A monograph on one of the most influential visionary architects of the twentieth century, Claude Parent, whose buildings and theoretical work directly influenced leading architects Hadid, Libeskind, Nouvel and Gehry. The influence of the idealistic French architect Claude Parent (1923-2016) extends far beyond the legacy he left in iconic commercial and residential built works such as the Villa Drusch in Versailles (1963), the church of Sainte-Bernadette du Banlay in Nevers (1966), and GEM shopping centre in Sens (1970). Movement was at the heart of Parent's vision, and is nowhere more evident than in his drawings, many of which are published in this book for the first time-- drawings which, according to Frank Gehry, are "extraordinary--beautiful fantasies, full of poetry," and which Edwin Eathcote, writing for the Financial Times, described as "breathtaking... in their ambition they not only presage Daniel Libeskind and Zaha Hadid, they arguably surpass them." Parent's work manifests the oblique function theory he developed with Paul Virilio in 1963, that dictates that buildings should feature slopes, be wall-free where possible and have a predominance of space over surface. Featuring contributions by some of today's most renowned architects, this long-overdue publication is a must-have for students of architecture and architects alike. Including initial sketches for his best known buildings and never-before-seen drawings of unbuilt works, Claude Parent: Visionary Architect reveals the genius of a man who unquestionably changed the history of architecture.

A panoramic exploration of works of the imagination throughout history. Its emphasis is on how each architect, renderer, artist, and culture envisioned the future, hence the preponderance of buildings and urban cityscapes depicted are unbuilt. A range of work is included, from baroque stage sets to the film Metropolis, M.C. Escher, Frank Lloyd Wright, Hugh Ferriss, virtual L.A., and more. There are sketches, paintings, models, drawings, and computer images in a range of media and stylistic techniques, and a timeline integrates architectural events alongside their historical and cultural counterparts.

Starchitects: Visionary Architects of the Twenty-first Century offers a complete and detailed catalog of some of the world's most brilliant architects working today. Featuring biographies and studio information as well as detailed plants, drawings, and photographs of each building, this book is a must-have compendium celebrating the work of the best and brightest—the stars of architecture.

Now available in paperback, this bestselling volume chronicles one of the most innovative, influential, and beloved architects of the early 20th century. Gracefully written and brilliantly illustrated, this handsome new volume captures the vision, the wit, and the down-to-earth inventiveness of one of the most influential and beloved architects of the early twentieth century. Raised in Greenwich Village and trained in Paris, Maybeck spent most of his long career in northern California. An irrepressible bohemian with no desire to run a large office, he spent much of his time designing houses for friends and family, as well as for other patrons so loyal that they often hired him to design more than one house. Maybeck also created two of the most beautiful buildings in all of California: the exhilarating Church of Christ, Scientist, in Berkeley, and the gloriously romantic Palace of Fine Arts, in San Francisco. This incisive overview—the first to feature color reproductions of Maybeck's exquisite interiors and exteriors—analyzes every aspect of his life and work. Not only his architecture but also his furniture, his lighting designs, and his innovations in fire-resistant construction are thoroughly discussed and illustrated. The book is also enlivened by documentary photographs, by clearly drawn plans, and by several of Maybeck's dazzling, previously unpublished visionary drawings. Bernard Maybeck is a major study of an internationally significant architect whose environmentally responsive work has much to offer today's designers and whose houses have given enormous pleasure to those fortunate enough to visit or dwell in them.

Born out of the drawingbuilding.org online archive, Architectural Inventions presents a stunning visual study of impossible or speculative structures that exist only on paper. Soliciting the work of architects, designers, and artists of renown –as well as emerging talents from all over the world –Maximilian Goldfarb and Matt Bua have gathered an array of works that convey architectural alternatives, through products, expansions, or critiques of our inhabited environments. From abstract and conceptual visual interpretations of structures to more traditional architectural renderings, the featured work is divided into thematic chapters, ranging from 'Adapt/Reuse' to 'Clandestine'' 'Mobile'' 'Radical Lifestyle', 'Techno-Sustainable', and 'Worship'. Along with arresting and awe-inspiring illustrated content, every chapter also features an essay exploring its respective themes. Highlighting visions that exist outside of established channels of production and conventions of design, Architectural Inventions showcases a wide scope in concept and vision, fantasy and innovation.

Featuring 75 of the world's most influential architects, this book presents the story of 20th-century architecture through the fascinating personal stories and significant works that have shaped the field. Arranged in a broadly chronological order, the book gives the reader a sense of the impact that inventive individuals have had on the development of architecture and our built environment. Key dates in the architects' careers are listed in timeline features, thereby allowing the author freedom to move beyond well-known biographies to analyze the buildings and map out the exciting visions behind them. With insightful text describing carefully selected examples, this is a dynamic and unique guide to the architects whose visions have created the buildings around us.

In short, it is a book about those who have endeavored to preserve creativity in their profession and whose innovative ideas have led, in practical terms, to the development of new architectural concepts, new ways of living and working, and new aesthetic forms.