The buildings they constructed, the churches in which they worshiped and the schools in they studies preserve the story of these contributions.

The Virginia Landmarks Register, fourth edition, will create for the reader a deeper awareness of a unique legacy and will serve to enhance the stewardship of Virginia's irreplaceable heritage.

Virginia encompasses "this nation's longest continuous experience of Afro-American life and culture," esteemed scholar Armstead L. Robinson has written. This book offers both highway and armchair travelers the first published guide to the locations and texts of more than three hundred state historical highway markers recalling significant people, places, and events in Virginia's African American history. Published to coincide with the 2019 commemoration of the first documented arrival of Africans to present-day Virginia in 1619, A Guidebook to Virginia's African American Historical Markers showcases topics of state and national significance, spanning the colonial era through the mid-1960s and the civil rights movement. Nearly all of these markers were approved by the Virginia Board of Historic Resources within the past forty years, through early 2019, thereby enlarging the sweep and scope of the nation's oldest statewide historical highway marker program.

Spotsylvania County, Virginia, was established in 1721, but it was not until after the Civil War that the names of approximately 4,700 African Americans born and/or living in the county were recorded for the first time. More than 150 African Americans were over the age of 70 as recorded in the 1870 census report. The county is best known as the namesake of its dynamic governor, Alexander Spotswood, and for its bloody Civil War battles. The African American community emerged from the ravages of war after more than 140 years of slavery. The community formalized the institutions they developed for survival during those years and charted a path for their growth. This volume pays homage to religion, work, service, education, and the human touch that brought families through undeniably difficult times.

Historic Sites in Virginia's Northern Neck and Essex County is an indispensible guide for those who have an active or potential interest in the rich history of the Northern Neck region of Virginia and its historic sites. This six-county Tidewater region includes the birthplaces of George Washington, James Madison, James Monroe, and Robert E. Lee. The guide includes a brief history of the region beginning with the exploratory voyages of Captain John Smith up the Potomac and Rappahannock Rivers in 1608, and his encounters with various local Native American tribes. The 460 historic sites described here range from grand plantations such as Stratford Hall, to the modest early homes of middling planters, to early churches, schools, and courthouses. Most of these sites still exist, but some "lost" sites are also included because of their historical significance, and as reminders of the continuing need for active preservation efforts. The book contains 445 photos together with 36 maps showing the location of these historic sites. The general cutoff date for inclusion was the Civil War, but the guide contains descriptions of some later sites as well, including many early African American schools and churches, and important sites involving the steamboat and fishing industries. Distributed for Preservation Virginia, Northern Neck Branch

Fauquier County, in Northern Virginia, was established in 1759. It was formed from Prince William County and was named for Virginia lieutenant governor Francis Fauquier. In 1790, there were 6,642 slaves in Fauquier County. By the eve of the Civil War, there were 10,455. From 1817 to 1865, the county was home to 845 free black people. The African American population declined at the end of Reconstruction, and by 1910, the white population was double that of blacks. The population imbalance continues today. Through centuries of slavery and segregation, Fauquier County's African American population survived, excelled, and prospered. This minority community established and supported numerous churches, schools, and businesses, as well as literary, political, and fraternal organizations that enhanced the quality of life for the entire county.

A NEW YORK TIMES CRITICS' TOP BOOK OF THE YEAR • BOOKLISTS' EDITOR'S CHOICE • ONE OF NPR'S BEST BOOK OF THE YEAR “At once a film book, a history book, and a civil rights book.… Without a doubt, not only the very best film book [but] also one of the best books of the year in any genre. An absolutely essential read.” —Shondaland This unprecedented history of Black cinema examines 100 years of Black movies—from Gone with the Wind to Blaxploitation films to Black Panther—using the struggles and triumphs of the artists, and the films themselves, as a prism to explore Black culture, civil rights, and racism in America. From the acclaimed author of The Butler and Showdown. Beginning in 1915 with D. W. Griffith's The Birth of a Nation—which glorified the Ku Klux Klan and became Hollywood's first blockbuster—Wil Haygood gives us an incisive, fascinating, little-known history, spanning more than a century, of Black artists in the film business, on-screen and behind the scenes. He makes clear the effects of changing social realities and events on the business of making movies and on what was represented on the screen: from Jim Crow and segregation to white flight and interracial relationships, from the assassination of Malcolm X, to the O. J. Simpson trial, to the Black Lives Matter movement. He considers the films themselves—including Imitation of Life, Gone with the Wind, Porgy and Bess, the Blaxploitation films of the seventies, Do The Right Thing, 12 Years a Slave, and Black Panther. And he brings to new light the careers and significance of a wide range of historic and contemporary figures: Hattie McDaniel, Sidney Poitier, Berry Gordy, Alex Haley, Spike Lee, Billy Dee Willliams, Richard Pryor, Halle Berry, Ava DuVernay, and Jordan Peele, among many others. An important, timely book, Colorization gives us both an unprecedented history of Black cinema and a groundbreaking perspective on racism in modern America.