'I have a more or less irresistible passion for books' Vincent van GoghVincent van Gogh (1853-1890) was famously driven by his passion for God, for art - and for books. Vincent's life with books is examined here chapter by chapter, from his early adulthood, when he considered becoming a pastor, to his decision to be a painter, to the end of his life. He moved from Holland to Paris to Provence; at each moment, ideas he encountered in books defined and guided his thoughts and his life. Vincent's letters to his brother refer to at least 200 authors. Books and readers - whether dreaming or deeply absorbed - are frequent subjects of his paintings.Vincent not only read fiction, he also knew many works of art from detailed descriptions and illustrations in monographs, biographies and museum guides. Always keeping up to date, he never missed the latest literary and artistic magazines. This thought-provoking and original study takes the reader on an artistic-literary journey through Vincent's discoveries, his favourite authors and best-loved books, revealing a continuous dialogue between his own work, the artists and the authors who inspired him, and giving life to his comment: 'Books and reality and art are the same kind of thing for me.'

It's been some time since Vincent has had a good day. Sitting on the bus, he still doesn't know that his life is about to change. Forever. At that moment, outside the bus, Lady lets a little smile escape when recalling an anecdote about tomatoes. Vincent sees the smile and his world turns upside down. Now, armed with his nerdy RPG friends(not counting Bu, who is like a sister to Vincent and full of solid wisdom), an impressive magic act, and a insatiable love of roast beef sandwiches (no pickles, Vincent hates pickles), he must learn how to navigate his first non-platonic love and what may happen if things don't go as planned (as they often do in the life of Vincent).

Printz Honor Book • YALSA Nonfiction Award Winner • Boston Globe-Horn Book Award Winner • SCBWI Golden Kite Winner • Cybils Senior High Nonfiction Award Winner From the author of National Book Award finalist Charles and Emma comes an incredible story of brotherly love. The deep and enduring friendship between Vincent and Theo Van Gogh shaped both brothers' lives. Confidant, champion, sympathizer, friend—Theo supported Vincent as he struggled to find his path in life. They shared everything, swapping stories of lovers and friends, successes and disappointments, dreams and ambitions. Meticulously researched, drawing on the 658 letters Vincent wrote to Theo during his lifetime, Deborah Heiligman weaves a tale of two lives intertwined and the extraordinary love of the Van Gogh brothers.

Diary, memoir, poem, fiction? Autopsy, crime scene, hagiography, hymn? The chronicle of an obsessive love. In the middle of the night between the 25th and 26th of November, Vincent fell from the third floor playing parachute with a bathrobe. He drank a liter of tequila, smoked Congolese grass, snorted cocaine... —from Crazy for Vincent Crazy for Vincent begins with the death of the figure it fixates upon: Vincent, a skateboarding, drug-addled, delicate “monster” of a boy in whom the narrator finds a most sublime beauty. By turns tender and violent, Vincent drops in and out of French writer and photographer Hervé Guibert's life over the span of six years (from 1982, when he first met Vincent as a fifteen-year-old teenager, to 1988). After Vincent's senseless death, the narrator embarks on a reconnaissance writing mission to retrieve the Vincent that had entered, elevated, and emotionally eviscerated his life, working chronologically backward from the death that opens the text. Assembling Vincent's fragmentary appearances in his journal, the author seeks to understand what Vincent's presence in his life had been: a passion? a love? an erotic obsession? or an authorial invention? A parallel inquiry could be made into the book that results: Is it diary, memoir, poem, fiction? Autopsy, crime scene, hagiography, hymn? Crazy for Vincent is a text the very nature of which is as untethered as desire itself.

The Bern Book is a travelogue, a memoir, a “diary of an isolated soul” (Darryl Pinckney), and a meditation on the myth and reality of race in midcentury Europe and America. In 1953, having left the US and settled in Bern, Switzerland, Vincent O. Carter, a struggling writer, set about composing a “record of a voyage of the mind.” The voyage begins with Carter’s furiously good-humored description of how, every time he leaves the house, he must face the possibility of being asked “the hated question” (namely, Why did you, a black man born in America, come to Bern?). It continues with stories of travel, war, financial struggle, the pleasure of walking, the pain of self-loathing, and, through it all, various experiments in what Carter calls “lacerating subjective sociology.” Now this long-neglected volume is back in print for the first time since 1973.

Fabio Moon (Daytripper, How to Talk to Girls at Parties) says “It is so good reading VINCENT, by Vitor Cafaggi, that when it ends it leaves you longing for more." In this hip, beautiful illustrated series, populated with an irresistible anthropomorphic cast of characters, things are really heating up for Vincent. It wasn’t too long ago that he could only dream about being in a serious relationship, and suddenly finding himself involved with not one, but two incredible females. He’s made his decision to get serious with Princess, and to just be friends with Lady. That’s fine until Princess leaves for college. If it wasn’t hard enough to maintain such a long distance relationship, Vincent’s just got a call from Princess, saying “We need to talk.” Can parties, RPG, and cheese empanadas ease Vincent’s pain as he starts college life alone and confused?

Powerful and compelling, this high-stakes, feminist reimagining of Little Red Riding Hood is perfect for fans of Stephanie Garber and Meagan Spooner. For as long as sixteen-year-old Adele can remember, the village of Oakvale has been surrounded by the dark wood—a forest filled with terrible monsters. A forest that light itself cannot penetrate. Unlike her fellow villagers, Adele cannot avoid the dark wood. Adele is one of a long line of guardians: women who secretly take on the form of a wolf, in order to protect their village. But when accepting her fate means giving up the boy she loves, abandoning the future she imagined for herself, and breaking her own moral code, she must decide how far she is willing to go to keep her neighbors safe.