From 'The Deer Hunter' to 'Platoon', the Vietnam cycle of films that America has been producing since the 1970s has had an impact on audiences on both sides of the Atlantic. This book offers an overview of the genre, including such films as 'Full Metal Jacket', 'Platoon', 'Rambo: First Blood' and 'Apocalypse Now'. Aiming to show the ways these films operate as fantasy wish-fulfilment, an attempt to come to terms with the war, and as simply an opportunity for action, this book will appeal to all viewers, students and fans of the Vietnam War film.

FOR THE FIRST TIME EVER, A COMPREHENSIVE AND FASCINATING CRITIQUE OF MOVIES ABOUT VIETNAM! Heroic. Brave. Daring. Until the 1960s, movies about war were good box office. That all changed with Vietnam. Since the war was unpopular and confusing -- lacking clear objectives and easily identified enemies --movie-makers, like many Americans, transferred their dislike for the conflict onto the soldier. Consequently, Hollywood produced pictures that can now be recognizes as misleading, distorted, sensationalistic, or just plain dishonest. In Vietnam at the Movies, Vietnam vet Michael Lee Lanning traces the genesis of the "war movie" from the Spanish American War all the way up to Vietnam, taking Tinseltown to task for its treatment of the Viet vet--painstakingly separating fact from the fiction, and reviewing the quality and accuracy of more than 380 films and TV movies, including: Air America * The Big Chill * Birdy * Born on the Fourth of July * Casualties of War * Coming Home * The Deer Hunter * Dogfight * Easy Rider * First Blood * For the Boys * Friendly Fire * Full Metal Jacket * Good Morning Vietnam * Hair * In Country * JFK * The Killing Fields * Lethal Weapon * Nashville * Platoon * Running On Empty * Slaughterhouse-Five * Streamers * Suspect * Swimming to Cambodia * Taxi Driver * Tender Mercies * Top Gun * Year of the Dragon * And many more! Alphabetically organized for quick and easy access, this comprehensive volume gives film audiences and VCR viewers the opportunity to understand exactly what they are watching when they see Vietnam at the movies.

Vietnam War on Film illustrates how to employ film as a teaching tool. It also stands on its own as an account of the war and the major films that have depicted it. Even for many people who experienced the Vietnam War first hand, memories of that conflict have often been shaped by the popular films that depicted it: The Quiet American, The Green Berets, The Deer Hunter, Coming Home, Platoon, Full Metal Jacket, and Apocalypse Now, among others. Vietnam War on Film examines how the war is portrayed through a selection of ten iconic films that represent the war through dramatization and storytelling as opposed to through documentary footage. The book includes an introduction to the war's history and a timeline of events, followed by ten chapters, each of which focuses on a specific Vietnam War movie. Chapters offer a uniquely detailed level of historical context for the films, weighing their depiction of events against the historical record and evaluating how well or how poorly those films reflected the truth and shaped public memory and discourse over the war. A final section of "Resources" provides a comprehensive annotated bibliography of print and electronic sources to aid students and teachers in further research.

Paradise of the Blind is an exquisite portrait of three Vietnamese women struggling to survive in a society where subservience to men is expected and Communist corruption crushes every dream. Through the eyes of Hang, a young woman in her twenties who has grown up amidst the slums and intermittent beauty of Hanoi, we come to know the tragedy of her family as land reform rips apart their village. When her uncle Chinh‘s political loyalties replace family devotion, Hang is torn between her mother‘s appalling self–sacrifice and the bitterness of her aunt who can avenge but not forgive. Only by freeing herself from the past will Hang be able to find dignity –– and a future.

Vietnam War on Film illustrates how to employ film as a teaching tool. It also stands on its own as an account of the war and the major films that have depicted it. Even for many people who experienced the Vietnam War first hand, memories of that conflict have often been shaped by the popular films that depicted it: The Quiet American, The Green Berets, The Deer Hunter, Coming Home, Platoon, Full Metal Jacket, and Apocalypse Now, among others. Vietnam War on Film examines how the war is portrayed through a selection of ten iconic films that represent the war through dramatization and storytelling as opposed to through documentary footage. The book includes an introduction to the war's history and a timeline of events, followed by ten chapters, each of which focuses on a specific Vietnam War movie. Chapters offer a uniquely detailed level of historical context for the films, weighing their depiction of events against the historical record and evaluating how well or how poorly those films reflected the truth and shaped public memory and discourse over the war. A final section of "Resources" provides a comprehensive annotated bibliography of print and electronic sources to aid students and teachers in further research.

This book serves as a fascinating guide to 100 war films from 1930 to the present. Readers interested in war movies will learn surprising anecdotes about these films and will have all their questions about the films' historical accuracy answered. This cinematic guide to war movies spans 800 years in its analysis of films from those set in the 13th century Scottish Wars of Independence (Braveheart) to those taking place during the 21st-century war in Afghanistan (Lone Survivor). World War II has produced the largest number of war movies and continues to spawn recently released films such as Dunkirk. This book explores those, but also examines films set during such conflicts as the Napoleonic Wars, the American Civil War, World War I, the Vietnam War, and the wars in Afghanistan and Iraq. The book is organized alphabetically by film title, making it easy to navigate. Each entry is divided into five sections: Background (a brief discussion of the film's genesis and financing); Production (information about how, where, and when the film was shot); Synopsis (a detailed plot summary); Reception (how the film did in terms of box office, awards, and reviews) and "Reel History vs. Real History" (a brief analysis of the film's historical accuracy). This book is ideal for readers looking to get a vivid behind-the-scenes look at the greatest war movies ever made.

The United States in the Vietnam War, 1954-1975 is an invaluable reference guide to the costly and controversial war the U.S. waged in Vietnam, over the course of five presidential administrations. Focusing not only on the conflict in Southeast Asia, but also on the tumult the war inspired on the domestic front, Louis Peake provides an authoritative guide to the wide range of media available on the U.S. involvement in Vietnam. From collections of art work and poetry about the soldiering experience, to journalistic accounts of battles, and military training films, the entries consistently provide clear and concise descriptions, allowing the reader to easily identify the value of any particular resource. With revised and updated annotations, and over 150 new entries, this second edition of The United States in the Vietnam War, 1954-1975 is an invaluable reference tool for researchers and students of the Vietnam War. Routledge Research Guides to American Military Studies provide concise, annotated bibliographies to the major areas and events in American military history. With the inclusion of brief critical annotations after each entry, the student and researcher can easily assess the utility of each bibliographic source and evaluate the abundance of resources available with ease and efficiency. Comprehensive, concise, and current—Routledge Research Guides to American Military Studies are an essential research tool for any historian.