A timely, gripping novel about a girl who must speak out, stand up, and break free--perfect for teen fans of The Handmaid's Tale and Matched by Ally Condie, and perfect for this moment. As a girl, Miriam is forced to quiet her tongue and hold back her thoughts. That is the way of things in her desert haven, far away from the outside world. But Miriam knows that within the compound's gates and under the eye of its leader, Daniel, she is safe, and that makes her life far better than any alternative. But when a Matrimony ceremony goes wrong and Miriam winds up with someone other than the boy she loves--the boy she'd thought she was destined to marry--she can no longer keep quiet. For the first time, Miriam begins to question not only the rules that have guided her throughout her entire life, but also who she is at her very core. Alongside unexpected allies, Miriam fights to learn the truth and live the life she knows she's meant to have. In this compelling debut novel, one girl learns that the greatest power she has is her own voice. Now available in paperback, this book includes a discussion guide--perfect for your next book club pick Praise for The Virtue of Sin: "Shannon Schuren weaves a complex tale of love, faith, and lies in her thought-provoking debut The Virtue of Sin. As important as it is entertaining, this is a must-read for anyone who knows that independent thought trumps fitting in. One of my favorite reads of the year." --Christina Dalcher, bestselling author of Vox "Schuren beautifully captures the breathlessness of both first love, and first rebellion, in this engrossing, timely book. Part page-turning drama, part romance, the novel is above all an exploration of the ways repression can damage the soul--and what it takes to rise above it." --Jennifer Donaldson, critically acclaimed author of Lies You Never Told Me "Compulsively readable." --BCCB "Well written." --SLJ

Virtue, Big as Sin is impressively wide-ranging in theme and style. It illuminates everyday vignettes with solicitous spotlights such as the bereaved son sorting the contents of his father’s medicine cabinet, or the father whose son’s driver’s education recalls the time his own “unharnessed” Mustang went “bungeeing” around a bend; it celebrates the artist’s creative highs, or reflects on the misfortunate who is forever nearing the threshold of achievement, aware that life may prove a “most inept librettist” and should thus be paired with our “strongest song.” Osen’s dexterity with both formal and free verse is apparent. His wit and humor prevent the serious from becoming ponderous while his intelligent insight lends depth to the lighthearted. Reading and rereading this outstanding debut collection, it is easy to see why—from the first poem to the last—it is a worthy winner of the 2012 Able Muse Book Award. PRAISE FOR VIRTUE, BIG AS SIN: Frank Osen’s Virtue, Big as Sin offers one witty, elegant poem after another. The rhymes are especially clever, the meter sure, the stanzas well-shaped, but this poet’s sense of proportion is also reflected in wisdom (and what is wisdom but a sense of proportion?). An urbane maker of sparkling phrases like “that genuine Ur of the ersatz,” Osen can also write plainly, movingly, about a young girl’s funeral. And he reflects often on art itself, which he so rightly calls “the conjured awe.” —Mary Jo Salter (Judge, 2012 Able Muse Book Award) In his talent for tragedy and comedy, and for mixing them, Osen takes his place in a distinguished line of English-language poets that runs from Chaucer and Shakespeare down to our day. —Timothy Steele (from the afterword) Reading Virtue, Big as Sin has left me with the sense of satisfaction and enduring pleasure that really good poetry always produces, even when it also does the rest of what honest writing may do: confirm suspicions about ourselves we wish we could refute, bring to mind aspects of nature we’d rather forget, and deliver alarming news about the future, both public and private. Frank Osen does all of this and much more, all with grace and wit, in language that makes the messenger thoroughly “one of us.” —Rhina P. Espaillat Frank Osen’s poems revel in beauty and pleasure, in technical dexterity and high-gloss finish. Readers who care about such things will be abundantly rewarded. But the reveling is haunted by loss, awful possibilities of failure, a nothingness glimpsed beneath the carnival. One of Osen’s avowed tutelary spirits is Wallace Stevens, and his probing of his subjects can often seem like an extended, heart-wrenching commentary on Stevens’s line, “Death is the mother of Beauty.” The fragility of beauty, the omnipresence of death, and the intimate connections between them, are everywhere present in these marvelously heartening and effective poems. —Dick Davis

Saints, sinners, and the mere mortals in between What do you need to be a saint these days? Ambition, determination and good PR. But what do you do if your mother's a saint and you just want to be human? Anna and Harriet are about to find out. Anna and Harriet share a burden: hellishly saintly mothers. So when they meet, initial loathing turns swiftly to recognition and firm friendship. Happily settled in a chaotic flat and armed with a wicked sense of humour, they set out to paint the town red. And for a while life goes swimmingly. But when they tread on one toe too many, they find that they have only their worst instincts - and each other - to rely on. Be good. And if you can't be good, be careful...

Virtues and Their Vices is the only extant contemporary, comprehensive treatment of specific virtues and, where applicable, their competing vices. Each of the essays, written exclusively for this volume, not only locates discussion of that virtue in its historical context, but also advances the discussion and debate concerning the understanding and role of the virtues. Each of the first four sections focuses on a particular, historically important class of virtues: the cardinal virtues, the capital vices (or "seven deadly sins") and the corrective virtues, intellectual virtues, and the theological virtues. The final section discusses the role virtue theory and the virtues themselves play in a number of disciplines, ranging from theology and political theory to neurobiology and feminism. The treatment of the virtues in this present volume is sensitive to the historical heritage of the virtues, including their theological heritage, without paying undue attention to the historical and theological issues. Virtues and Their Vices engages contemporary philosophical scholarship as well as relevant scholarship from related disciplines throughout. It is a unique and compelling addition to the philosophical treatment of the virtues as well as their import in a wide spectrum of disciplines.

What it means to be a man or a woman is questioned today like never before. While traditional gender roles have been eroding for decades, now the very categories of male and female are being discarded with reckless abandon. How does one act like a gentleman in such confusing times? The Catholic Gentleman is a solid and practical guide to virtuous manhood. It turns to the timeless wisdom of the Catholic Church to answer the important questions men are currently asking. In short, easy- to-read chapters, the author offers pithy insights on a variety of topics, including • How to know you are an authentic man • Why our bodies matter • The value of tradition • The purpose of courtesy • What real holiness is and how to achieve it • How to deal with failure in the spiritual life

A forceful and accessible discussion of Christian belief that has become one of the most popular introductions to Christianity and one of the most popular of Lewis's books. Uncovers common ground upon which all Christians can stand together.

A major work in moral philosophy by the Puritan who was the most modern man of his age. "Edwards at his very greatest . . . he speaks with an insight into science and psychology so much ahead of his time that our own can hardly be said to have caught up with him." Perry Miller, 'Jonathan Edwards' Like the great speculators Augustine, Aquinas, and Pascal, Jonathan Edwards treated religious ideas as problems not of dogma, but of life. His exploration of self-love disguised as "true virtue" is grounded in the hard facts of human behavior. More than a hellfire preacher, more than a theologian, Edwards was a bold and independent philosopher. Nowhere is his force of mind more evident than in this book. He speaks as powerfully to us today as he did to the keenest minds of the eighteenth century.