Vichy's Double Bind advances a significant new interpretation of French collaboration during the Second World War. Arguing that the path to collaboration involved not merely Nazi Germany but Fascist Italy, it suggests that the Vichy French government was caught in a double bind. On the one hand, many of the threats to France's territory, colonial empire and power came from Rome as well as Berlin. On the other, Vichy was caught between the irreconcilable yet inescapable positions of the two Axis governments. Unable to resolve the conflict, Vichy sought to play the two Axis powers against each other. By exploring French dealings with Italy at diplomatic, military and local levels in France and its colonial empire, this book reveals the multi-dimensional and multi-directional nature of Vichy's policy. It therefore challenges many enduring conceptions of collaboration with reference to Franco-German relations and offers a fresh perspective on debates about Vichy France and collaboration with Nazi Germany and Fascist Italy.

A riveting account of the five most crucial days in twentieth-century diplomatic history: from Pearl Harbor to Hitler’s declaration of war on the United States By early December 1941, war had changed much of the world beyond recognition. Nazi Germany occupied most of the European continent, while in Asia, the Second Sino-Japanese War had turned China into a battleground. But these conflicts were not yet inextricably linked—and the United States remained at peace. Hitler’s American Gamble recounts the five days that upended everything: December 7 to 11. Tracing developments in real time and backed by deep archival research, historians Brendan Simms and Charlie Laderman show how Hitler’s intervention was not the inexplicable decision of a man so bloodthirsty that he forgot all strategy, but a calculated risk that can only be understood in a truly global context. This book reveals how December 11, not Pearl Harbor, was the real watershed that created a world war and transformed international history.

Embassies are integral to international diplomacy, their staff instrumental to inter-governmental dialogue, strategic partnerships, trading relationships and cultural exchange. But Embassies are also discreet political spaces. Notionally sovereign territory ‘immune’ from local jurisdiction, in moments of crisis Embassies have often been targets of protest and sites of confrontation. It is this aspect of Embassy experience that this collection of essays explores and Embassies in Crisis revisits flashpoints in the recent lives of Embassies overseas at times of acute political crisis. Ranging across multiple British and other embassy crises, unusually, this book offers equal insights to international historians and members of the diplomatic community.

From the invasion of Ethiopia in 1935 through to the waning months of the World War II in 1945, Fascist Italy was at war. This Fascist decade of war comprised an uninterrupted stretch of military and political engagements in which Italian military forces were involved in Abyssinia, Spain, Albania, France, Greece, the Soviet Union, North Africa and the Middle East. As a junior partner to Nazi Germany, only entering the war in June 1940, Italy is often seen as a relatively minor player in World War II. However, this book challenges much of the existing scholarship by arguing that Fascist Italy played a significant and distinct role in shaping international relations between 1935 and 1945, creating a Fascist decade of war.

The Franco-Prussian War of 1870–71 has traditionally been seen as a limited conflict between French and German forces. This edited volume challenges this view and shows that it was a war of ideas, values, and perceptions, which transformed the political, diplomatic, and military culture across Europe. Based on interdisciplinary research, the book suggests that the war raised new questions about power, the nation, violence, and notions of civilization, which brought about a decisive shift in how warfare was experienced and perceived. While the Franco-Prussian War may have begun as a traditional dynastic struggle, it became a modern war and an important precursor to the First World War in its use of new weaponry and industrialized warfare. At the same time, the development of humanitarian movements and international law on the conduct of war meant that the fighting was subjected to unprecedented scrutiny, while new technologies accelerated the pace at which narratives about the war were constructed and consumed. This volume will appeal to scholars in the fields of war studies, international relations and diplomacy, and intellectual and cultural history. It will also be a useful addition to undergraduate and postgraduate courses on nineteenth-century European history and cultural studies.

Britain has historically been seen as an upholder of international norms, at least in its relations with western powers. This has often been contrasted with the violence perpetrated in colonial contexts on other continents. What is often missed, however, is the extent to which the state with its capital in London—first England, then Great Britain—inflicted extreme violence on its European neighbours, even when still using the rhetoric of neighbourliness and friendship. This book comprises eleven case-studies of Anglo-British strategic violence, from the siege of Harfleur in 1415 to the fire-bombing of Hamburg in 1943. Chapters examine actions that were top-down and directed, and perpetrated for specific geopolitical reasons—many of them at, or well beyond, the bounds of what was sanctioned by prevailing international norms at the time. The contributors look at how these actions were conceived, executed and perceived by the English/British public, by the international legal community of the time, and by the victims. This history of English violence in Europe complicates not only easy notions of England/Britain as a champion of the ‘standards of civilisation’ or of the ‘liberal international order’, but also of the supposed distinction between ‘European’ and ‘extra-European’ warfare.

When collective memory is a source of national debate, the public representation of history quickly becomes a locus of controversy and ideological struggle. This work shows how French film has allowed for a public airing of current concerns through the lens of memory's recreations of the Occupation.