Virginia Woolf and the Bloomsbury Avant-Garde traces the dynamic emergence of Woolf's art and thought against Bloomsbury's public thinking about Europe's future in a period marked by two world wars and rising threats of totalitarianism. Educated informally in her father's library and in Bloomsbury's London extension of Cambridge, Virginia Woolf came of age in the prewar decades, when progressive political and social movements gave hope that Europe "might really be on the brink of becoming civilized," as Leonard Woolf put it. For pacifist Bloomsbury, heir to Europe's unfinished Enlightenment project of human rights, democratic self-governance, and world peace—and, in E. M. Forster's words, "the only genuine movement in English civilization"— the 1914 "civil war" exposed barbarities within Europe: belligerent nationalisms, rapacious racialized economic imperialism, oppressive class and sex/gender systems, a tragic and unnecessary war that mobilized sixty-five million and left thirty-seven million casualties. An avant-garde in the twentieth-century struggle against the violence within European civilization, Bloomsbury and Woolf contributed richly to interwar debates on Europe's future at a moment when democracy's triumph over fascism and communism was by no means assured. Woolf honed her public voice in dialogue with contemporaries in and beyond Bloomsbury— John Maynard Keynes and Roger Fry to Sigmund Freud (published by the Woolfs'Hogarth Press), Bertrand Russell, T. S. Eliot, E. M. Forster, Katherine Mansfield, and many others—and her works embody and illuminate the convergence of aesthetics and politics in post-Enlightenment thought. An ambitious history of her writings in relation to important currents in British intellectual life in the first half of the twentieth century, this book explores Virginia Woolf's narrative journey from her first novel, The Voyage Out, through her last, Between the Acts.

A revised and fully updated edition, featuring five new chapters reflecting recent scholarship on Woolf.

Virginia Woolf and the European Avant-Garde: London, Painting, Film and Photography explores the aesthetics of Woolf’s image of London in her writings. The image of London does not make Woolf a “stay-at-home” writer. Through her life long engagement with the visual arts, art criticism and philosophy, Woolf finds related expression in literature, as one can see in her narrative: the Post-Impressionist dual vision of painting in writing, Cubist cinematic flashback and montage of shots, and Surrealist snapshort of life, death and desire. Woolf’s narrative from defines her own modernism in the context of the city. Her vision shows the dialectics of inner and outer spheres, in which the aesthetics of the urban gendered gaze is significant.【秀威資訊科技股份有限公司製作】

For students of modern literature, the works of Virginia Woolf are essential reading. In her novels, short stories, essays, polemical pamphlets and in her private letters she explored, questioned and refashioned everything about modern life: cinema, sexuality, shopping, education, feminism, politics and war. Her elegant and startlingly original sentences became a model of modernist prose. This is a clear and informative introduction to Woolf's life, works, and cultural and critical contexts, explaining the importance of the Bloomsbury group in the development of her work. It covers the major works in detail, including To the Lighthouse, Mrs Dalloway, The Waves and the key short stories. As well as providing students with the essential information needed to study Woolf, Jane Goldman suggests further reading to allow students to find their way through the most important critical works. All students of Woolf will find this a useful and illuminating overview of the field.

Virginia Woolf was one of the most important writers of the twentieth century. As the author of works including Mrs Dalloway, To the Lighthouse and A Room of One's Own, she is celebrated both as a Modernist and as a feminist icon. Her involvement in the lively and controversial Bloomsbury Group, which included the writer Lytton Strachey, the painters Vanessa Bell and Roger Fry and the economist Maynard Keynes, was a significant part of both her personal and creative lives. As a group they were witty, bold and original and their intellectual and artistic accomplishments have had a lasting impact. Popular fascination with Virginia Woolf and the Bloomsbury Group is reflected in the success of the recent films The Hours and Carrington. The Bedside, Bathtub and Armchair Companion to Virginia Woolf and Bloomsbury is a fascinating guide to these intriguing characters. It presents Woolf as a dynamic individual with a wide and fascinating circle of friends. The book explores Woolf's early life and family, the origins and activities of the Bloomsbury Group and Woolf's later career and those of her friends. It also includes sections on the Hogarth Press, Virginia Woolf and the Suffrage movement, the myths and reality of Virginia's death and the continuing presence of the Bloomsbury Group in popular culture. Packed with insight and information, and illustrated throughout, the companion is the ideal guide to Virginia Woolf and her contemporaries.

This volume combines two books which were among the greatest contributions to feminist literature this century. Together they form a brilliant attack on sexual inequality and a passionate polemic which draws a startling comparison between the tyrannous hypocrisy of the Victorian patriarchal system and the evils of fascism. Virginia Woolf makes the connection between war and the economy and a woman's role (or lack there of) in both. A Room of One's Own, first published in 1929, is a witty, urbane and persuasive argument against the intellectual subjection of women, particularly women writers. The sequel, Three Guineas, is a passionate polemic which draws a startling comparison between the tyrannous hypocrisy of the Victorian patriarchal system and the evils of fascism.