In this special full color Vietnam Journal edition, two stories "Dustoff" and "Zippo Raid" from the files of the critically acclaimed comic war series are presented by Vietnam war veteran Don Lomax. Continued here is the narrative of Scott Neithammer who the troops call 'Journal', due to the fact he is an embedded war correspondent during the Vietnam War and gives a real life voice back home to the troop's true experiences during this bitter conflict.

Merriam Press Military History. A history of military and civilian medicine in Vietnam from World War II when the Japanese occupied Indochina through the French occupation after World War II and the American involvement in Vietnam, up to the present day. It is also a journal of the author's service as a doctor in the U.S. Army during the Vietnam War and later when he organized humanitarian aid for the Vietnamese and in particular assisting one hospital and its staff with training, equipment and supplies. Foreword by Patrick Brady MG, USA, Ret, who served as a Dustoff helicopter pilot in Vietnam and recipient of the Medal of Honor. 63 photos, 2 illustrations, 5 maps.

The acclaimed Vietnam Journal series from Don Lomax, nominated for a Harvey Award, is collected and presented as a series of graphic novels. Vietnam Journal is a look at the Vietnam War through the eyes of a war journalist, Scott 'Journal' Neithammer, as he chronicles the lives and events of soldiers on the front line during the Vietnam War. Creator Don Lomax based Vietnam Journal on his experiences on his tour of duty in Vietnam in the mid 1960's. In BOOK SEVEN, the United States military decides to launch an offensive into the A Shau Valley near the Laotian border. This has been a long time staging area that the Viet Cong have used for years to send men and supplies into South Vietnam from the enemy’s sanctuary in Laos. Meanwhile 'Journal' becomes fascinated with the story of a prisoner of war who belonged to a small tribe that has lived in the A Shau Valley for centuries. They have no sense of country, politics or ideology, only for their local people, but they are dragged anyhow into a war they couldn’t even comprehend. And as the battle at A Shau Valley continues even though Nixon has taken over as President of the United States, ‘Journal, always trying to stay as impartial as possible, can’t contain his rage when he finds the Viet Cong receiving medical supplies from United States protesters back home against the war. Also included in BOOK SEVEN is the collected Hamburger Hill serial series that appeared in Gallery Magazine. Picked by Entertainment Weekly as "a graphic novel you should own" and recommended by the Military History Book Club. "Lomax bases his fictional work on his real experiences in Vietnam in 1966, with powerful results. It is Lomax's concern for average soldiers that, in the end, makes his work significant." - Publishers Weekly. "Even today, VIETNAM JOURNAL is one of the most gritty and brutally honest war stories ever published." - Brian Cronin, Comic Book Resources. "A powerful collection of stories and history of the Vietnam War, created by a veteran of both the war and of war comics " - Douglas P. Dave, School Library Journal. A Caliber Comics release.

"Explores the conceptualization of the initial attempts to use aircraft for evacuation, reviews its development and maturity through conflicts, and focuses on the history of the MEDEVAC post-Vietnam through Hurricane Katrina"--Provided by publisher.

Contributions by Lawrence Abrams, Dorian L. Alexander, Max Bledstein, Peter Cullen Bryan, Stephen Connor, Matthew J. Costello, Martin Flanagan, Michael Fuchs, Michael Goodrum, Bridget Keown, Kaleb Knoblach, Christina M. Knopf, Martin Lund, Jordan Newton, Stefan Rabitsch, Maryanne Rhett, and Philip Smith History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold history into shapes that serve its prospective audience and creator both. It makes sense, then, that history, no stranger to the creation of hagiographies, particularly in the service of nationalism and other political ideologies, is so easily summoned to the panelled page. Comics, like statues, museums, and other vehicles for historical narrative, make both monsters and heroes of men while fueling combative beliefs in personal versions of United States history. Drawing the Past, Volume 1: Comics and the Historical Imagination in the United States, the first book in a two-volume series, provides a map of current approaches to comics and their engagement with historical representation. The first section of the book on history and form explores the existence, shape, and influence of comics as a medium. The second section concerns the question of trauma, understood both as individual traumas that can shape the relationship between the narrator and object, and historical traumas that invite a reassessment of existing social, economic, and cultural assumptions. The final section on mythic histories delves into ways in which comics add to the mythology of the US. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.