Koichi Haimawari couldn’t make the cut to become an official hero, so he uses his modest Quirk to do good deeds in his spare time. Then one day a fateful encounter with some local thugs leads him to team up with two other unlikely heroes. None of them really know what they’re doing, but they’ve got the courage—or foolishness—to try. But they soon discover fighting evil takes more than just being brave... -- VIZ Media

"In 'The pentacle plot, ' the heroic men, women and, er, anthropoid ape of Shadowpact must contend with their evil counterparts known as The Pentacle-- all while dealing with the fact that they've lost a whole year in their lives!"--Page 4 of cover

Nick Klein's grandfather was the Rocket. For three decades, the Rocket and his team were the Heroes League-a team of superheroes who fought criminals in the years after World War II. But Nick and his friends have inherited more than their grandparents' costumes and underground headquarters... they've inherited the League's enemies and unfinished business. In the 1960's, Red Lightning betrayed everyone, creating an army of supervillains and years of chaos. The League never found out why. Now, Nick and the New Heroes League will have no choice but to confront their past.

Koichi and his “friends”—Kazuho, a.k.a. Pop Step, and the mysterious Knuckleduster—have teamed up to protect their neighborhood (unofficially of course). But even petty criminals with Quirks can be dangerous, and taking them on shows Koichi that he’d better not underestimate them. Sizing up the opposition is important, especially when some of the villains are definitely out of Koichi’s league and more sinister threats lurk in the shadows... -- VIZ Media

One-of-a-kind cultural critic and New York Times bestselling author Chuck Klosterman “offers up great facts, interesting cultural insights, and thought-provoking moral calculations in this look at our love affair with the anti-hero” (New York magazine). Chuck Klosterman, “The Ethicist” for The New York Times Magazine, has walked into the darkness. In I Wear the Black Hat, he questions the modern understanding of villainy. When we classify someone as a bad person, what are we really saying, and why are we so obsessed with saying it? How does the culture of malevolence operate? What was so Machiavellian about Machiavelli? Why don’t we see Bernhard Goetz the same way we see Batman? Who is more worthy of our vitriol—Bill Clinton or Don Henley? What was O.J. Simpson’s second-worst decision? And why is Klosterman still haunted by some kid he knew for one week in 1985? Masterfully blending cultural analysis with self-interrogation and imaginative hypotheticals, I Wear the Black Hat delivers perceptive observations on the complexity of the antihero (seemingly the only kind of hero America still creates). As the Los Angeles Times notes: “By underscoring the contradictory, often knee-jerk ways we encounter the heroes and villains of our culture, Klosterman illustrates the passionate but incomplete computations that have come to define American culture—and maybe even American morality.” I Wear the Black Hat is a rare example of serious criticism that’s instantly accessible and really, really funny.

Batman Unauthorized explores Batman's motivations and actions, as well as those of his foes. Batman is a creature of the night, more about vengeance than justice, more plagued by doubts than full of self-assurance, and more darkness than light. He has no superpowers, just skill, drive and a really well-made suit. One of the most recognized superheroes ever created, Batman has survived through campy TV shows and films, through actors such as Adam West, Michael Keaton and Christian Bale. Batman Unauthorized: Vigilantes, Jokers, and Heroes in Gotham City covers expansive territory ranging from the silly to the solemn. Why is the Joker so good at pushing Batman's buttons? What does Batman's technology say about the times? Why are Batman's villains crazier than average? And why is Batman the perfect, iconic American hero?