Most Anticipated, Too: The Great 2016 Nonfiction Book Preview The Millions GROUNDBREAKING. A career-defining book. -The New Yorker Sallie Tisdale is the author of seven books on such varied subjects as medical technology, her pioneer ancestors and Buddhist women teachers. Her many essays have appeared in Harper's, Conjunctions, The New Yorker, Antioch Review, Threepenny Review and many other journals. This first collection of work spans thirty years, and includes an introduction and brief epilogues to each essay. Tisdale's questing curiosity pursues subjects from the biology of flies to the experience of working in an abortion clinic, why it is so difficult to play sports with men, and whether it's possible for writers to tell the truth. She restlessly returns to themes of the body, the family, and how we try to explain ourselves to each other. She is unwilling to settle for easy answers, and finds the ambiguity and wonder underneath ordinary events. The collection includes a recent essay never before published, about the mystery of how we present ourselves to each other and whether it is possible to know even our own inner lives.

Theorists critique photography for ÒobjectifyingÓ its subjects and manipulating appearance for the sake of art. In this bold counterargument, John Roberts recasts photographyÕs violating powers and aesthetic technique as part of a complex Òsocial ontologyÓ that exposes the hierarchies, divisions, and exclusions behind appearances. Photography must Òarrive unannouncedÓ and Òget in the way of the world,Ó Roberts argues, committing to the truth-claims of the spectator over the self-interests and sensitivities of the subject. Yet even though the violating capacity of the photograph results from external power relations, the photographer is still faced with an ethical choice: whether to advance photographyÕs truth-claims on the basis of these powers or to diminish or veil these powers to protect the integrity of the subject. PhotographyÕs acts of intrusion and destabilization constantly test the photographer at the point of production, in the darkroom, and at the computer, especially in our 24-hour digital image culture. RobertsÕs refunctioning of photographyÕs place in the world is therefore critically game-changing, as it politically and theoretically restores the reputation of the art.

A discussion of the legal ramifications of the Contagious Diseases Acts from constitutional and feminist viewpoints, first published in 1871.