From its settlement in the late 1700s, the Black Patch-an agricultural region of western Kentucky and Middle Tennessee-has been known for its dark-fired, heavy-leafed tobacco, so green that it is called "black." But as the settlers of this region sowed the seeds of tobacco, they also sowed the seeds of violence. In Violence in the Black Patch of Kentucky and Tennessee, Suzanne Marshall provides a thorough, engrossing depiction of the role played by violence in the development of the Black Patch culture. Violence was a key element in the white settlement of this frontier wilderness. After forcibly removing Native Americans from the region, white settlers established a tradition of violence that maintained order and morality. White male dominance over family members and black slaves was also sustained by violence. A man's mean reputation defined his identity and place within the community, instilling respect and fear among outsiders. The Civil War and the industrial revolution also helped perpetuate violence in the Black Patch. With markedly divided sympathies during the Civil War, the Black Patch inspired guerrilla warfare against citizens and slaves by renegade bands of former soldiers from both sides. Marshall's study culminates with a discussion of the Night Riders' vigilante activity during Black Patch wars that originated with this country's shift from an agricultural society to an industrial one. By focusing on the violence in this culture, Marshall provides a key to understanding both the cultural components that were unique to the area and those that were shared with other isolated rural communities. She draws extensively from oral history and ethnographic methodology as well as court records, church records, diaries, and newspapers. Anecdotes depicting folk beliefs and heroes, old-time religion, the economics of farm life, race relations, and gender roles, serve to enliven this study and enrich our understanding of a fascinating and distinctive region.

Shortly after 1900, tens of thousands of tobacco growers throughout Kentucky and Tennessee convulsed the region for nearly a decade in a revolt against the monopolistic practices of the American Tobacco Company. Though the revolt known as the Tobacco Wars remains one of the more remarkable insurgencies of rural America, it is also one of the more misunderstood. In this first major account of the uprising in over half a century, Tracy Campbell tells the story of these embattled farmers and casts a provocative new light on the issues that fueled the Tobacco Wars. When tobacco prices fell below the cost of production in the early 1900s, farmers in western Kentucky and Tennessee, faced with desperate economic circumstances, formed cooperatives through which they could pool their crops and withhold tobacco from the market until a satisfactory price was offered. Campbell recounts the organizational underpinnings of the notorious "Black Patch War" and the forces that drove farmers to seek violent solutions to their economic ills. Campbell then expands the story to the burley region, where a simultaneous movement was under way. In 1908, over thirty thousand burley growers undertook the only successful large-scale agricultural strike in American history. Campbell brings this drama to life and describes the emotional day when the farmers achieved their unprecedented victory over the powerful Tobacco Trust. The Tobacco Wars represented one of the last desperate gasps from the countryside before the onset of "agribusiness" drove millions of farmers and their families away for good. The Politics of Despair thus stands as a unique reminder of a tradition of protest that has, perhaps, been irretrievably lost. This book will interest not only rural and labor historians and students of the American South but anyone concerned with the profound issues surrounding the decline of rural America.

A non-fictional tale of the Kentucky and Tennessee tobacco wars and farmers' revolt against the impoverishing tobacco prices of the "Duke Trust." Story of James B. Duke's tobacco empire and Dr. David Amoss from Kentucky, who led the secret organiztion known as the "Night Riders.

Selected as an Outstanding Academic Title by Choice Selected as an Outstanding Reference Source by the Reference and User Services Association of the American Library Association There are many anthologies of southern literature, but this is the first companion. Neither a survey of masterpieces nor a biographical sourcebook, The Companion to Southern Literature treats every conceivable topic found in southern writing from the pre-Columbian era to the present, referencing specific works of all periods and genres. Top scholars in their fields offer original definitions and examples of the concepts they know best, identifying the themes, burning issues, historical personalities, beloved icons, and common or uncommon stereotypes that have shaped the most significant regional literature in memory. Read the copious offerings straight through in alphabetical order (Ancestor Worship, Blue-Collar Literature, Caves) or skip randomly at whim (Guilt, The Grotesque, William Jefferson Clinton). Whatever approach you take, The Companion’s authority, scope, and variety in tone and interpretation will prove a boon and a delight. Explored here are literary embodiments of the Old South, New South, Solid South, Savage South, Lazy South, and “Sahara of the Bozart.” As up-to-date as grit lit, K Mart fiction, and postmodernism, and as old-fashioned as Puritanism, mules, and the tall tale, these five hundred entries span a reach from Lady to Lesbian Literature. The volume includes an overview of every southern state’s belletristic heritage while making it clear that the southern mind extends beyond geographical boundaries to form an essential component of the American psyche. The South’s lavishly rich literature provides the best means of understanding the region’s deepest nature, and The Companion to Southern Literature will be an invaluable tool for those who take on that exciting challenge. Description of Contents 500 lively, succinct articles on topics ranging from Abolition to Yoknapatawpha 250 contributors, including scholars, writers, and poets 2 tables of contents — alphabetical and subject — and a complete index A separate bibliography for most entries

Shortly after 1900, tens of thousands of tobacco growers throughout Kentucky and Tennessee convulsed the region for nearly a decade in a revolt against the monopolistic practices of the American Tobacco Company. Though the revolt known as the Tobacco Wars remains one of the more remarkable insurgencies of rural America, it is also one of the more misunderstood. In this first major account of the uprising in over half a century, Tracy Campbell tells the story of these embattled farmers and casts a provocative new light on the issues that fueled the Tobacco Wars. When tobacco prices fell below the cost of production in the early 1900s, farmers in western Kentucky and Tennessee, faced with desperate economic circumstances, formed cooperatives through which they could pool their crops and withhold tobacco from the market until a satisfactory price was offered. Campbell recounts the organizational underpinnings of the notorious "Black Patch War" and the forces that drove farmers to seek violent solutions to their economic ills. Campbell then expands the story to the burley region, where a simultaneous movement was under way. In 1908, over thirty thousand burley growers undertook the only successful large-scale agricultural strike in American history. Campbell brings this drama to life and describes the emotional day when the farmers achieved their unprecedented victory over the powerful Tobacco Trust. The Tobacco Wars represented one of the last desperate gasps from the countryside before the onset of "agribusiness" drove millions of farmers and their families away for good. The Politics of Despair thus stands as a unique reminder of a tradition of protest that has, perhaps, been irretrievably lost. This book will interest not only rural and labor historians and students of the American South but anyone concerned with the profound issues surrounding the decline of rural America.

In her sweeping history of the American tobacco industry, Barbara Hahn traces the emergence of the tobacco plant's many varietal types, arguing that they are products not of nature but of economic relations and continued and intense market regulation. Hahn focuses her study on the most popular of these varieties, Bright Flue-Cured Tobacco. First grown in the inland Piedmont along the Virginia--North Carolina border, Bright Tobacco now grows all over the world, primarily because of its unique -- and easily replicated -- cultivation and curing methods. Hahn traces the evolution of technologies in a variety of regulatory and cultural environments to reconstruct how Bright Tobacco became, and remains to this day, a leading commodity in the global tobacco industry. This study asks not what effect tobacco had on the world market, but how that market shaped tobacco into types that served specific purposes and became distinguishable from one another more by technologies of production than genetics. In so doing, it explores the intersection of crossbreeding, tobacco-raising technology, changing popular demand, attempts at regulation, and sheer marketing ingenuity during the heyday of the American tobacco industry. Combining economic theory with the history of technology, Making Tobacco Bright revises several narratives in American history, from colonial staple-crop agriculture to the origins of the tobacco industry to the rise of identity politics in the twentieth century.