VI. concertos in seven parts

VI. concertos in seven parts
Title VI. concertos in seven parts PDF eBook
Author Alessandro Scarlatti
Publisher
Pages 122
Release 1998
Genre Concerti grossi
ISBN

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vi. Concertos in Seven parts, for two Violins&Violoncello Obligato with two Violins more, a Tenor&Thorough Bass, etc. [Parts.]

vi. Concertos in Seven parts, for two Violins&Violoncello Obligato with two Violins more, a Tenor&Thorough Bass, etc. [Parts.]
Title vi. Concertos in Seven parts, for two Violins&Violoncello Obligato with two Violins more, a Tenor&Thorough Bass, etc. [Parts.] PDF eBook
Author Alessandro Scarlatti
Publisher
Pages 98
Release 1740
Genre
ISBN

Download vi. Concertos in Seven parts, for two Violins&Violoncello Obligato with two Violins more, a Tenor&Thorough Bass, etc. [Parts.] Book in PDF, Epub and Kindle

VI. Concertos in Seven Parts, for Two Violins & Violoncello Obligato with Two Violins More a Tenor & Thorough Bass

VI. Concertos in Seven Parts, for Two Violins & Violoncello Obligato with Two Violins More a Tenor & Thorough Bass
Title VI. Concertos in Seven Parts, for Two Violins & Violoncello Obligato with Two Violins More a Tenor & Thorough Bass PDF eBook
Author Alessandro Scarlatti
Publisher
Pages
Release 1998
Genre
ISBN

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viii. Concerto's in seven parts. Six for two Violins, a Tenor Violin, and a Violoncello, with Two other Violins, and Thorough Bass, for ye Harpsicord. One for a German Flute, wth all the other Instruments, and one with Two German Flutes, Two Violins, Tenor Violin, Violoncello and Thorough Bass for the Harpsicord ... Opera the Tenth. [Separate Parts.]

viii. Concerto's in seven parts. Six for two Violins, a Tenor Violin, and a Violoncello, with Two other Violins, and Thorough Bass, for ye Harpsicord. One for a German Flute, wth all the other Instruments, and one with Two German Flutes, Two Violins, Tenor Violin, Violoncello and Thorough Bass for the Harpsicord ... Opera the Tenth. [Separate Parts.]
Title viii. Concerto's in seven parts. Six for two Violins, a Tenor Violin, and a Violoncello, with Two other Violins, and Thorough Bass, for ye Harpsicord. One for a German Flute, wth all the other Instruments, and one with Two German Flutes, Two Violins, Tenor Violin, Violoncello and Thorough Bass for the Harpsicord ... Opera the Tenth. [Separate Parts.] PDF eBook
Author Willem de Fesch
Publisher
Pages 178
Release 1741
Genre
ISBN

Download viii. Concerto's in seven parts. Six for two Violins, a Tenor Violin, and a Violoncello, with Two other Violins, and Thorough Bass, for ye Harpsicord. One for a German Flute, wth all the other Instruments, and one with Two German Flutes, Two Violins, Tenor Violin, Violoncello and Thorough Bass for the Harpsicord ... Opera the Tenth. [Separate Parts.] Book in PDF, Epub and Kindle

Six Concerto's in seven Parts, for Four Violins, a Tenor, a Violoncello: and a Thorough Bass for the Harpsicord, etc. [Parts.]

Six Concerto's in seven Parts, for Four Violins, a Tenor, a Violoncello: and a Thorough Bass for the Harpsicord, etc. [Parts.]
Title Six Concerto's in seven Parts, for Four Violins, a Tenor, a Violoncello: and a Thorough Bass for the Harpsicord, etc. [Parts.] PDF eBook
Author John Alcock (Doctor in Music.)
Publisher
Pages 138
Release 1750
Genre
ISBN

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The Strad

The Strad
Title The Strad PDF eBook
Author
Publisher
Pages 528
Release 1920
Genre Bowed stringed instruments
ISBN

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A Descriptive Catalogue of the Music Collection at Burghley House, Stamford

A Descriptive Catalogue of the Music Collection at Burghley House, Stamford
Title A Descriptive Catalogue of the Music Collection at Burghley House, Stamford PDF eBook
Author Gerald Gifford
Publisher Routledge
Pages 394
Release 2017-11-01
Genre Social Science
ISBN 1351786121

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This title was first published in 2002: Burghley House, Stamford, was built between 1555 and 1587 for William Cecil, Lord Burghley, the Lord High Treasurer to Queen Elizabeth I. The library there contains an extensive collection of manuscript and printed music dating from about 1650 to 1850, substantially formed during the latter part of the 18th century by the Ninth Earl of Exeter. The collection is given particular significance by the inclusion of several rare and in some cases apparently unique volumes. This catalogue examines the Burghley House music collection in the light of contemporary documentary evidence. The opening section describes the people who added to the collection and their musical enthusiasms. This approach brings the collection to life and also enables us to appreciate emergent trends in British music history of the period. With each entry fully described and the printed music referenced to RISM or CPM, this catalogue should form a valuable reference source for all scholars of British music from the 17th to the 19th century.