In Virginia's Native Son, the election of L. Douglas Wilder in Virginia represents the first time an African-American was elected Governor in the history of the United States. The book hits on five main points of his election and administration, including an analysis of the campaign victory, the media's response to the campaign, the racism involved with the election and administration, the administration itself, and the legacy of the administration.

That the Blood Stay Pure traces the history and legacy of the commonwealth of Virginia's effort to maintain racial purity and its impact on the relations between African Americans and Native Americans. Arica L. Coleman tells the story of Virginia's racial purity campaign from the perspective of those who were disavowed or expelled from tribal communities due to their affiliation with people of African descent or because their physical attributes linked them to those of African ancestry. Coleman also explores the social consequences of the racial purity ethos for tribal communities that have refused to define Indian identity based on a denial of blackness. This rich interdisciplinary history, which includes contemporary case studies, addresses a neglected aspect of America's long struggle with race and identity.

Left destitute after the Civil War by the death of David Winfree, her former master and the father of her children, Emily Winfree underwent unimaginable hardships to keep her family together. Living with them in the tiny cottage he had given her, she worked menial jobs to make ends meet until the children were old enough to contribute. Her sacrifices enabled the successes of many of her descendants. Authors Jan Meck and Virginia Refo tell the true story of this remarkable African American woman who lived through enslavement, war, Reconstruction and Jim Crow in Central Virginia. The book is enriched with copies of many original documents, as well as personal recollections from a great-granddaughter of Emily's. The story concludes with pictures and biographies of some of her descendants.

Chattel slavery in colonial America was an attack upon dynastic rule. The shot heard around the world was not a musket shot fired in April 1775. Rather, it was the verdict of Englands Supreme Court that slavery is an odious scheme and not authorized under Englands rule of law in June 1772. Englands traditions and rule of law were immutableit was truly a nation of laws and not of men. Depriving native sons of liberty at birth was unconstitutional. Colonial chattel slave practices were criminal enterprises, and Queen Charlotte, the wife of Englands King George the Third, recognized it as a threat to her son the Prince of Waless ascension to the British throne due to her obvious and much talked-about African heritage. Englands Queen Charlotte was black under the black codes one-drop rule, and she knew that if black native sons could lose their birthrights, though the rule of law declares them to be Englishmen, that pretenders to the kings throne might challenge her sons birthright. The queen concerned herself with great interest in the habeas corpus case of a colony of Virginia-born black named James Somersett. The significance of the Somersett habeas corpus case was Englands emancipation of its slaves has escaped telling. Told with all the power and drama of a novel, Kings Native Sons: Lies, Lessons and Legacies is an extraordinary account of a pulse-pounding human drama framed by political intrigue and raw human emotions (Larry Kenneth Alexander, cultural theorist). Contact [email protected] for pricing of prints, private book signings, and speaking engagements.

This detailed analysis examines the role of race and racism in American politics since the 1980s, and contends that—despite the election of Barack Obama—the effects of white supremacy still divide American society and affect voter behavior today. How have the increasing diversity of our people and the election of the first black president influenced American politics? This book investigates every aspect of race and politics from voter ID laws to redistricting to the use of racially divisive issues in campaigns. Each of the seven chapters explores a specific political issue from its historical origin to its legacy in present-day politics, and the book features some of the most controversial topics on the subject, including disguised racism and the myth of a post-racial America. The Color of Politics: Racism in the American Political Arena Today considers a wide spectrum of political issues as it relates to minority populations. The author asserts that from the Bradley effect of the 1980s to the discourse used by the Tea Party, racism has left a lasting imprint on contemporary politics over the last 30 years.

Contributions by Robert J. Butler, Ginevra Geraci, Yoshinobu Hakutani, Floyd W. Hayes III, Joseph Keith, Toru Kiuchi, John Lowe, Sachi Nakachi, Virginia Whatley Smith, and John Zheng Critics in this volume reassess the prescient nature of Richard Wright's mind as well as his life and body of writings, especially those directly concerned with America and its racial dynamics. This edited collection offers new readings and understandings of the particular America that became Wright's focus at the beginning of his career and was still prominent in his mind at the end. Virginia Whatley Smith's edited collection examines Wright's fixation with America at home and from abroad: his oppression by, rejection of, conflict with, revolts against, and flight from America. Other people have written on Wright's revolutionary heroes, his difficulties with the FBI, and his works as a postcolonial provocateur; but none have focused singly on his treatment of America. Wherever Wright traveled, he always positioned himself as an African American as he compared his experiences to those at hand. However, as his domestic settlements changed to international residences, Wright's craftsmanship changed as well. To convey his cultural message, Wright created characters, themes, and plots that would expose arbitrary and whimsical American policies, oppressive rules which would invariably ensnare Wright's protagonists and sink them more deeply into the quagmire of racial subjugation as they grasped for a fleeting moment of freedom. Smith's collection brings to the fore new ways of looking at Wright, particularly his post-Native Son international writings. Indeed, no critical interrogations have considered the full significance of Wright's masterful crime fictions. In addition, the author's haiku poetry complements the fictional pieces addressed here, reflecting Wright's attitude toward America as he, near the end of his life, searched for nirvana—his antidote to American racism.