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'Vice Versa: A Lesson to Fathers' is a comic novel by Thomas Anstey Guthrie, writing under the pseudonym "F. Anstey". Set in Victorian London, via a magic stone from India a father and son switch places, thus living each other's lives, and gain a better understanding for each other before they switch back.

A comic adventure in which a father and son switch bodies -- a young boy becomes his father and vice-versa. This was the original changing places comedy, first published in 1882. Anstey's fantasy spawned a number of imitations, but this tale came first. This famous story has been adapted for television at least three times, and for film at least five times. The plot concerns Paul Bultitude and his son Dick, who, as a result of a magic stone talisman, find that their roles are reversed. Mr. Bultitude has to go to his son's boarding school, whilst Dick finds himself out of his depth in attempting to run his father's business. Paul (as Dick) finds it difficult to adapt to school life and earns a reputation with his fellow pupils as both a sneak and a coward, whilst Dick (as Paul) almost ruins his father's business. These are problems that they both have to deal with at the time -- as well as later when they are returned to their own bodies. F. Anstey was the pen name of Thomas Anstey Guthrie (1856-1934) who relinquished his law practice to write many novels of fantasy and humor.

F. Anstey was the pseudonym of Thomas Anstey Guthrie who was born in Kensington, London on August 8th, 1856, to Augusta Amherst Austen, an organist and composer, and Thomas Anstey Guthrie., a prosperous military tailor. Anstey was educated at King's College School and then at Trinity Hall, Cambridge. Although his education was first rate Anstey could only manage a third-class degree; A Gentlemen's degree as it was euphemistically known. In 1880 he was called to the bar. However this career path rapidly fell away in his desire to become an author. The successful publication of Vice Versa, in 1882, with the premise of a substitution of a father for his schoolboy son, made his name and reputation as a refreshing and original humorist. The following year he published a rather more serious work, The Giant's Robe. Interestingly the story is about a plagiarist and Anstey was, ironically, accused of plagiarism in writing the work. Despite good reviews both he and his public knew that his writing career was to be that of a humorist. In the following years he published prolifically beginning with; The Black Poodle (1884), The Tinted Venus (1885), A Fallen Idol (1886), and Baboo Jabberjee B.A. (1897). Anstey worked not only as a novelist and short story writer but was also a valued member of the staff at the humorous Punch magazine, in which his voces populi and his parodies of a reciter's stock-piece (Burglar Bill) represent perhaps his best work. In 1901, his successful farce, The Man from Blankleys, based on a story that originally appeared in Punch, was first produced on stage at the Prince of Wales Theatre, in London. Anstey had become a writer, and a successful one at that, of many talents. Many more of his stories were made into plays and films over the years. Others were simply taken for the premise alone, usually with no credit to the original author. By the end of the First World War Anstey's original publications had slowed to a crawl and he seemed rather more interested in translating and publishing some works of Moliere. Thomas Anstey Guthrie died of pneumonia on March 10th, 1934 in London. His self-deprecating autobiography, A Long Retrospect, was published in 1936.

Winner of the Distinguished Contribution to Scholarship Award, American Sociological Association Co-Winner of the Ralph J. Bunche Award, American Political Science Association In a work of prodigious scholarship and enormous breadth, which draws on the tribal, ancient, premodern, and modern worlds, Orlando Patterson discusses the internal dynamics of slavery in sixty-six societies over time. These include Greece and Rome, medieval Europe, China, Korea, the Islamic kingdoms, Africa, the Caribbean islands, and the American South. Praise for the previous edition: “Densely packed, closely argued, and highly controversial in its dissent from much of the scholarly conventional wisdom about the function and structure of slavery worldwide.” —Boston Globe “There can be no doubt that this rich and learned book will reinvigorate debates that have tended to become too empirical and specialized. Patterson has helped to set out the direction for the next decades of interdisciplinary scholarship.” —David Brion Davis, New York Review of Books “This is clearly a major and important work, one which will be widely discussed, cited, and used. I anticipate that it will be considered among the landmarks in the study of slavery, and will be read by historians, sociologists, and anthropologists—as well as many other scholars and students.” —Stanley Engerman