The first source book to track the role the British empire played in domestic politics, social attitudes and intellectual and cultural life at home, this volume is undergirded by a recognizable political chronology, emphasizing moments of major constitutional reform (1832, 1867) and imperial crisis (1857, 1865, 1882, 1886, 1899). The primary purpose of the reader is to introduce students to the intersections of 'home' and 'empire', so that the effects of imperialism on Victorian politics and society can be fully appreciated.

This book is a comprehensive review of the political career of Benjamin Disraeli, providing a thorough critical analysis of one of the most ambitious and controversial leaders in British history. 'Disraeli and the Art of Victorian Politics' will be a major addition to our understanding of the dynamics of nineteenth-century politics.

Between 1830 and 1886, Liberals dominated British politics. Focusing on the strategies of successive Liberal leaders, this study gives an overview of that dominance and argues that liberalism was a much more coherent force than has generally been recognized by historians.

During the nineteenth century, Britain became the first gaslit society, with electric lighting arriving in 1878. At the same time, the British government significantly expanded its power to observe and monitor its subjects. How did such enormous changes in the way people saw and were seen affect Victorian culture? To answer that question, Chris Otter mounts an ambitious history of illumination and vision in Britain, drawing on extensive research into everything from the science of perception and lighting technologies to urban design and government administration. He explores how light facilitated such practices as safe transportation and private reading, as well as institutional efforts to collect knowledge. And he contends that, contrary to presumptions that illumination helped create a society controlled by intrusive surveillance, the new radiance often led to greater personal freedom and was integral to the development of modern liberal society. The Victorian Eye’s innovative interdisciplinary approach—and generous illustrations—will captivate a range of readers interested in the history of modern Britain, visual culture, technology, and urbanization.

This groundbreaking history challenges traditional assumptions about the development of British democracy and the struggle for women's rights.

This book is a history of the emergence and development of the concept of proportional representation and its relation to political theory within the context of nineteenth-century British party politics focusing on Thomas Hare (1806-1891).

In a work that is uniquely comprehensive and theoretically astute, Isobel Armstrong rescues Victorian poetry from its longstanding sepia image as `a moralised form of romantic verse', and unearths its often subversive critique of nineteenth-century culture and politics.