Victorine is thirteen, and she can’t get the unwanted surprise of her newly sexual body, in all its polymorphous and perverse insistence, out of her mind: it is a trap lying in wait for her at every turn (and nowhere, for some reason, more than in church). Meanwhile, Victorine’s older brother Costello is struggling to hold his own against the overbearing, mean-spirited, utterly ghastly Hector L’Hommedieu, a paterfamilias who collects and discards mistresses with scheming abandon even as Allison, his wife, drifts through life in a narcotic daze. And Maude Hutchins’s Victorine? It’s a sly, shocking, one-of-a-kind novel that explores sex and society with wayward and unabashedly weird inspiration, a drive-by snapshot of the great abject American family in its suburban haunts by a literary maverick whose work looks forward to—and sometimes outstrips—David Lynch’s Blue Velvet and the contemporary paintings of Lisa Yuskavage and John Currin.

In 1863, civil war is raging in the United States. Victorine Meurent is posing nude, in Paris, for paintings that will be heralded as the beginning of modern art: Manet's Olympia and Picnic on the Grass. However, Victorine's persistent desire is not to be a model but to be a painter herself. In order to live authentically, she finds the strength to flout the expectations of her parents, bourgeois society, and the dominant male artists (whom she knows personally) while never losing her capacity for affection, kindness, and loyalty. Possessing both the incisive mind of a critic and the intuitive and unconventional impulses of an artist, Victorine and her survival instincts are tested in 1870, when the Prussian army lays siege to Paris and rat becomes a culinary delicacy. Drēma Drudge's powerful first novel Victorine not only gives this determined and gifted artist back to us but also recreates an era of important transition into the modern world.

In 1899, Victorine Texier abandons her small French village, her husband, and her two young children to follow her lover to Indochina. She has fallen for Antoine, her childhood sweetheart, and when his work sends him to Asia she is compelled to go with him, and to leave everything she knows behind. Their five weeks together onboard the ship to Indochina are a kind of honeymoon, a prelude to their liberation in a sultry new world of frangipani trees and monsoons. Victorine gives herself over completely to this exhilarating new life of colonial extravagance — that is, until she encounters her youngest sister, who has also been living in Hanoi and Saigon. This reunion, both joyous and tense, reminds Victorine all too painfully of her life and family in France and forces her to confront exactly what she has done. Vividly narrated through a series of flashbacks, Victorine is a richly textured and passionate story of rebellion, guilt, and unruly love.

When Victorine Laurent joins the chorus of the grand Paris Opera ballet, she expects to become the mistress of a wealthy man; this is how young women without family survive in the decadent City of Light. Yet when the artist Degas introduces her to Edouard Manet, her life changes dramatically. She agrees to pose for him, and the result is a painting that shocks Paris. Overnight, Victorine becomes the city’s most sought after courtesan. When she becomes the favorite of the Duke de Lyon, the power behind the shaky government of Emperor Louis-Napoléon, her continued attraction to Manet becomes dangerous for them both. And when an astonishing secret from Victorine’s past comes to light, her carefully constructed world may come crashing down around her. Mademoiselle Victorine transports readers back to nineteenth-century Paris, a time when art, love, and commerce blended seamlessly together.

Eunice Lipton was a fledging art historian when she first became intrigued by Victorine Meurent, the nineteenth-century model who appeared in Edouard Manet's most famous paintings, only to vanish from history in a haze of degrading hearsay. But had this bold and spirited beauty really descended into prostitution, drunkenness, and early death—or did her life, hidden from history, take a different course altogether? Eunice Lipton's search for the answer combines the suspense of a detective story with the revelatory power of art, peeling off layers of lies to reveal startling truths about Victorine Meurent—and about Lipton herself.