Human life is intimately woven into place. Through nations and homelands, monuments and sacred sites it becomes the anchorage point for ethnic, cultural and national identities. Yet it is also place that becomes the battlefield, war zone, mass grave, desecrated site and destroyed landscape in the midst or aftermath of cultural wounding. Much attention has been given to the impact of trauma and violence on human lives across generations, but what of the spaces in which it occurs? How does culturally prescribed violence impact upon place? And how do the non- human species with whom we coexist also suffer through episodes of conflict and violence? By identifying violence in place as a crisis of our times, and by encouraging both the witnessing and the diagnosing of harm, this book reveals the greater effects of cultural wounding. It problematises the habit of separating human life out from the ecologies in which it is held. If people and place are bound through kinship, whether through necessity and survival, or choice and abiding love, then wounding is co- terminus. The harms done to one will impact upon the other. Case studies from Australia, North and South America, Europe and the Pacific, illustrate the impact of violence in place, while supporting a campaign for methodologies that reveal the fullness of the relational bond between people and place. The book will appeal to students and practitioners alike, with interests in cultural and human geography, anthropology, environmental humanities and moral ecology.

Human life is intimately woven into place. Through nations and homelands, monuments and sacred sites it becomes the anchorage point for ethnic, cultural and national identities. Yet it is also place that becomes the battlefield, war zone, mass grave, desecrated site and destroyed landscape in the midst or aftermath of cultural wounding. Much attention has been given to the impact of trauma and violence on human lives across generations, but what of the spaces in which it occurs? How does culturally prescribed violence impact upon place? And how do the non- human species with whom we coexist also suffer through episodes of conflict and violence? By identifying violence in place as a crisis of our times, and by encouraging both the witnessing and the diagnosing of harm, this book reveals the greater effects of cultural wounding. It problematises the habit of separating human life out from the ecologies in which it is held. If people and place are bound through kinship, whether through necessity and survival, or choice and abiding love, then wounding is co- terminus. The harms done to one will impact upon the other. Case studies from Australia, North and South America, Europe and the Pacific, illustrate the impact of violence in place, while supporting a campaign for methodologies that reveal the fullness of the relational bond between people and place. The book will appeal to students and practitioners alike, with interests in cultural and human geography, anthropology, environmental humanities and moral ecology.

Critical Perspectives on Cultural Memory and Heritage focuses on the importance of memory and heritage for individual and group identity, and for their sense of belonging. It aims to expose the motives and discourses related to the destruction of memory and heritage during times of war, terror, sectarian conflict and through capitalist policies. It is within these affected spheres of cultural heritage where groups and communities ascribe values, develop memories, and shape their collective identity.

This book explores the complexities of Indigenous and non-Indigenous relations in contemporary Australia. It unpacks the continuation of a pervasive colonial consciousness within settler-colonial settings, but also provokes readers to confront their own habits of thought and action. Through presenting a reflexive narrative that draws on the author’s encounters with Indigenous artists and their artwork, knowledge, stories, and lived experiences, this provocative and insightful work encourages readers to consider what decolonising means to them. It presents a compelling and relevant argument that calls for a reorientation of dominant discourses fixed within Eurocentric frameworks, whilst also addressing the deep complexities and challenges of living within intercultural settler-colonial settings where different views and perspectives clash and complement one another.

This new edition of The Routledge Companion to Landscape Studies contains an updated and expanded selection of original chapters which explore research directions in an array of disciplines sharing a concern for ‘landscape’, a term which has many uses and meanings. It features 33 revised and/or updated chapters and 14 entirely new chapters on topics such as the Anthropocene, Indigenous landscapes, challenging landscape Eurocentrisms, photography and green infrastructure planning. The volume is divided into four parts: Experiencing landscape; Landscape, heritage and culture; Landscape, society and justice; and Design and planning for landscape. Collectively, the book provides a critical review of the various fields related to the study of landscapes, including the future development of conceptual and theoretical approaches, as well as current empirical knowledge and understanding. It encourages dialogue across disciplinary barriers and between academics and practitioners, and reflects upon the implications of research findings for local, national and international policy in relation to landscape. The Companion provides a comprehensive and up-to-date guide to current thinking about landscapes, and serves as an invaluable point of reference for scholars, researchers and graduate students alike.

The book explores the unique contribution that geographers make to the concept of place attachment, and related ideas of place identity and sense of place. It presents six types of places to which people become attached and provides a global range of empirical case studies to illustrate the theoretical foundations. The book reveals that the types of places to which people bond are not discrete. Rather, a holistic approach, one that seeks to understand the interactive and reinforcing qualities between people and places, is most effective in advancing our understanding of place attachment.

This interdisciplinary book explores the role of art in placemaking in urban environments, analysing how artists and communities use arts to improve their quality of life. It explores the concept of social practice placemaking, where artists and community members are seen as equal experts in the process. Drawing on examples of local level projects from the USA and Europe, the book explores the impact of these projects on the people involved, on their relationship to the place around them, and on city policy and planning practice. Case studies include Art Tunnel Smithfield, Dublin, an outdoor art gallery and community space in an impoverished area of the city; The Drawing Shed, London, a contemporary arts practice operating in housing estates and parks in Walthamstow; and Big Car, Indianapolis, an arts organisation operating across the whole of this Midwest city. This book offers a timely contribution, bridging the gap between cultural studies and placemaking. It will be of interest to scholars, students and practitioners working in geography, urban studies, architecture, planning, sociology, cultural studies and the arts.