Published to accompany an exhibition held at the Victoria and Albert Museum, London, in 2001.

A collection of beautiful verse from five Victorian poets, celebrating Christmas both as holiday and holy day, from Advent through Candlemas. Selections from Emily E. S. Elliott, Katherine Bates, Frances Havergal, Christina Rossetti, and Catherine Winkworth provide a wealth of poetry to enhance your Christmas devotions and celebrations. This is one of a several Christmas collections from this editor. Please visit my web site for details about these collections, as well as more poems, prose, hymns, and carols of Christmas. The Hymns and Carols of Christmas, www.hymnsandcarolsofchristmas.com. Format: Novel (6" x 9"). Cover: Linen Hardcover with Dust Jacket. A collection of beautiful verse from five Victorian poets, celebrating Christmas both as holiday and holy day, from Advent through Candlemas. Selections from Emily E. S. Elliott, Katherine Bates, Frances Havergal, Christina Rossetti, and Catherine Winkworth provide a wealth of poetry to enhance your Christmas devotions and celebrations. This is one of a several Christmas collections from this editor. Please visit my web site for details about these collections, as well as more poems, prose, hymns, and carols of Christmas. The Hymns and Carols of Christmas, www.hymnsandcarolsofchristmas.com. Format: Novel (6" x 9"). Cover: Linen Hardcover with Dust Jacket.

A study of how artists and photographers shaped imperial visions of war and peace in the Victorian period In an era that saw the birth of photography (c. 1839) and the rise of the illustrated press (c. 1842), the British experience of their empire became increasingly defined by the processes and products of image-making. Examining moments of military and diplomatic crisis, this book considers how artists and photographers operating "in the field" helped to define British visions of war and peace. The Victorians increasingly turned to visual spectacle to help them compose imperial sovereignty. The British Empire was thus rendered into a spectacle of "peace," from world's fairs to staged diplomatic rituals. Yet this occurred against a backdrop of incessant colonial war--campaigns which, far from being ignored, were in fact unprecedentedly visible within the cultural forms of Victorian society. Visual media thus shaped the contours of imperial statecraft and established many of the aesthetic and ethical frames within which the colonial violence was confronted.

This first collection of essays by Carroll Smith-Rosenberg, one of the leading historians of women, is a landmark in women's studies. Focusing on the "disorderly conduct" women and some men used to break away from the Victorian Era's rigid class and sex roles, it examines the dramatic changes in male-female relations, family structure, sex, social custom, and ritual that occurred as colonial America was transformed by rapid industrialization. Included are two now classic essays on gender relations in 19th-century America, "The Female World of Love and Ritual: Relations Between Women in Nineteenth-Century America" and "The New Woman as Androgyne: Social Order and Gender Crisis, 1870-1936," as well as Smith-Rosenberg's more recent work, on abortion, homosexuality, religious fanatics, and revisionist history. Throughout Disorderly Conduct, Smith-Rosenberg startles and convinces, making us re-evaluate a society we thought we understood, a society whose outward behavior and inner emotional life now take on a new meaning.

A study of British and American Utopian writing of the 1800s in the context of developments in real architectural, political, and cultural life. The book studies utopian visions published in the UK and the USA in the 1800s by writers such Robert Owen, James Silk Buckingham, Edward Bellamy, and William Morris.

The first half of the nineteenth century witnessed an extraordinary transformation in British political, literary, and intellectual life. There was widespread social unrest, and debates raged regarding education, the lives of the working class, and the new industrial, machine-governed world. At the same time, modern science emerged in Europe in more or less its current form, as new disciplines and revolutionary concepts, including evolution and the vastness of geologic time, began to take shape. In Visions of Science, James A. Secord offers a new way to capture this unique moment of change. He explores seven key books—among them Charles Babbage’s Reflections on the Decline of Science, Charles Lyell’s Principles ofGeology, Mary Somerville’s Connexion of the Physical Sciences, and Thomas Carlyle’s Sartor Resartus—and shows how literature that reflects on the wider meaning of science can be revelatory when granted the kind of close reading usually reserved for fiction and poetry. These books considered the meanings of science and its place in modern life, looking to the future, coordinating and connecting the sciences, and forging knowledge that would be appropriate for the new age. Their aim was often philosophical, but Secord shows it was just as often imaginative, projective, and practical: to suggest not only how to think about the natural world but also to indicate modes of action and potential consequences in an era of unparalleled change. Visions of Science opens our eyes to how genteel ladies, working men, and the literary elite responded to these remarkable works. It reveals the importance of understanding the physical qualities of books and the key role of printers and publishers, from factories pouring out cheap compendia to fashionable publishing houses in London’s West End. Secord’s vivid account takes us to the heart of an information revolution that was to have profound consequences for the making of the modern world.

Historians of science, mathematicians and general readers will find this to be a carefully researched and nicely written account of what 19th century English mathematicians (particularly the geometers) imagined themselves to be doing, of what they imagined to be the nature of mathematics. The author.