Levay analyzes representations of the criminal in British and American modernism from the late nineteenth century to the 1950s.

Tyrone Barnes is a street poet who has witnessed the devastating results of a turf war, the violence associated with knives and guns, and the influences of education on youth. In a raw and moving collection of urban poetry, Barnes lyrically explores why violence does not pay, how a tragic day in New York City changed the world, why it’s important to work an honest job, how to love ourselves despite our flaws, and what it was like to grow up in the projects. Through it all, Barnes encourages youth and others to shun a life of crime and pursue a clean and honest existence that allows for love, forgiveness, healing, and for dreams to come true. The Mind of the Forensic Poet shares a young man’s thoughtful reflections on street life, gangs, education, and the world around him.

In 1976, no one really knew how violent Ted Bundy really was. Follow step by step through this previously unpublished psychological assessment of Ted Bundy to see how the picture of Bundy's violent mind was discovered for the first time.

As a medium that aims to connect people through the communication and interpretation of experiences, cinema is uniquely positioned to showcase cultural misunderstandings around issues of mental health. Frames of Minds traces a history of psychiatry in film, concentrating on the major paradigm shifts in neuropsychiatry over the last century. Oftentimes, representations of psychiatry, mental illness, and psychotic breakdown are reduced to tropes and used by filmmakers as a tool for plot progression. Conversely, films can be used as an avenue to voice common concerns about the missteps of psychiatry, including overdiagnosis and mistreatment. Dr. Eelco Wijdicks provides fresh insights into the minds of filmmakers and how they creatively tackle this complex topic. How do filmmakers use psychiatry, and what do they want us to see? What is their frame of mind--psychoanalytically, biologically, sociologically, anthropologically? Were they influenced by their own prejudices about the origins of mental illness? How does this influence the direction of their films? Examining the history of film alongside developments in neuropsychiatry, Frames of Minds uncovers a cinematic language of psychiatry. By taking chances to portray mental illness, filmmakers aim to achieve a sense of reality, and provide catharsis for viewers through the act of dramatization. Ultimately, the history of psychiatry in film is a history of the public perception of medicine, and the ways psychiatry is understood by directors, writers, actors, and audiences.

The book is about the mind. The most interesting interdisciplinary conversations and the best idea sessions are held inside our mind. The mind is our neural suitcase. Our neural suitcase tells the tales of so many minds. The tales are beautiful, moral, vulnerable, quiet, chaotic, hungry, obese, real, fictional, memorable, forgetful, creative, curious, humorous, trustworthy, biased, wise, foolish, friendly, hateful, meaningful, blind, and questioning. The mind also builds castles in the air. It is for us to put foundations under these castles. It is for us to pack our neural suitcase carefully. Our questioning mind asks many interesting questions, such as: Should we design a perfect mind? Why does time have no mind of its own? Why is it hard to walk straight? Why do we make deliberate mistakes? Why is boredom not for everyone? What is the right dose of grief? Why is poison not always poisonous? Should we always hate our enemy? Why are memoirs fabricated? Why we are not totally dishonest? Why are all worries not worth worrying? Why shall some questions remain unresolved forever? The book is about the mind of a teacher, a mother, a beautiful woman, a gossiper, a liar, a fool, a corrupt person, a winner, etc.

Public mass killings are becoming more common. Though the chances of being harmed or killed in a mass shooting are slim, each incident affects the public's sense of safety. There are many myths and falsehoods concerning mass murderers. As a result, the public lacks reliable knowledge about the reasons behind such killings, preventing the development of comprehensive strategies to mitigate the violence. Written by a mental health therapist with thirty years of clinical experience in violence prevention, this book clarifies the realities of mass killings. Using research from forensic psychology, it provides a foundation for understanding the "pathway to violence" identified in the personal histories of many mass murderers. Drawing from criminology, neuroscience and developmental and social psychology, the author makes the case that we are all capable of creating a safer society.

A book covering the topic of self-defense from a shocking, first-hand perspective. The subjects of criminal violence, self-defense, lethal force, mindset, firearms training and concealment have never been introduced so comprehensively in one place. Having successfully sold world-wide in its independently published and distributed paperback form, it is now available on Kindle. "A powerful, gripping, and self-reflective roller-coaster that's part cautionary tale, part how-to book on building the counterpart to the high-order predator, Varg makes no apologies for it being an in-your-face look at real violence from the perspective of that rare someone who can speak from deep personal experience, from both sides of the fence. In an industry littered with those often driven by ego, fantasy, and disconnected from reality, there are a vast number of people in this industry that NEED to read this. A book only an authentic leader in the industry could produce, fully-recommended. Read this book if you're serious about personal protection." D.P. Friesen, CLTP, Costa RicaVarg Freeborn is an author, fitness coach, violence educator and lethal force instructor widely known for his unique background in the violent criminal underworld. His breadth of experience is unmatched in criminal violence education and self-defense training.