This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The first survey of the many redesigned and imitation historical landmarks and objects that dot the globe "John Darlington shows . . . it is not just written history that is malleable; it is also history on the ground, heritage in brick and stone, wood and metal."--Simon Jenkins, Times Literary Supplement What happens when the past--or, more specifically, a piece of cultural heritage--is fabricated? From 50 replica Eiffel Towers located around the world to Saddam Hussein's reconstructions of ancient cities, examples of forged heritage are widespread. Some are easy to dismiss as blatant frauds (the Piltdown Man), while others adhere to honest copying or respectful homage (the Parthenon in Nashville, Tennessee). This compelling book examines copies of historic buildings, faux archaeological sites, and other false artifacts, using them to explore the ethics and consequences of reconstructing the past; it also tackles the issues involved with faithful, "above-board" re-creations of ancient landmarks. John Darlington probes questions of historical authenticity, seeking the lessons that lurk when history is twisted to tell an untrue story. Amplified by stunning images, the narrative underscores how the issue of duplicating heritage is both intriguing and incredibly complex, especially in the twenty-first century--as communication and technology flourish, so too do our opportunities to be deceived.

First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

This volume gathers articles by archeologists, art historians, and philologists concerned with the afterlives of ancient rock-cut monuments throughout the Near East. Contributions analyze how such monuments were actively reinterpreted and manipulated long after they were first carved.

Much of England's rich archaeological heritage lies in the countryside. Many monuments, such as barrows, hillforts, and Roman villas, are familiar features fo the landscape, while other sites lie buried or only partly visible. These remains are the result of the impact on the landscape of the countless generations of people who have lived, worked and died within it. The cumulative effect is the landscape we know today, in which the historical dimension is an integral component of the valued whole and an important part of what most people in England are increasingly concerned to see protected and conserved. The archaeological heritage, however, is a finite and fragile resource, and much of it has been lost in the last two decades as a result of increasing pressures on farming, industry, and commerce to maximise the return on investment in the land. The conservation of what remains, therefore, needs to be given urgent consideration.This report has three main goals. First, it aims to present the background to the recognition, investigation, and management of the archaeological resource. Second, it attempts to review what is known of the resource, the threats currently posed to it, and the ways in which it can be exploited and conserved. Finally, it looks towards the development and promotion of a secure future for ancient monuments in the countryside.

In 1799, Alexander von Humboldt and Aimé Bonpland set out to determine whether the Orinoco River connected with the Amazon. But what started as a trip to investigate a relatively minor geographical controversy became the basis of a five-year exploration throughout South America, Mexico, and Cuba. The discoveries amassed by Humboldt and Bonpland were staggering, and much of today’s knowledge of tropical zoology, botany, geography, and geology can be traced back to Humboldt’s numerous records of these expeditions. One of these accounts, Views of the Cordilleras and Monuments of the Indigenous Peoples of the Americas, firmly established Alexander von Humboldt as the founder of Mesoamerican studies. In Views of the Cordilleras—first published in French between 1810 and 1813—Humboldt weaves together magnificently engraved drawings and detailed texts to achieve multifaceted views of cultures and landscapes across the Americas. In doing so, he offers an alternative perspective on the New World, combating presumptions of its belatedness and inferiority by arguing that the “old” and the “new” world are of the same geological age. This critical edition of Views of the Cordilleras—the second volume in the Alexander von Humboldt in English series—contains a new, unabridged English translation of Humboldt’s French text, as well as annotations, a bibliography, and all sixty-nine plates from the original edition, many of them in color.