This book provides a general overview of the daily life in a vast empire which contained numerous ethnic, linguistic, and religious communities. The Ottoman Empire was an Islamic imperial monarchy that existed for over 600 years. At the height of its power in the 16th and 17th centuries, it encompassed three continents and served as the core of global interactions between the east and the west. And while the Empire was defeated after World War I and dissolved in 1920, the far-reaching effects and influences of the Ottoman Empire are still clearly visible in today's world cultures. Daily Life in the Ottoman Empire allows readers to gain critical insight into the pluralistic social and cultural history of an empire that ruled a vast region extending from Budapest in Hungary to Mecca in Arabia. Each chapter presents an in-depth analysis of a particular aspect of daily life in the Ottoman Empire.

"Palestine and Egypt under the Ottomans is based on Hisham Khatib's unique collection of art and printed works covering the 400-year period of Ottoman rule in the region. The core of the material here are the paintings - mainly nineteenth-century watercolours, many of them by renowned artists such as Frederick Goodall, Edward Lear, Carl Werner and Carl Haag - which concentrate on a realistic portrayal of the Holy Land (in particular Jerusalem) and Egypt, rather than basking in romantic 'Orientalism'. Images from the valuable plate books are of exceptional interest. These include rare works by Charles van de Velde, Sir David Wilkie, Louis de Forbin, Francois Paris, Achille Prisse d'Avennes and David Roberts. In these plate books the text merely served to explain the large-scale engravings, lithographs or etchings that illustrated them. The section on travel books - also frequently illustrated - includes works by Bernardino Amico, Johann Ludwig Burckhardt, Michel Nau, Adrian Reland and Walter Tyndale. Some of the oldest material discussed and illustrated here - from the earliest days of Ottoman rule in Palestine and Egypt - are the maps and views, many of them by such well known names as Abraham Ortelius and Bernhard von Breydenbach. From the later end of the Ottoman period, this volume also records some of the earliest surveys and atlases of the region, as well as original photographs." --Book Jacket.

Like other regions within the Ottoman Empire, Palestine at the turn of the nineteenth century underwent extensive economic and social changes. These encompassed the demography, society and economics of the various ecological groups of the population. The articles in this volume present different aspects of this long and complex process. They fall thematically into four groups. The first, which includes articles by U.O. Schmelz and Ruth Kark, focuses on demographic and urban developments. the second, with articles by Ya'akov Firestone and Yossi Ben-Artzi, offers various views of changes in the village and in agriculture in Palestine. The third part, containing articles by Shmuel Avitsur, Walter Pinhas Pick, Nachum T. Gross and Alex Carmel, covers several areas in the historical development of the industrial and services branches. Finally, the articles in the fourth section, by Oded Peri, Gabriel Baer and Clinton Bailey, examine questions in the sphere of fiscal developments. Included are studies on Arab and Jewish as well as nomadic, rural and urban societies. The consequences of economic activity in the private and public sectors and of local and foreign entrepreneurs are examined. In several articles the authros trace the changes that occurred in traditional insitutions such as the Muslim waqf, while others focus on the introduction of the new economic institutions such as the modern bank and railway.

Exploring Egypt's lost underworld for the first time"--Cover

This is the first comprehensive study of the reception of classical architecture in different regions of the world. Exploring the impact of colonialism, trade, slavery, religious missions, political ideology and intellectual/artistic exchange, the authors demonstrate how classical principles and ideas were disseminated and received across the globe. By addressing a number of contentious or unresolved issues highlighted in some historical surveys of architecture, the chapters presented in this volume question long-held assumptions about the notion of a universally accepted ‘classical tradition’ and its broadly Euro-centric perspective. Featuring thirty-two chapters written by international scholars from China, Europe, Turkey, North America, Mexico, Australia and New Zealand, the book is divided into four sections: 1) Transmission and re-conceptualisation of classical architecture; 2) Classical influence through colonialism, political ideology and religious conversion; 3) Historiographical surveys of geographical regions; and 4) Visual and textual discourses. This fourfold arrangement of chapters provides a coherent structure to accommodate different perspectives of classical reception across the world, and their geographical, ethnographic, ideological, symbolic, social and cultural contexts. Essays cover a wide geography and include studies in Italy, France, England, Scotland, the Nordic countries, Greece, Austria, Portugal, Romania, Germany, Poland, India, Singapore, China, the USA, Mexico, Brazil, New Zealand and Australia. Other essays in the volume focus on thematic issues or topics pertaining to classical architecture, such as ornament, spolia, humanism, nature, moderation, decorum, heresy and taste. An essential reference guide, The Routledge Handbook on the Reception of Classical Architecture makes a major contribution to the study of architectural history in a new global context.