From William C. Morris and Edgar Award finalist Leah Thomas comes an ethereal, thought-provoking YA tale about a teen who can see ghosts . . . and helps them avenge their deaths. Dani's best friend, Sarah, is a ghost. But maybe that's normal when you've spent your childhood running from an abusive parent. Dani and Sarah might be more than friends, though Dani dares not say so. Dani is afraid that if he tells Sarah he's trans, she won't bother haunting him anymore. Sarah's got good reason to distrust boys, having been strangled by one. After Sarah and Dani come across another ghost haunted by her own brutal murder, they set out to bring peace and safety to spirits like her. But when an old rival reenters Dani's life, their unexpected friendship gives Dani a strange new feeling of belonging. As Dani starts to find his place in the living world, he'll need to let go of his ghosts. Equal parts chilling, raw, and emotionally resonant, acclaimed author Leah Thomas's ghost story for the #MeToo era is about reclaiming trauma and finding peace among true friends.

In this “clever and scary” young adult mystery set in Victorian England, a charlatan’s daughter discovers a very real ability to communicate with ghosts (Kirkus Reviews). Having been raised by a fraudulent medium, Violet Willoughby doesn’t believe in ghosts. But they believe in her. Visited by a persistent spirit, one who suffered a gruesome death, Violet can no longer ignore her unique ability. She must figure out what this ghost is trying to communicate, and quickly, because the killer is still on the loose. The only person who can help her is Colin, her best friend since childhood. He understands the true Violet, and perhaps their friendship is growing into something more. But helping her with her mission could risk their chance at being together. Can Violet find a way to help this ghost and still have a future free of lies?

Stonewall Book Award Winner Lambda Literary Award Finalist Charlotte Huck Honor Book Perfect for Valentine's Day, Love, Violet by Charlotte Sullivan Wild and Charlene Chua is a touching picture book about friendship and the courage it takes to share your feelings. Only one person makes Violet’s heart skip Of all the kids in Violet's class, only one leaves her speechless: Mira, the girl with the cheery laugh who races like the wind. If only they could adventure together! But every time Violet tries to tell Mira how she feels, Violet goes shy. As Valentine's Day approaches, Violet is determined to tell Mira just how special she is. Charlene Chua’s luminous watercolors bring to life this sweet and gentle picture book about friendship, love, and the courage it takes to share your heart.

Whether or not you believe in ghosts, you'll be spellbound by these nine supposedly true tales from the spirit world. Captivating creatures include the Horror of Berkeley Square, a demon that literally scares people to death, and White House specters of former presidents and first ladies. Suitable for readers of all ages. Narrated by Anthony Call (Star Trek, The Twilight Zone).

Part puzzle, part revenge tale, part ghost story, this ingenious novel spins half a century of Vietnamese history and folklore into “a thrilling read, acrobatic and filled with verve” (The New York Times Editors’ Choice). FINALIST FOR THE CENTER FOR FICTION’S FIRST NOVEL PRIZE • LONGLISTED FOR THE WOMEN’S PRIZE FOR FICTION • ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, NPR, Good Housekeeping, Kirkus Reviews “Fiction as daring and accomplished as Violet Kupersmith’s first novel reignites my love of the form and its kaleidoscopic possibilities.”—David Mitchell, author of Cloud Atlas Two young women go missing decades apart. Both are fearless, both are lost. And both will have their revenge. 1986: The teenage daughter of a wealthy Vietnamese family loses her way in an abandoned rubber plantation while fleeing her angry father and is forever changed. 2011: A young, unhappy Vietnamese American woman disappears from her new home in Saigon without a trace. The fates of these two women are inescapably linked, bound together by past generations, by ghosts and ancestors, by the history of possessed bodies and possessed lands. Alongside them, we meet a young boy who is sent to a boarding school for the métis children of French expatriates, just before Vietnam declares its independence from colonial rule; two Frenchmen who are trying to start a business with the Vietnam War on the horizon; and the employees of the Saigon Spirit Eradication Co., who find themselves investigating strange occurrences in a farmhouse on the edge of a forest. Each new character and timeline brings us one step closer to understanding what binds them all. Build Your House Around My Body takes us from colonial mansions to ramshackle zoos, from sweaty nightclubs to the jostling seats of motorbikes, from ex-pat flats to sizzling back-alley street carts. Spanning more than fifty years of Vietnamese history and barreling toward an unforgettable conclusion, this is a time-traveling, heart-pounding, border-crossing fever dream of a novel that will haunt you long after the last page.

Toni Morrison and the Queer Pleasure of Ghosts radically intervenes in one of the most established and sacred topics in Toni Morrison scholarship, love. Moving beyond Morrison's representation of ghosts as the forgotten or occluded past, Juda Bennett uncovers how Morrison imagines the spectral sphere as always already queer, a provocation and challenge to heteronormativity—with the ghost appearing as an active participant in disruptions of compulsory heterosexuality, as a figure embodying closet desires, or as a disembodied emanation that counterpoints homophobia. From The Bluest Eye to Home, Morrison's novels have included many queer ghosts that challenge our most cherished conceptions of love and speak to cultural anxieties about black sexualities, gay marriage, AIDS, lesbian visibility, and transgender identities. Not surprisingly, the scene-stealing ghost Beloved appears at the very heart of this book, but Bennett cautions against interpretative stasis, inviting readers to break free of the stranglehold Beloved has had on imaginations, so as not to miss the full force of Morrison's lifelong project to queer love.