In this companion book to Mrs. Dalloway, Molly Hoff illuminates much that is hidden in Virginia Woolf's celebrated and often misunderstood novel. Mrs. Dalloway is brimming with references, both overt and subtle, to other works of literature, historical events, and goings-on in Woolf's own life. Invisible Presences serves, as Hoff states in her preface, "as a kind of reference manual for commentary on individual passages that may be of interest." Virginia Woolf's Mrs. Dalloway: Invisible Presences will doubtless provide a wealth of material to enrich lesson plans and syllabi for those who, as Hoff puts it, "profess literature." It however has its own beginning, middle, and end to guide any reader. Thus it serves as two books at once. It is hoped it will lead to a deep understanding of Mrs. Dalloway and Woolf's method in general.

Virginia Woolf Miscellanies comprises the latest research on Virginia Woolf's life and work by prominent scholars and authors in the field of twentieth-century literature. Presented as a compilation of papers and abstracts from the First Annual Conference on Virginia Woolf, this collection yields the most recent opinions and discoveries concerning Woolf, from current analyses of her most celebrated works to new biographical interpretations. Among the topics addressed are Woolf and Mourning; Woolf and Pedagogy, Experimentalist Contemporaries; Lesbian Myth and Ritual; Feminism; Woolf and her Audience; Woolf as "Landscape Artist" and Cultural Historian. A list of over sixty contributors includes works by Carol Ascher, Pamela Caughie, Louise DeSalvo, Evelyn Haller, Jane Lazarre, Jane Lilienfield, Roger Poole, Jean Moorcraft Wilson, Alex Zwerdling and many others.

Reinvigorates modernist analysis of myth in Virginia Woolf's fiction by illuminating Woolf's use of parataxis to engage both myth and contemporary social and political issues.

Julia Briggs has written a chronological exploration of Woolf's life that reads her life through her books, using the novels to create a new form of biography. Each chapter is illustrated with a sample of Woolf's original manuscript.

Arguing that sound is integral to Virginia Woolf's understanding of literature, Elicia Clements highlights how the sonorous enables Woolf to examine issues of meaning in language and art, elaborate a politics of listening, illuminate rhythmic and performative elements in her fiction, and explore how music itself provides a potential structural model that facilitates the innovation of her method in The Waves. Woolf's investigation of the exchange between literature and music is thoroughly intermedial: her novels disclose the crevices, convergences, and conflicts that arise when one traverses the intersectionality of these two art forms, revealing, in the process, Woolf's robust materialist feminism. This book focuses, therefore, on the conceptual, aesthetic, and political implications of the musico-literary pairing. Correspondingly, Clements uses a methodology that employs theoretical tools from the disciplines of both literary criticism and musicology, as well as several burgeoning and newly established fields including sound, listening, and performance studies. Ultimately, Clements argues that a wide-ranging combination of these two disciplines produces new ways to study not only literary and musical artifacts but also the methods we employ to analyze them.

Winner of the prestigious Prix Goncourt award for biography, this remarkable portrait sheds new light on Virginia Woolf's relationships with her family and friends and how they shaped her work. Forrester weaves a colorful, intense drama that forces readers to rethink their understanding of Woolf, her writing, and her world.

Songs and Sonnets (1557), the first printed anthology of English poetry, was immensely influential in Tudor England, and inspired major Elizabethan writers including Shakespeare. Collected by pioneering publisher Richard Tottel, it brought poems of the aristocracy - verses of friendship, war, politics, death and above all of love - into wide common readership for the first time. The major poets of Henry VIII's court, Sir Thomas Wyatt and Henry Howard, Earl of Surrey, were first printed in the volume. Wyatt's intimate poem about lost love which begins 'They flee from me, that sometime did me seke', and Surrey's passionate sonnet 'Complaint of a lover rebuked' are joined in the miscellany by a large collection of diverse, intriguingly anonymous poems both moral and erotic, intimate and universal.