In this book, Ivo Blom offers unique insights into the visual vocabulary of Italian filmmaker Luchino Visconti (1906-76), whose cinematic masterpieces include canonical works like Obsession, The Earth Trembles, and The Leopard. Meticulously examining Visconti's use of European art in his set and costume design, Reframing Luchino Visconti also investigates his cinematography in terms of staging, framing, and mirroring, among other aspects, offering valuable contextualization for the optical splendor in Visconti's films and revealing their close ties to the other visual arts.

Every house has a story to tell. Laura Horton doesn’t know if the rumours about Leon Murphy are true, but she keeps her distance anyway. It’s hard enough being the girl from the haunted house. However, Laura soon finds she has more in common with Leon than she first thought. They are both outsiders. They both have secrets. And they are both drawn to the mystery hidden within the walls of the Visconti House. As Laura begins to piece together the fragments of the puzzle, she and Leon take an unexpected journey into the past, one that will change their lives – and open their hearts – forever.

Since the beginning, much of Italian cinema has been sustained by transforming literature into moving images. This tradition of literary adaptation continues today, challenging artistic form and practice by pressuring the boundaries that traditionally separate film from its sister arts. In the twentieth century, director Luchino Visconti is a keystone figure in Italy's evolving art of adaptation. From the tumultuous years of Fascism and postwar Neorealism, through the blockbuster decade of the 1960s, into the arthouse masterpieces of the 1970s, Visconti's adaptations marked a distinct pathway of the Italian cinematic imagination. Luchino Visconti and the Alchemy of Adaptation examines these films together with their literary antecedents. Moving past strict book-to-film comparisons, it ponders how literary texts encounter and interact with a history of cultural and cinematic forms, genres, and traditions. Matching the major critical concerns of the postwar period (realism, political filmmaking, cinematic modernism) with more recent notions of adaptation and intermediality, this book reviews how one of Italy's greatest directors mined literary ore for cinematic inspiration.

The first thorough study of the Italian filmmaker, Luchino Visconti.

Through an analysis of the works of Italian filmmaker Luchino Visconti, García Düttmann explores the insight that it is never the real but always the possible that blocks the path to change.

Suffering from amnesia, Magenta is working at a bar when she sees a breathtakingly handsome man. Her instincts tell her that his name is Andreas and he’s the father of her child. She remembers there was love between them, but the look in his eyes is filled with hatred. The following day, she’s at a job interview for a secretarial position at a high-end hotel chain. She must snag the job so she can provide her son with a comfortable life. But her chances are ruined by Andreas when he suddenly appears. She wonders what she did to him to deserve such hatred.?

The Tarot is much more than mere pictures on cards, the pictures are physical symbols for spiritual concepts. The images are symbolic representation of archetypal forces and/or beings which have always existed and have been identified and passed on to us by ancient initiates and which provide a focus for us to use in self-initiation, spiritual development, and the perception of hidden wisdom. The tarot deck included in this beautiful set was commissioned around 1451 by the Visconti and Sforza families, and it is one of the oldest tarot decks in existence. The images on the cards have been faithfully recreated, showing members of the Sforza and Visconti families in period garments. The borders of the elegant cards are adorned with gold metallic ink. The accompanying book provides a history of Visconti-Sforza cards, 35 of which are now in the collection of the Pierpont Morgan Library in New York City. The symbolism of the different cards is described, along with explanations of different ways to arrange the cards when seeking information about different aspects of life. This beautiful gift box holds the book and card deck side by side, with a purple satin reading cloth folded and placed underneath the book.