This illustrated history of Ottawa traces the city’s development from the days when Bytown was a lumber village to its emergence as Canada’s capital and fourth-largest urban area. From the earliest photographs of the original Centre Block of the Parliament Buildings, through the VE-Day and VJ-Day celebrations at the end of World War II and beyond, this beautiful book of superb black-and-white photographs and informative text offers a charming glimpse of the evolving city. The photographs have been chosen both for their historical importance and their quality as visual art. They show a cross-section of life in the developing capital from the formality of Rideau Hall to working people selling wood and straw in Byward Market. This art, among the best from Canada’s early photographers, has been culled from major collections in the National Archives of Canada and Ottawa’s city archives. Many of the photographs have never been published before.

"Report of the Dominion fishery commission on the fisheries of the province of Ontario, 1893", issued as vol. 26, no. 7, supplement.

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The potters' views of Canada have a many-sided appeal, linking the world of artists, printmakers, and photographers to the ceramics industry. As part of material history, they reflect not only taste in the wares themselves - their bodies, colours, shapes - but also the changing ways of looking at things, from the romantic to the literal. Covering the period for the beginning of the nineteenth century to the end of Queen Victoria's reign, this volume focuses chiefly on wares made for the dinner table or the washstand. All are earthenware, decorated by transfer printing, and produced by British potters. The scenes they depict range from the awesome falls at Niagara to early steamboats on the St Lawrence, from igloos in the Arctic to a governor's residence in New Brunswick. Elizabeth Collard traces the evolution of these wares, placing them in their historical setting and identifying the sources from which many of the views were derived. She also provides much detail on the English and Scottish potters and on the artists whose work they adapted to their own use. One of the most important collections of these wares belong to the National Museum of Man, Ottawa, and it is from the national collection that illustrations for this book have been drawn. The more than 170 photographs also include such material as the published prints on which the potters' views were based, border designs, and potters' marks. This book will be an invaluable reference work not only for collectors and dealers but also for museum curators and material culture historians.

Reflecting the rich interdisciplinarity of contemporary photography studies, The Cultural Work of Photography in Canada is essential reading for anyone interested in Canadian visual culture."--Pub. desc.