In early Victorian England there was intense interest in understanding the early Church as an inspiration for contemporary sanctity. This was manifested in a surge in archaeological inquiry and also in the construction of new churches using medieval models. Some Anglicans began to use a much more complicated form of ritual involving vestments, candles, and incense. This "Anglo-Catholic" movement was vehemently opposed by evangelicals and dissenters, who saw this as the vanguard of full-blown "popery." The disputed buildings, objects, and art works were regarded by one side as idolatrous and by the other as sacred and beautiful expressions of devotion. Dominic Janes seeks to understand the fierce passions that were unleashed by the contended practices and artifacts - passions that found expression in litigation, in rowdy demonstrations, and even in physical violence. During this period, Janes observes, the wider culture was preoccupied with the idea of pollution caused by improper sexuality. The Anglo-Catholics had formulated a spiritual ethic that linked goodness and beauty. Their opponents saw this visual worship as dangerously sensual. In effect, this sacred material culture was seen as a sexual fetish. The origins of this understanding, Janes shows, lay in radical circles, often in the context of the production of anti-Catholic pornography which titillated with the contemplation of images of licentious priests, nuns, and monks.

Miriam Elizabeth Burstein studies the Protestant Reformation as it is represented and continually rewritten in 19th-century and Victorian fiction.

In Victorian Reformations: Historical Fiction and Religious Controversy, 1820-1900, Miriam Elizabeth Burstein analyzes the ways in which Christian novelists across the denominational spectrum laid claim to popular genres—most importantly, the religious historical novel—to narrate the aftershocks of 1829, the year of Catholic Emancipation. Both Protestant and Catholic popular novelists fought over the ramifications of nineteenth-century Catholic toleration for the legacy of the Reformation. But despite the vast textual range of this genre, it remains virtually unknown in literary studies. Victorian Reformations is the first book to analyze how “high” theological and historical debates over the Reformation’s significance were popularized through the increasingly profitable venue of Victorian religious fiction. By putting religious apologists and controversialists at center stage, Burstein insists that such fiction—frequently dismissed as overly simplistic or didactic—is essential for our understanding of Victorian popular theology, history, and historical novels. Burstein reads “lost” but once exceptionally popular religious novels—for example, by Elizabeth Rundle Charles, Lady Georgiana Fullerton, and Emily Sarah Holt—against the works of such now-canonical figures as Sir Walter Scott, Charles Dickens, and George Eliot, while also drawing on material from contemporary sermons, histories, and periodicals. Burstein demonstrates how these novels, which popularized Christian visions of change for a mass readership, call into question our assumptions about the nineteenth-century historical novel. In addition, her research and her conceptual frameworks have the potential to influence broader paradigms in Victorian studies and novel criticism.

An account of the intellectual and theological ferment of nineteenth-century Britain - the dynamic period when so many of the ideas and attitudes we take for granted today were first established (including the impact of biblical criticism upon traditional theology, and the belief in a social as well as a spirtual mission for the Church). Key figures include Coleridge, Newman Carlyle, Matthew Arnold and F. D. Maurice. Unavailable for some time, the reappearance of this updated Second Edition will be welcomed by theologians and intellectual and literary historians alike.

Too often, the Reformers and their doctrines have been caricatured, misrepresented or misappropriated in the service of agendas they would never have recognized, let alone endorsed. Happily, there has been a great deal of fine scholarship in recent years that has exploded some of these myths, but it has not always been accessible to non-specialists. The intention of Celebrating the Reformation is that Christians today will find new cause to rejoice in what God did in the sixteenth century through weak and fallible men and women. These people sought, in their own context, to submit themselves to the word of God and lead his people in a godly and faithful response to the gospel of grace. Three sections deal with the chief Reformers, key doctrines and the Reformation in retrospect. Each contribution seeks to connect its subject to the present, making clear its relevance for today. The Reformation is not a dead movement but a living legacy that can still capture the imagination and encourage men and women in their own Christian discipleship. The contributors are Andrew Bain, Colin R. Bale, Rhys S. Bezzant, Gerald Bray, Martin Foord, David A. Höhne, Chase Kuhn, Andrew Leslie, Edward Loane, John McClean, Joe Mock, Michael J. Ovey, Tim Patrick, Mark D. Thompson, Stephen Tong, Jane Tooher and Dean Zweck.

Most general accounts of the reformation concentrate on its events and personalities while recent scholarship has been largely devoted to its social and economic consequences. Benard Reardon's famous book has been designed specifically to reassert the role of religion in the study of reformation history and make the theological issues and arguments that fuelled it accessible to non-specialists today.

Since the late twentieth century, there has been a strategic campaign to recover the impact of Victorian women writers in the field of English literature. However, with the increased understanding of the importance of interdisciplinarity in the twenty-first century, there is a need to extend this campaign beyond literary studies in order to recognise the role of women writers across the nineteenth century, a time that was intrinsically interdisciplinary in approach to scholarly writing and public intellectual engagement.