What if there had been no American War of Independence? What if Hitler had invaded Britain? What if Kennedy had lived? What if Russia had won the Cold War? Niall Ferguson, author of the highly acclaimed The Pity of War, leads the charge in this historically rigorous series of separate voyages into “imaginary time” and provides far-reaching answers to these intriguing questions.Ferguson's brilliant 90-page introduction doubles as a manifesto on the methodology of counter-factual history. His equally masterful afterword traces the likely historical ripples that would have proceeded from the maintenance of Stuart rule in England. This breathtaking narrative gives us a convincing, detailed “alternative history” of the West—from the accession of “James III” in 1701, to a Nazi-occupied England, to a U.S. Prime Minister Kennedy who lives to complete his term.

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Speculates what may have happened if nine major events did not occur, asking such questions as, "What if there had been no American Revoultion?" and "What if John F. Kennedy had lived?"

Inventing counterfactual histories is a common pastime of modern day historians, both amateur and professional. We speculate about an America ruled by Jefferson Davis, a Europe that never threw off Hitler, or a second term for JFK. These narratives are often written off as politically inspired fantasy or as pop culture fodder, but in Telling It Like It Wasn’t, Catherine Gallagher takes the history of counterfactual history seriously, pinning it down as an object of dispassionate study. She doesn’t take a moral or normative stand on the practice, but focuses her attention on how it works and to what ends—a quest that takes readers on a fascinating tour of literary and historical criticism. Gallagher locates the origins of contemporary counterfactual history in eighteenth-century Europe, where the idea of other possible historical worlds first took hold in philosophical disputes about Providence before being repurposed by military theorists as a tool for improving the art of war. In the next century, counterfactualism became a legal device for deciding liability, and lengthy alternate-history fictions appeared, illustrating struggles for historical justice. These early motivations—for philosophical understanding, military improvement, and historical justice—are still evident today in our fondness for counterfactual tales. Alternate histories of the Civil War and WWII abound, but here, Gallagher shows how the counterfactual habit of replaying the recent past often shapes our understanding of the actual events themselves. The counterfactual mode lets us continue to envision our future by reconsidering the range of previous alternatives. Throughout this engaging and eye-opening book, Gallagher encourages readers to ask important questions about our obsession with counterfactual history and the roots of our tendency to ask “What if...?”

The British divided and quit India in 1947. The partition of India and the creation of Pakistan uprooted entire communities and left unspeakable violence in its trail. This volume tells the story of partition through the events that led up to it, the terrors that accompanied it, to migration and resettlement. In a new shift in the understanding of this seminal moment, the book also explores the legacies of partition which continue to resonate today in the fractured lives of individuals and communities, and more broadly in the relationship between India and Pakistan and the ongoing conflict over contested sites. In conclusion, the book reflects on the general implications of partition as a political solution to ethnic and religious conflict. The book, which is accompanied by photographs, maps and a chronology of major events, is intended for students as a portal into the history and politics of the Asian region.

Counterfactuals is David Lewis' forceful presentation of and sustained argument for a particular view about propositions which express contrary to fact conditionals, including his famous defense of realism about possible worlds.

A bullet misses its target in Sarajevo, a would-be Austrian painter gets into the Viennese academy, Lord Halifax becomes British prime minister in 1940: seemingly minor twists of fate on which world-shaking events might have hinged. Alternative history has long been the stuff of parlour games, war-gaming and science fiction, but over the past few decades it has become a popular stomping ground for serious historians. Richard J. Evans now turns a critical, slightly jaundiced eye on the subject. Altered Pasts examines the intellectual fallout from historical counterfactuals. Most importantly, Evans takes counterfactual history seriously, looking at the insights, pitfalls and intellectual implications of changing one thread in the weave of history.