vi. Concertos in Seven parts, for two Violins&Violoncello Obligato with two Violins more, a Tenor&Thorough Bass, etc. [Parts.]
Title | vi. Concertos in Seven parts, for two Violins&Violoncello Obligato with two Violins more, a Tenor&Thorough Bass, etc. [Parts.] PDF eBook |
Author | Alessandro Scarlatti |
Publisher | |
Pages | 98 |
Release | 1740 |
Genre | |
ISBN |
Six Concertos in Seven Parts, for Four Violins, one Alto Viola, a Violoncello and a Thorough Bass for the Harpsichord. With general Rules for Playing Instrumental Compositions in Parts ... Opera Terza. [Parts.]
Title | Six Concertos in Seven Parts, for Four Violins, one Alto Viola, a Violoncello and a Thorough Bass for the Harpsichord. With general Rules for Playing Instrumental Compositions in Parts ... Opera Terza. [Parts.] PDF eBook |
Author | Charles Avison |
Publisher | |
Pages | 134 |
Release | 1751 |
Genre | Concerti grossi |
ISBN |
VI. concertos in seven parts
Title | VI. concertos in seven parts PDF eBook |
Author | Alessandro Scarlatti |
Publisher | |
Pages | 122 |
Release | 1998 |
Genre | Concerti grossi |
ISBN |
VI Concertos in Seven Parts, for Two Violins and Violoncello Obligato ...
Title | VI Concertos in Seven Parts, for Two Violins and Violoncello Obligato ... PDF eBook |
Author | Alessandro Scaelatti |
Publisher | |
Pages | |
Release | 174? |
Genre | |
ISBN |
VI. Concertos in Seven Parts, for Two Violins & Violoncello Obligato with Two Violins More a Tenor & Thorough Bass
Title | VI. Concertos in Seven Parts, for Two Violins & Violoncello Obligato with Two Violins More a Tenor & Thorough Bass PDF eBook |
Author | Alessandro Scarlatti |
Publisher | |
Pages | |
Release | 1998 |
Genre | |
ISBN |
Six Concertos, in Seven Parts,
Title | Six Concertos, in Seven Parts, PDF eBook |
Author | Capel Bond |
Publisher | |
Pages | 132 |
Release | 2017-09-11 |
Genre | |
ISBN | 9783337315627 |
Six Concertos, in Seven Parts, - for four violins, a tenor violin, a violoncello, with a thorough bass for the harpsichord. N. B. The first is for a trumpet, the sixth a bassoon concerto is an unchanged, high-quality reprint of the original edition of 1766. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
The Scoring of Baroque Concertos
Title | The Scoring of Baroque Concertos PDF eBook |
Author | C. R. F. Maunder |
Publisher | Boydell Press |
Pages | 304 |
Release | 2004 |
Genre | Music |
ISBN | 9781843830719 |
Evidence indicates that the concertos of Vivaldi, Bach, Haydn etc were performed as chamber music, not the full orchestral works commonly assumed. The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.