Before the American Revolution, Newport was one of the biggest ports on the eastern seaboard thanks to its religious freedom and lack of effective control by Britain. Its then free-running economy based on international trading would face many challenges and changes over the 18th and 19th centuries.

The stories behind the legends are revealed in this history of Colonial-era piracy and the double lives of those who sailed under the black flag. The story of Newport, Rhode Island’s pirates began with war, ended with revolution, and inspired swashbuckling legends for generations to come. From 1690 to the American Revolution, many of Newport’s fathers, husbands, and sons sailed under the black flag. They sailed into foreign waters, t return home from plundering the high seas to attend church and even serve in public offices. The citizens of Newport initially welcomed pirates with their exotic goods and gold to spend. But the community changed its tune when Newport’s prosperous shipping fleet became a target of piracy in the early eighteenth century. The locals who had once offered safe haven were suddenly happy to cooperate with London’s hunt for pirates. In this authoritative history, author Gloria Merchant covers well-known pirates like Thomas Tew as well as surprising ones such as Thomas Pain. Merchant also explores pirate lore from Captain Kidd’s buried treasure to the largest mass hanging of pirates in the colonies at Gravelly Point.

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An accusation of attempted murder rudely interrupted Mary Arnold’s dalliances with working men and her extensive shopping sprees. When her husband Benedict fell deathly ill and then asserted she had tried to kill him with poison, the result was a dramatic petition for divorce. The case before the Rhode Island General Assembly and its tumultuous aftermath, during which Benedict died, made Mary a cause célèbre in Newport through the winter of 1738 and 1739. Elaine Forman Crane invites readers into the salacious domestic life of Mary and Benedict Arnold and reveals the seamy side of colonial Newport. The surprise of The Poison Plot, however, is not the outrageous acts of Mary or the peculiar fact that attempted murder was not a convictable offense in Rhode Island. As Crane shows with style, Mary’s case was remarkable precisely because adultery, criminality and theft, and even spousal homicide were well known in the New England colonies. Assumptions of Puritan propriety are overturned by the facts of rough and tumble life in a port city: money was to be made, pleasure was to be had, and if marriage became an obstacle to those pursuits a woman had means to set things right. The Poison Plot is an intimate drama constructed from historical documents and informed by Crane’s deep knowledge of elite and common life in Newport. Her keen eye for telling details and her sense of story bring Mary, Benedict, and a host of other characters—including her partner in adultery, Walter Motley, and John Tweedy the apothecary who sold Mary toxic drugs—to life in the homes, streets, and shops of the port city. The result is a vivid tale that will change minds about life in supposedly prim and proper New England.