In 1982, John Newman, curator of the Vietnam War Literature Collection at Colorado State University, said of W.D. Ehrhart: "As a poet and editor, Bill Ehrhart is clearly one of the major figures in Vietnam War literature." This autobiographical account of the war, the author's first extended prose work, demonstrates Ehrhart's abilities as a writer of prose as well. Vietnam-Perkasie is grim, comical, disturbing, and accurate. The presentation is novelistic--truly, a "page-turner"--but the events are all real, the atmosphere intensely evocative.

From 1969 to 1974 Ehrhart was just Passing Time. His reentry into the "world" began with his enrollment as a 21-year-old freshman (and token Vietnam vet) at Swarthmore College. At first simply trying to bury his past, Ehrhart slowly if inexorably came to understand what happened to him, and why, in Vietnam. Interspersed are flash-backs to the war itself. It is the story of political--and personal--awakening. As the war dragged on, the United States' deceitful involvement and its perpetuation of fallacies and lies about the war's conduct forced Ehrhart to confront his own feelings about his government, country, and self. Throughout, the reader shares with Ehrhart his odyssey through naivete, growing awareness, angry withdrawal and, finally, a measure of peace.

In 1982, John Newman, curator of the Vietnam War Literature Collection at Colorado State University, said of W.D. Ehrhart: "As a poet and editor, Bill Ehrhart is clearly one of the major figures in Vietnam War literature." This autobiographical account of the war, the author's first extended prose work, demonstrates Ehrhart's abilities as a writer of prose as well. Vietnam--Perkasie is grim, comical, disturbing, and accurate. The presentation is novelistic -- truly, a "page-turner" -- but the events are all real, the atmosphere intensely evocative.

This is how it was to be a REMF in Vietnam- the ice cream, the Coca Cola, the air conditioning, the clean, starched jungle fatigues, and yes, the parades and the whores, I leave nothing out; it is all in there. The typing and the saluting, too. With this, David Willson sets the tone for REMF Diary. Between these covers is a very funny, ironic novel of the Vietnam War. It is a story told by an army clerk stationed in Saigon. His perceptions of the war and of the paper war around him make for hilarious reading.

On May 25, 2012, President Obama announced that the United States would spend the next thirteen years commemorating the 50th anniversary of the Vietnam War and the "more than 58,000 patriots" who died there. The fact that 3 million Vietnamese--soldiers, parents, grandparents, children--also died will be largely unknown and entirely un-commemorated. U.S. history barely stops to record the millions of Vietnamese who lived on after being displaced, tortured, maimed, raped, or born with birth defects, the result of devastating chemicals wreaked on the land by the U.S. military. The reason for this disconnect lies in an unremitting public relations campaign waged by top American politicians, military leaders, business people, and scholars who have spent the last sixty years justifying the U.S. presence in Vietnam. The American War in Vietnam challenges all of us to stop the ongoing U.S. war on actual history. Marciano reveals the grandiose flag-waving that stems from the "Noble cause principle," the notion that America is "chosen by God" to bring democracy to the world. The result is critical writing and teaching at its best. This book will provide students everywhere with insights that can prepare them to change the world. --Cover.

"A magnetic, bloody, moving, and worm's-eye view of soldiering in Vietnam, an account that is from the first page to last a wound that can never heal. A searing gift to his country."-Kirkus Reviews The classic Vietnam war memoir, ...and a hard rain fell is the unforgettable story of a veteran's rage and the unflinching portrait of a young soldier's odyssey from the roads of upstate New York to the jungles of Vietnam. Updated for its 20th anniversary with a new afterword on the Iraq War and its parallels to Vietnam, John Ketwig's message is as relevant today as it was twenty years ago. "Solidly effective. He describes with ingenuous energy and authentic language that time and place."-Library Journal "Perhaps as evocative of that awful time in Vietnam as the great fictions...a wild surreal account, at its best as powerful as Celine's darkling writing of World War One."-Washington Post

In his timely YA debut, a best-selling novelist revisits a summer of tumult and truth for a young narrator and his war-torn family. Bicentennial fireworks burn the sky. Bob Seger growls from a transistor radio. And down by the river, girls line up on lawn chairs in pursuit of the perfect tan. Yet for ten-year-old Eli Book, the summer of 1976 is the one that threatened to tear his family apart. There is his distant mother; his traumatized Vietnam vet dad; his wild sister; his former warprotester aunt; and his tough yet troubled best friend, Edie, the only person with whom he can be himself. As tempers flare and his father’s nightmares rage, Eli watches from the sidelines, but soon even he cannot escape the current of conflict. From Silas House comes a tender look at the complexities of childhood and the realities of war -- a quintessentially Southern novel filled with music, nostalgic detail, a deep respect for nature, and a powerful sense of place.