This fascinating study of the nine novels of Vicente Leñero, published between 1961 and 1985, attests to the contemporary Mexican writer's protean talent. Anderson interrogates the dual critical project that underlies Leñero's works: the constant preoccupation with the expressive potentials of the novelistic genre and the equally constant concern for a critical examination of social reality. Employing a variety of post-structural approaches in order to reveal the dynamics of this dual project, Vicente Leñero: The Novelist as Critic provides the first book-length consideration of the materials and concerns of this novelist's art.

Neoliberalism in Mexico - characterized by free markets, by the privitization of thousands of State enterprises, and by influence from Washington and Wall Street - has forever changed the political climate, making it necessary to theorize new paths for the future. Indeed, liberal ideology champions not only economic freedom but individual liberty as well: In the canon of liberal texts, Adam Smith's The Wealth of Nations coexists with John Stuart Mill's The Subjugation of Women, a biting commentary on gender inequality. The debate over neoliberalism in Mexico is not exclusively a left-right conflict. Many leftists see ties with the U.S. as a means to promote social change even though they oppose neoliberal economics; many on the right, while supporting neoliberalism, fear social influences from the North. This volume focuses on the neoliberal debate in plays by four Mexican authors: Sabina Berman, Vicente Lenero, Victor Hugo Rascon Banda, and Alejandra Trigueros. These playwrights stage the complexity of neoliberalism, providing insight into a global trend and its manifestation in Mexico. Stuart A. Chapel Hill.

This volume features approximately 600 entries that represent the major writers, literary schools, and cultural movements in the history of Mexican literature. A collaborative effort by American, Mexican, and Hispanic scholars, the text contains bibliographical, biographical, and critical material--placing each work cited within its cultural and historical framework. Intended to enrich the English-speaking public's appreciation of the rich diversity of Mexican literature, works are selected on the basis of their contribution toward an understanding of this unique artistry. The dictionary contains entries keyed by author and works, the length of each entry determined by the relative significance of the writer or movement being discussed. Each biographical entry identifies the author's literary contribution by including facts about his or her life and works, a chronological list of works, a supplementary bibliography, and, when appropriate, critical notes. Authors are listed alphabetically and cross-referenced both within the text and the index to facilitate easy access to information. Selected bibliographical entries are also listed alphabetically by author and include both the original title and English translation, publisher, date and place of publication, and number of pages.

Presentation of the author's psychoanalytic beliefs and experiences inchild psychoanalytic therapy.

Latin America has a rich literary tradition that is receiving growing amounts of attention. The body of Latin American mystery writing is especially vast and diverse. Because it is part of Latin American popular culture, it also reflects many of the social and cultural concerns of that region. This reference provides an overview of mystery fiction of Latin America. While many of the authors profiled have received critical attention, others have been relatively neglected. Included are alphabetically arranged entries on 54 writers, most of whom are from Argentina, Mexico, and Cuba. Every effort has been made to include balanced coverage of the few female mystery writers. Each entry is written by an expert contributor and includes a brief biography, a critical discussion of the writer's works, and primary and secondary bibliographies. The volume closes with a general bibliography of anthologies and criticism.

How did men become the stars of the Mexican intellectual scene? Dude Lit examines the tricks of the trade and reveals that sometimes literary genius rests on privileges that men extend one another and that women permit. The makings of the “best” writers have to do with superficial aspects, like conformist wardrobes and unsmiling expressions, and more complex techniques, such as friendship networks, prizewinners who become judges, dropouts who become teachers, and the key tactic of being allowed to shift roles from rule maker (the civilizado) to rule breaker (the bárbaro). Certain writing habits also predict success, with the “high and hard” category reserved for men’s writing and even film directing. In both film and literature, critically respected artwork by men tends to rely on obscenity interpreted as originality, negative topics viewed as serious, and coolly inarticulate narratives about bullying understood as maximum literary achievement. To build the case regarding “rebellion as conformity,” Dude Lit contemplates a wide set of examples while always returning to three figures, each born some two decades apart from the immediate predecessor: Juan Rulfo (with Pedro Páramo), José Emilio Pacheco (with Las batallas en el desierto), and Guillermo Fadanelli (with Mis mujeres muertas, as well as the range of his publications). Why do we believe Mexican men are competent performers of the role of intellectual? Dude Lit answers this question through a creative intersection of sources. Drawing on interviews, archival materials, and critical readings, this provocative book changes the conversation on literature and gendered performance.