Based on the author’s research in Ho Chi Minh City, Hanoi, and other urban areas in Vietnam, this study of contemporary Vietnamese popular music explores the ways globalization and free market economics have influenced the music and subcultures of Vietnamese youth, focusing on the conflict between the politics of remembering, nurtured by the Vietnamese Communist government, and the politics of forgetting driven by the capitalist interests of the music industry. Vietnamese youth at the end of the second and beginning of the third millennium are influenced by the challenges generated by a number of seemingly opposite ideologies and realities, such as "the past" versus "the present," socialism versus capitalism, and cultural traditionalism versus globalization. Vietnam has undergone a radical demographic shift with a very pronounced youth movement, and consequently, Vietnamese popular culture has been radically reshaped by a young population coming of age in the twenty-first century. As Olsen reveals, the way Vietnamese young people cope with these opposing and contrasting forces is often expressed in their active and passive music making.

This series mixes detecetive work with country studies. While using clues to discern the featured locations, readers will learn about the unique features found in each country, including landmarks, food and culture.

Professor Hai's road of musicology practice and musicology research goes beyond the confines of his country of origin. It covers Vietnamese/Oriental Music, from traditional Vietnamese Music of all genres, to the musical background of the Montagnards in the Vietnamese Highlands. It went on beyond borders to address the wonderful aspects of the Musical Heritage of different countries spanning from Southeast Asia to Central Asia to reach as far as Israel, Central Europe to Western Europe.Professor Hai has been working for the National Center for Scientific Research (CNRS) in France since 1968, and is now retired after working for 41 years at the Department of Ethnomusicology of the Musée de l'Homme (Paris). He was a lecturer on South East Asian music at the University of Paris X - Nanterre (1988-1995).He plays 15 musical instruments from Vietnam, China, India, Iran, Indonesia and Europe. Since 1966, he has given over 3,000 concerts in 70 countries, and has taken part in a hundred or so international traditional music festivals. He has taken part in radio and television broadcasts in Europe, America, Asia, Africa, and Australia.Professor Hai has perfected and made us understand more the Jew's Harp, the Song of Harmonics, he is the greatest specialist in overtone singing. Dr. Nguyen Vi Son

Discover this exciting destination with the most incisive and entertaining guidebook on the market. Whether you plan to take a boat trip through stunning Ha Long Bay, trek in the mountains around Sa Pa or browse Ho Chi Minh's markets, this new edition of The Rough Guide to Vietnam will show you the ideal places to sleep, eat, drink, shop and visit along the way. Inside The Rough Guide to Vietnam - Independent, trusted reviews written with Rough Guides' trademark blend of humour, honesty and insight, to help you get the most out of your visit, with options to suit every budget. - Full-colour maps throughout - navigate the tangle of streets of Hanoi's Old Quarter or Ho Chi Minh's Cho Lon district without needing to get online. - Stunning images - a rich collection of inspiring colour photography. - Itineraries - carefully planned routes to help you organize your trip. - Detailed regional coverage - whether off the beaten track or in more mainstream tourist destinations, this travel guide has in-depth practical advice for every step of the way. Areas covered include: Mekong Delta; Hanoi; Ho Chi Minh City and Hoi An; Da Lat; Nha Trang; My Son; Mui Ne; Da Nang; Hue; Cat Ba Island; Sa Pa. Attractions include: Ha Long Bay; Cu Chi Tunnels; Lak Lake; Tam Coc; Po Klong Garai; Cao Dai Great Temple; Bahnar villages; Dong Van Karst Plateau Geopark; The Citadel, Hue and Tet. - Basics - essential pre-departure practical information including getting there, local transport, accommodation, food and drink, health, the media, crime and personal safety, festivals and religious events, sports and outdoor activities, shopping, travelling with children and more. - Background information - a Contexts chapter devoted to history, religion and beliefs, Vietnam's ethnic minorities, environmental issues, music and theatre, books, movies and film, plus a handy language section and glossary. About Rough Guides: Escape the everyday with Rough Guides. We are a leading travel publisher known for our "tell it like it is" attitude, up-to-date content and great writing. Since 1982, we've published books covering more than 120 destinations around the globe, with an ever-growing series of ebooks, a range of beautiful, inspirational reference titles, and an award-winning website. We pride ourselves on our accurate, honest and informed travel guides.

Now available in ePub format. The Rough Guide to Vietnam is the essential guide to one of Southeast Asia's most enticing destinations. Roam the markets, temples, and shops of thousand-year-old Hanoi, and then slow down the pace with a trip to national parks or the remote highlands. From the rugged mountains of Ha Giang in the north to the pancake-flat Mekong Delta in the south, the honest and up-to-date appraisals in The Rough Guide to Vietnam will steer you to the best places to stay, eat, and party across every price range. Reviews take in hill-tribe homestays, quirky hostels, boutique hotels, sophisticated restaurants, and delicious street food, while informed and accessible writing covers everything from Buddhism to battlefields. This fully revised edition is full-color throughout, helping the country's tremendous food, impressive colonial architecture, and colorful customs leap from the page. Detailed color maps offer clear guidance. Travel like you mean it, with The Rough Guide to Vietnam.

The Garland Handbook of Southeast Asian Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 4, Southeast Asia (1998). Largely revised and updated, the essays offer detailed, regional studies of the different musical cultures of Southeast Asia and examine the ways in which music helps to define the identity of this particular area. Part one provides an in-depth introduction to the area of Southeast Asia and explores a series of issues and processes, such as colonialism, mass media, spirituality, and war. The articles in this section are important in gaining historical, political, and social perspective. Part two focuses on mainland Southeast Asia, with essays representing Cambodia, Thailand, Laos, Burma, Peninsular Malaysia, Vietnam, Singapore, and the minority peoples of mainland Southeast Asia. Part three focuses on island Southeast Asia, dividing the area into three sections: Indonesia, the Philippines, and Borneo. In addition to offering a detailed study of the music of each area, it also offers recent perspectives on the gamelan and theater traditions of Indonesia. Questions for Critical Thinking at the end of each major section guide and focus attention on what issues – musical and cultural – arise when one studies the music of Southeast Asia – issues that might not occur in the study of other musics of the world. An accompanying compact disc offers musical examples from Southeast Asia.