In 1956, a group of Waorani men killed five North American missionaries in Ecuador. The event cemented the Waorani's reputation as ""wild Amazonian Indians"" in the eyes of the outside world. It also added to the myth of the violent Amazon created by colonial writers and still found in academia and the state development agendas across the region. Victims and Warriors examines contemporary violence in the context of political and economic processes that transcend local events. Casey High explores how popular imagery of Amazonian violence has become part of Waorani social memory in oral histories, folklore performances, and indigenous political activism. As Amazonian forms of social memory merge with constructions of masculinity and other intercultural processes, the Waorani absorb missionaries, oil development, and logging depredations into their legacy of revenge killings and narratives of victimhood. High shows that these memories of past violence form sites of negotiation and cultural innovation, and thus violence comes to constitute a central part of Amazonian sociality, identity, and memory.

Pulitzer Prize finalist David Philipps brings to life the chilling story of how today's American heroes are slipping through the fingers of society—with multiple tours of duty and inadequate mental-health support creating a crisis of PTSD and a large-scale failure of veterans to reintegrate into society. Following the frightening narrative of the 506th Infantry Regiment—who had rebranded themselves as the Lethal Warriors after decades as the Band of Brothers—he reveals how the painful realities of war have multiplied in recent years, with tragic outcomes for America's soldiers, compounded by an indifferent government and a shrinking societal safety net.

The war on drugs has failed, but consensus in the international drug policy debate on the way forward is missing. Amidst this moment of uncertainty, militarised lenses on the global illicit drug problem continue to neglect the complexity of the causes and consequences that this war is intended to defend or defeat. Challenging conventional thinking in defence and security sectors, Transforming the War on Drugs constitutes the first comprehensive and systematic effort to theoretically, conceptually, and empirically investigate the impacts of the war on drugs. The contributors trace the consequences of the war on drugs across vulnerable regions, including South America and Central America, West Africa, the Middle East and the Golden Crescent, the Golden Triangle, and Russia. It demonstrates that these consequences are ‘glocal’. The war’s local impacts on human rights, security, development, and public health are interdependent with transnational illicit flows. The book further reveals how these impacts have influenced the positions of governments across these regions, with significant ramifications for the international drug control regime. Crucially, it shows that, at a time when global order is in flux, critically evaluating the regime’s securitisation through the war on drugs provides key insights into other global governance realms.

The basis for the cult-classic film and the inspiration for a concept album written by Lin-Manuel Miranda and Eisa Davis, executive produced by Nas, releasing from Atlantic Records on October 18 Every gang in the city meets on a sweltering July 4 night in a Bronx park for a peace rally. The crowd of miscreants turns violent after a prominent gang leader is killed, and chaos prevails over attempts at order. The Warriors follows the Dominators as they make their nocturnal journey to their home territory without being killed. The police are prowling the city in search of anyone involved in the mayhem. An exhilarating novel that examines New York City teenagers left behind by society, who form identity and personal strength through their affiliation with their "family," The Warriors weaves together social commentary with ancient legends for a classic coming-of-age tale. This edition includes a new introduction by the author.

This book probes the narratives of poets who are exiled, tried or executed for their satire. It views the scapegoat as a group's dominant warrior, sent out to confront predators or besieging forces. Both poets and warriors specialize in madness and aggression and are necessary, yet dangerous, to society.

The cost of living is rising, leaving many struggling to keep their heads above water. For Sarah and Ben, this crisis becomes a stark reality when a sudden rent increase forces them to make a difficult decision: move into his car. Their story unfolds not just as a survival narrative, but as an exploration of love, resilience, and the enduring strength of the human spirit. It’s easy to see the challenges they face – the lack of privacy, the constant fear of being discovered, the emotional toll of hiding their situation from loved ones. But as they navigate these hardships, they also uncover a hidden strength within themselves and within their relationship. They learn to adapt, to connect with others, and to find unexpected sources of support. This story is not just about survival; it is about finding hope amidst uncertainty, about discovering the beauty in the ordinary, and about the power of human connection in the face of adversity. It is a story about the power of love to sustain us even in the darkest of times.

WARS CHANGE, WARRIORS DON'T We are all warriors. Each of us struggles every day to define and defend our sense of purpose and integrity, to justify our existence on the planet and to understand, if only within our own hearts, who we are and what we believe in. Do we fight by a code? If so, what is it? What is the Warrior Ethos? Where did it come from? What form does it take today? How do we (and how can we) use it and be true to it in our internal and external lives? The Warrior Ethos is intended not only for men and women in uniform, but artists, entrepreneurs and other warriors in other walks of life. The book examines the evolution of the warrior code of honor and "mental toughness." It goes back to the ancient Spartans and Athenians, to Caesar's Romans, Alexander's Macedonians and the Persians of Cyrus the Great (not excluding the Garden of Eden and the primitive hunting band). Sources include Herodotus, Thucydides, Plutarch, Xenophon, Vegetius, Arrian and Curtius--and on down to Gen. George Patton, Field Marshal Erwin Rommel, and Israeli Minister of Defense, Moshe Dayan.