Religion is a racialized category, even when race is not explicitly mentioned. In Modern Religion, Modern Race Theodore Vial argues that because the categories of religion and race are rooted in the post-Enlightenment project of reimagining what it means to be human, we cannot simply will ourselves to stop using them. Only by acknowledging that religion is already racialized can we begin to understand how the two concepts are intertwined and how they operate in our modern world. It has become common to argue that the category religion is not universal, or even very old, but is a product of Europe's Enlightenment modernization. Equally common is the argument that religion is not an innocent category of analysis, but is implicated in colonial regimes of control and as such plays a role in Europe's process of identity construction of itself and of non-European "others." Current debates about race follow an eerily similar trajectory: race is not an ancient but a modern construction. It is part of the project of colonialism, and race discourse forms one of the cornerstones of modern European identity-making. Why can't we stop using them, or re-construct them in less toxic ways? By examining the theories of Kant, Herder, and Schleiermacher, among others, Vial uncovers co-constitutive nature of race and religion, describes how they became building blocks of the modern world, and shows how the two concepts continue to be used today to form identity and to make sense of the world. He shows that while we disdain the racist language of some of the founders of religious studies, the continued influence of the modern worldview they helped create leads us, often unwittingly, to reiterate many of the same distinctions and hierarchies. Although it may not be time to abandon the very category of religion, with all its attendant baggage, Modern Religion, Modern Race calls for us to examine that baggage critically, and to be fully conscious of the ways in which religion always carries with it dangerous ideas of race.

Murder in the lab! The famous forensic scientist Dr. Ramachandran is stone-cold dead, and Ruby Rose’s father is the prime suspect. It’s one more reason for Ruby to hate the Gardens, the funky urban neighborhood to which she has been transplanted. Wise but shy, artistic but an outsider, Ruby must marshal everything and everyone she can to help solve the mystery and prove her father didn’t poison his boss. Everyone? The list isn’t too long: there’s T. Rex, Ruby’s big, goofy but goodhearted friend; maybe those other two weird kids from class; and that mysterious old lady in the apartment upstairs, who seems to know a lot about chemistry . . . which could come in very handy. Praise for Poison Most Vial “Carey mixes toxic chemistry and logic problems in his second middle-grade mystery to good, if not great effect. Budding chemists and crime-scene investigators will especially enjoy this science whodunit.” —Kirkus Reviews Awards VOYA Top Shelf for Middle School Readers 2012 list

Two sisters become trapped in the underworld—and in the machinations of deities, shapeshifters, and ghouls—in this lush and dangerous Phoenician mythology-inspired fantasy. A Kirkus Reviews Best Young Adult Book of the Year Teenage sisters Samira and Rima aren't exactly living the dream. Instead, they live with their maddeningly unreliable mother in a rundown trailer in Michigan. Dad's dead, money's tight, and Mom disappears to gamble for days at a time. So when Sam's grandfather wills her the family valuables—a cache of Lebanese antiquities—she's desperate enough to try pawning them before Mom can. But she shouldn't. Because one is cursed, forbidden, the burial coin of a forgotten god. Disturbing it condemns her and Rima to the Phoenician underworld, a place of wicked cities, burning forests, poisoned feasts of milk and lemons, and an endless, windless ocean. Nothing is what it seems. No one is who they say. And down here, the night never ends. To get home—and to keep her sister safe—Sam will have to outwit beautiful shapeshifters, pose as a royal bride, sail the darkest sea... and maybe kill the god of death himself. A lush and intensely imaginative novel in which fierce women protect each other from rapacious gods and hungering demons, and in which two tenacious sisters come into their power, Vial of Tears introduces readers to the rich and brilliant mythology of ancient Lebanon. A Den of Geek Top New YA A Shelf Awareness Galley Love of the Week Selection

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