Do you know how the mythical bird Garuda became Vishnu’s Mount? What does a serpent coiled around a peacock signify? Which bird in the hands of Mohini represents carnal love? Have you ever wondered about the significance of the birds you see with gods and goddesses when you regularly prostrate and pray before them? Vishnu’s Mount unravels the world of birds in Hindu mythology and their significant roles in nature. It is a collection of interesting facts and characteristics of birds interwoven with the beliefs and practices through the ages that is a must-read for all bird lovers and bird watchers.

Garuda, eagle-faced son of sage Kashyapa and vinata, had strength that surpassed all the devas in Indralok. He was required to bring the plot of Amrit or Nectar of Immortality, to save his mother from slavery.

This encyclopedic volume is a thorough examination of the history of religion in ancient India, detailing each of the gods and goddesses, his or her origins, and how the gods continue to be worshipped today. The history of religion is directly tied to the history of the past one thousand years. World history is an important part of the history curriculum, making this volume a valuable teaching tool, as well as an entertaining read. Vibrant images make it a visual experience.

Known locally as the birthplace of American religious freedom, Flushing, Queens, in New York City is now so diverse and densely populated that it has become a microcosm of world religions. City of Gods explores the history of Flushing from the colonial period to the aftermath of September 11, 2001, spanning the origins of Vlissingen and early struggles between Quakers, Dutch authorities, Anglicans, African Americans, Catholics, and Jews to the consolidation of New York City in 1898, two World’s Fairs and postwar commemorations of Flushing’s heritage, and, finally, the Immigration Act of 1965 and the arrival of Hindus, Sikhs, Muslims, Buddhists, and Asian and Latino Christians. A synthesis of archival sources, oral history, and ethnography, City of Gods is a thought-provoking study of religious pluralism. Using Flushing as the backdrop to examine America’s contemporary religious diversity and what it means for the future of the United States, R. Scott Hanson explores both the possibilities and limits of pluralism. Hanson argues that the absence of widespread religious violence in a neighborhood with such densely concentrated religious diversity suggests that there is no limit to how much pluralism a pluralist society can stand. Seeking to gauge interaction and different responses to religious and ethnic diversity, the book is set against two interrelated questions: how and where have the different religious and ethnic groups in Flushing associated with others across boundaries over time; and when has conflict or cooperation arisen? By exploring pluralism from a historical and ethnographic context, City of Gods takes a micro approach to help bring an understanding of pluralism from a sometimes abstract realm into the real world of everyday lives in which people and groups are dynamic and integrating agents in a complex and constantly changing world of local, national, and transnational dimensions. Perhaps the most extreme example of religious and ethnic pluralism in the world, Flushing is an ideal place to explore how America’s long experiment with religious freedom and religious pluralism began and continues. City of Gods reaches far beyond Flushing to all communities coming to terms with immigration, religion, and ethnic relations, raising the question as to whether Flushing will come together in new and lasting ways to build bridges of dialogue or will it further fragment into a Tower of Babel.

The Adhyatma Ramayana (the Spiritually Elucidated Rama Story) is a part of the Brahmanda Purana by Maharishi Vyasa. The Mahadeva to Devi Parvati for enlightenment about Rama The All-Pervading Ultimate Reality. The reading, hearing or narration of this Ramayana brings betterment. As Rama is within everyone, every human being is inherently the store of bliss. Spiritually, every individual is the ever-pure Soul distinct from the body and thus free from the changes that the body undergoes. The devotees should worship God by affectionate respect for all. The wise devotee visulizes His presence in every atom of the cosmos, and, thereby establishes oneness with all.

Javanese shadow puppetry is a sophisticated dramatic form, often felt to be at the heart of Javanese culture, drawing on classic texts but with important contemporary resonance in fields like religion and politics. How to make sense of the shadow-play as a form of world-making? In Tall Tree, Nest of the Wind, Bernard Arps explores this question by considering an all-night performance of Dewa Ruci, a key play in the repertoire. Thrilling and profound, Dewa Ruci describes the mighty Bratasena’s quest for the ultimate mystical insight. The book presents Dewa Ruci as rendered by the distinguished master puppeteer Ki Anom Soeroto in Amsterdam in 1987. The book’s unusual design presents the performance texts together with descriptions of the sounds and images that would remain obscure in conventional formats of presentation. Copious annotations probe beneath the surface and provide an understanding of the performance's cultural complexity. These annotations explain the meanings of puppet action, music, and shifts in language; how the puppeteer wove together into the drama the circumstances of the performance in Amsterdam, Islamic and other religious ideas, and references to contemporary Indonesian political ideology. Also revealed is the performance’s historical multilayering and the picture it paints of the Javanese past. Tall Tree, Nest of the Wind not only presents an unrivalled insight into the artistic depth of wayang kulit, it exemplifies a new field of study, the philology of performance.

In the enchanted world of Braj, the primary pilgrimage center in north India for worshippers of Krishna, each stone, river, and tree is considered sacred. In Climate Change and the Art of Devotion, Sugata Ray shows how this place-centered theology emerged in the wake of the Little Ice Age (ca. 1550–1850), an epoch marked by climatic catastrophes across the globe. Using the frame of geoaesthetics, he compares early modern conceptions of the environment and current assumptions about nature and culture. A groundbreaking contribution to the emerging field of eco–art history, the book examines architecture, paintings, photography, and prints created in Braj alongside theological treatises and devotional poetry to foreground seepages between the natural ecosystem and cultural production. The paintings of deified rivers, temples that emulate fragrant groves, and talismanic bleeding rocks that Ray discusses will captivate readers interested in environmental humanities and South Asian art history. Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/climate-change-and-the-art-of-devotion