Francis Willughby together with John Ray revolutionized the study of natural history. They were motivated by the new philosophy of the mid 1600s and transformed natural history in to a rigorous area of study. Because Ray lived longer and more of his writings have survived, his reputation subsequently eclipsed that of Willughby. Now, with access to previously unexplored archives and new discoveries we are able to provide a comprehensive evaluation of Francis Willughby’s life and works. What emerges is a polymath, a true virtuoso, who made original and imaginative contributions to mathematics, chemistry, linguistics as well as natural history. We use Willughby’s short life as a lens through which to view the entire process of seventeenth-century scientific endeavor. Contributors are Tim Birkhead, Isabelle Charmantier, David Cram, Meghan Doherty, Mark Greengrass, Daisy Hildyard, Dorothy Johnston, Sachiko Kusukawa, Brian Ogilvie, William Poole, Chris Preston, Anna Marie Roos, Richard Serjeantson, Paul J. Smith and Benjamin Wardhaugh.

'Birkhead has combined ingenuity and perseverance to produce an evocative portrait of a great pioneer in the scientific study of birds' Literary Review Francis Willughby lived and thrived in the midst of the scientific revolution of the seventeenth century. Along with his Cambridge tutor John Ray, Willughby was determined to overhaul the whole of natural history and impose order on its complexity. It was exhilarating, exacting and exhausting work. Yet before Willughby and Ray could complete their monumental encyclopaedia of birds, Ornithology, Willughby died. In the centuries since, Ray's reputation has grown, obscuring that of his collaborator. Now, for the first time, Willughby's own story and genius are given the attention they deserve. Tim Birkhead celebrates how Willughby's endeavours set a standard for the way birds and natural history should be studied. Rich with glorious detail, The Wonderful Mr Willughby is a fascinating insight into a thrilling period of scientific history and a lively biography of a man who lived at its heart.

Ichthyology in Context (1500–1880) provides a broad spectre of early modern manifestations of human fascination with fish – “fish” understood in the early modern sense of the term, as aquatilia: all aquatic animals, including sea mammals and crustaceans. It addresses the period’s quickly growing knowledge about fish in its multiple, varied and rapidly changing interaction with culture. This topic is approached from various disciplines: history of science, cultural history, history of collections, historical ecology, art history, literary studies, and lexicology. Attention is given to the problematic questions of visual and textual representation of fish, and pre- and post-Linnean classification and taxonomy. This book also explores the transnational exchange of ichthyological knowledge and items in and outside Europe. Contributors: Cristina Brito, Tobias Bulang, João Paulo S. Cabral, Florike Egmond, Dorothee Fischer, Holger Funk, Dirk Geirnaert, Philippe Glardon, Justin R. Hanisch, Bernardo Jerosch Herold, Rob Lenders, Alan Moss, Doreen Mueller, Johannes Müller, Martien J.P. van Oijen, Pietro Daniel Omodeo, Anne M. Overduin-de Vries, Theodore W. Pietsch, Cynthia Pyle, Marlise Rijks, Paul J. Smith, Ronny Spaans, Robbert Striekwold, Melinda Susanto, Didi van Trijp, Sabina Tsapaeva, and Ching-Ling Wang.

This book explores the spatial, material, and affective dimensions of solitude in the late medieval and early modern periods, a hitherto largely neglected topic. Its focus is on the dynamic qualities of “space” and “place”, which are here understood as being shaped, structured, and imbued with meaning through both social and discursive solitary practices such as reading, writing, studying, meditating, and praying. Individual chapters investigate the imageries and imaginaries of outdoor and indoor spaces and places associated with solitude and its practices and examine the ways in which the space of solitude was conceived of, imagined, and represented in the arts and in literature, from about 1300 to about 1800. Contributors include Oskar Bätschmann, Carla Benzan, Mette Birkedal Bruun, Dominic E. Delarue, Karl A.E. Enenkel, Christine Göttler, Agnès Guiderdoni, Christiane J. Hessler, Walter S. Melion, Raphaèle Preisinger, Bernd Roling, Paul Smith, Marie Theres Stauffer, Arnold A. Witte, and Steffen Zierholz.

This volume is an invaluable portrait of family, kinship, regional and national dynamics in the Tudor and early Stuart period. Based on letters and papers that Cassandra Willoughby found in the family library, her Account focuses on the women of the family, and offers insight into sixteenth-century family dynamics, gentry culture and court connections.

He was the dominant intellectual figure of his age. His published works, including the Principia Mathematica and Opticks, reached across the scientific spectrum, revealing the degree of his interdisciplinary genius. His renown opened doors throughout his career, securing him prestigious positions at Cambridge, the Royal Mint, and the Royal Society. Yet alongside his public success, Sir Isaac Newton harbored private religious convictions that set him at odds with established law and Anglican doctrine, and, if revealed, threatened not just his livelihood but his life. Religion and faith dominated much of Newton's thought and his manuscripts, in various states of completion and numbering in the thousands of pages, are filled with biblical speculation and timelines, along with passages that excoriated the early Church Fathers. They make clear that his theological positions rendered him a heretic. Newton believed that the central concept of the Trinity was a diabolical fraud and loathed the idolatry, cruelty, and persecution that had come to characterize orthodox religion. Instead, he proposed as "simple Christianity"--a faith that would center on a few core beliefs and celebrate diversity in religious thinking and practice. An utterly original but obsessively private religious thinker, Newton composed some of the most daring works of any writer of the early modern period. Little wonder that he and his inheritors suppressed them, and that for centuries they were largely inaccessible. In Priest of Nature, historian Rob Iliffe introduces readers to Newton the religious animal, deepening our understanding of the relationship between faith and science at a formative moment in history and thought. Previous scholars and biographers have generally underestimated the range and complexity of Newton's religious writings, but Iliffe shows how wide-ranging his observations and interests were, spanning the entirety of Christian history from Creation to the Apocalypse. Iliffe's book allows readers to fully engage in the theological discussion that dominated Newton's age. A vibrant biography of one of history's towering scientific figures, Priest of Nature is the definitive work on the spiritual views of the man who fundamentally changed how we look at the universe.

Explores the development of natural history since the Renaissance and contextualizes current discussions of biodiversity.