Described by Craft Digest as "beautiful and very inspirational," Connie Clough Eaton's splendid stained glass designs are as easy to execute as they are attractive. Her latest collection focuses on Victorian florals — one of the most popular subjects among stained glass artists. In oval, rectangular, square, and round formats, the versatile, royalty-free images are designed to embellish traditional windows, but to work equally well as patterns for fabric painting, applique work, and other craft projects.

A beautifully illustrated guide to the world of Victorian stained glass and its manufacturers and designers. Victorian stained glass – magnificent, colourful and artistic – adorns countless British churches, municipal buildings and homes. Across the decades, several artistic movements influenced these designs, from the Gothic Revival, through the Arts and Crafts Movement and into Art Nouveau as a new century dawned. Historian Trevor Yorke shows how craftsmen re-learned the lost medieval art of colouring, painting and assembling stained glass windows – but also, in this age of industry, how windows were templated and mass produced. Showcasing the exquisite glass generated by famous designers such as A.W.N. Pugin, Pre-Raphaelites William Morris and Edward Burne-Jones, and by leading manufacturers such as Clayton and Bell, this beautifully illustrated book introduces the reader to many wonderful examples of Victorian stained glass and where it can be found.

96 authentic Victorian patterns adapted for stained glass workers: exquisite leaf patterns, intricate scroll designs, florals, and borders for windows, transforms, panels, lampshades, mirrors, frames, mobiles, or other craft projects.

This splendid sourcebook for stained glass designs contains 88 patterns in styles ranging from medieval interlacements to Art Nouveau, Art Deco, and modern motifs. Suitable for crafters at every level of expertise, the patterns can be easily expanded for full-sized panels, mirror surrounds, and other decorative work.

Derived from authentic 19th-century sources, these elegant patterns were all specially designed for doorways. Distinctive images include flowers, grapevines, scrolls, wreaths, and other motifs, each appearing in several shapes, including rectangular, oval, circular, and oblong. These variations in shape make it easy for craftworkers to execute the same motif in a variety of formats, such as transoms, sidelights, and door inserts. Artists, artisans, and craftspeople seeking patterns with a nostalgic appeal will find that these lovely permission-free stained glass designs lend themselves equally well to a host of other art and craft projects. 175 b/w illus.

Stained glass reached the height of its popularity in the Victorian period. But how did it become so popular and who was involved in this remarkable revival? The enthusiasm for these often exquisite pieces of artwork spread from specialist groups of antiquarians and architects to a much wider section of the Victorian public. By looking at stained glass from the perspective of both glass-painter and patron, and by considering how stained glass was priced, bought and sold, this enlightening study traces the emergence of the market for stained glass in Victorian England. Thus it contains new insights into the Gothic Revival and the relationship between architecture and the decorative arts. Beautifully illustrated with colour plates and black and white illustrations, this book will be valuable to those interested in stained glass and the wider world of Victorian art.