Sail the wild Atlantic in a longboat with Eric the Red and his son Leif Eriksson. They risked the stormy seas to reach strange new lands, becoming the first Europeans to set foot in North America. Explore their daily lives in this richly illustrated Codex, complete with gatefolds, Viking lore, and The Saga of Erik and Leif--miniature booklets that tell their tale.

In assembling, translating, and arranging over a hundred primary source readings, Somerville and McDonald successfully illuminate the Vikings and their world for twenty-first-century students and instructors. The diversity of the Viking Age is brought to life through the range of sources presented, and the geographical and chronological coverage of these readings. The Norse translations, many of them new to this collection, are straightforward and easily accessible, and the chapter introductions contextualize the readings while allowing the sources to speak for themselves. The second edition of this popular reader has been revised and reorganized into fourteen chapters. Nearly twenty sources have been added, including material on children, games and entertainment, and runic inscriptions, as well as new readings on the martyrdom of Alfeah, the life of Saint Findan, and the martyrdom of Saint Edmund. The reader can be paired for classroom use with its companion volume, The Vikings and Their Age, authored by Somerville and McDonald. Together, these books provide comprehensive coverage for a course on the Vikings. Additional resources, such as a detailed bibliography and instructions on reading skaldic poetry, can be found on the History Matters website (www.utphistorymatters.com).

Viking Mediologies is a study of pre-modern multimedia rooted in the embodied poetic practice of Viking Age skalds. Prior study of the skaldic tradition has focused on authorship—distinctions of poetic style, historical contexts, and attention to the oeuvres of the skalds whose names are preserved in the written tradition. Kate Heslop reconsiders these not as texts but as pieces in a pre-modern media landscape, focusing on poetry’s medial capacity to embody memory, visuality, and sound. Mobile, hybrid, diasporic social formations—bands of raiders and traders, petty kingdoms, colonial expeditions—achieved new prominence in the Viking Age. Skalds offered the leaders of these groups something uniquely valuable. With their complicated poetry, they claimed to be able to capture shared contingent meanings and re-mediate them in named, memorable, reproducible works. The commemorative poetry in kviðuháttr remembers histories of ruin and loss. Skaldic ekphrasis discloses and reproduces the presence of the gods. Dróttkvætt encomium evokes for the leader’s retinue the soundscape of battle. As writing arrived in Scandinavia in the wake of Christianization, the media landscape shifted. In the poetry of the twelfth and thirteenth centuries, skalds adjusted to the demands of a literate audience, while the historical and poetological texts of the Icelandic High Middle Ages opened a dialogue between Latin Christian ideas of mediation and local traditions. In the Second Grammatical Treatise, for example, the literate technology of the grid is used to analyze the complex resonances of dróttkvætt as the output of a syllable-spewing hurdy-gurdy—a poetry machine. Offering both new readings of both canonical works such as Ynglingatal, Ragnarsdrápa, and Háttatal, and examinations of lesser-known texts like Glymdrápa, Líknarbraut, and Sturla Þórðarson’s Hákonarkviða, Viking Mediologies explores the powers and limits of poetic mediation.

Filling a gap in the literature for an academically oriented volume on the Viking period, this unique book is a one-stop authoritative introduction to all the latest research in the field, and the most comprehensive book of its kind ever attempted.

List of members in v. 3, 5.

Uitgebreide geschiedenis van het volk van de Noormannen, die de zeeën bevoeren en in de Middeleeuwen West-Europa plunderden en deels overheersten.