religion, sociology, psychology, anthropology and Irish Studies. Giving an overview of the shape of new religion in Ireland today and models of the best work in the field, it is likely to remain a standard text for many years to come.

This book is a celebration of that lore and legend. Its main purposes are to explore the old tales that have come down to us across the years and to see how they have shaped and honed our perceptions about Celtic life. In order to do this, I have followed a chronological structure that has already been laid out. The Mythological Tales section looks at some of the tales that have appeared in the Great Myth Cycles - those tales of heroes and gods. Because, as has already been noted, the Irish and Welsh Cycles are really the only ones that are in existence, many of the stories from them have been overly published in other volumes. This collection seeks out some of the lesser-known tales and presents them for the reader's interest and delight.

"The Other Crowd," "The Good People," "The Wee Folk," and "Them" are a few of the names given to the fairies by the people of Ireland. Honored for their gifts and feared for their wrath, the fairies remind us to respect the world we live in and the forces we cannot see. In these tales of fairy forts, fairy trees, ancient histories, and modern true-life encounters with The Other Crowd, Eddie Lenihan opens our eyes to this invisible world with the passion and bluntness of a seanchai, a true Irish storyteller.

An interesting and well researched portrait of a fascinating woman, Depicting her journey into nationalist politics and unravelling the connection between her life and work.

The Collected Works of W. B. Yeats, Volume XIII: A Vision is part of a fourteen-volume series under the general editorship of eminent Yeats scholar George Bornstein and formerly the late Richard J. Finneran and George Mills Harper. One of the strangest works of literary modernism, A Vision is Yeats's greatest occult work. Edited by Yeats scholars Catherine E. Paul and Margaret Mills Harper, the volume presents the "system" of philosophy, psychology, history, and the life of the soul that Yeats and his wife George (née Hyde Lees) received and created by means of mediumistic experiments from 1917 through the early 1920s. Yeats obsessively revised the book, and the revised 1937 version is much more widely available than its predecessor. The original 1925 version of A Vision, poetic, unpolished, masked in fiction, and close to the excitement of the automatic writing that the Yeatses believed to be its supernatural origin, is presented here in a scholarly edition for the first time. The text, minimally corrected to retain the sense of the original, is extensively annotated, with particular attention paid to the relationship between the published book and its complex genetic materials. Indispensable to an understanding of the poet's late work and entrancing on its own merit, A Vision aims to be, all at once, a work of theoretical history, an esoteric philosophy, an aesthetic symbology, a psychological schema, and a sacred book. It is as difficult as it is essential reading for any student of Yeats.