A MAN CAN'T EVEN DIE IN PEACE Blind to the beauty of his island home in Canada, shattered by the death of his wife of 32 years, American expatriate Russell Walker is ready to join her. But Smelly won't let him! Smelly¾notorious for his refusal to bathe¾was Russell's college roommate back in 1967. He's lived a hermit's life ever since, and only Russell knows why: Smelly reads minds, can't help it¾and it hurts. After all these years, Russell is still the only person Smelly can stand to be near. And now Smelly urgently needs an intermediary with the police¾suicidal or not. He's learned that a serial sadist who would terrify Ted Bundy is at play in the Vancouver area. Unfortunately, he's got only scraps of information that aren't enough to ID either the killer or his next victims. And he can't even come close enough to a cop to tell his story. Against his better judgment, Russell brings this unlikely tale to Constable Nika Mandic, a tough but unlucky Vancouver policewoman¾and soon the mild-mannered Sixties survivor finds himself conspiring with a telepathic hermit and an uptight cop to track a monster to his lair. But are the three together smart enough to stalk a creature who thinks of himself as the first true scientist of cruelty If not, Russell's suicidal urges may be fulfilled sooner¾and much less painlessly¾than he planned. . . . At the publisher's request, this title is sold without DRM (Digital Rights Management).

Following the death of her father, journalist and hospice volunteer Ann Neumann sets out to examine what it means to die well in the United States. When Ann Neumann’s father was diagnosed with non-Hodgkin’s lymphoma, she left her job and moved back to her hometown of Lancaster, Pennsylvania. She became his full-time caregiver—cooking, cleaning, and administering medications. When her father died, she was undone by the experience, by grief and the visceral quality of dying. Neumann struggled to put her life back in order and found herself haunted by a question: Was her father’s death a good death? The way we talk about dying and the way we actually die are two very different things, she discovered, and many of us are shielded from what death actually looks like. To gain a better understanding, Neumann became a hospice volunteer and set out to discover what a good death is today. She attended conferences, academic lectures, and grief sessions in church basements. She went to Montana to talk with the attorney who successfully argued for the legalization of aid in dying, and to Scranton, Pennsylvania, to listen to “pro-life” groups who believe the removal of feeding tubes from some patients is tantamount to murder. Above all, she listened to the stories of those who were close to death. What Neumann found is that death in contemporary America is much more complicated than we think. Medical technologies and increased life expectancies have changed the very definition of medical death. And although death is our common fate, it is also a divisive issue that we all experience differently. What constitutes a good death is unique to each of us, depending on our age, race, economic status, culture, and beliefs. What’s more, differing concepts of choice, autonomy, and consent make death a contested landscape, governed by social, medical, legal, and religious systems. In these pages, Neumann brings us intimate portraits of the nurses, patients, bishops, bioethicists, and activists who are shaping the way we die. The Good Death presents a fearless examination of how we approach death, and how those of us close to dying loved ones live in death’s wake.

NEW YORK TIMES BESTSELLER • The bestselling author of Morning Star returns to the Red Rising universe with the thrilling sequel to Iron Gold. “Brown’s plots are like a depth charge of nitromethane dropped in a bucket of gasoline. His pacing is 100% him standing over it all with a lit match and a smile, waiting for us to dare him to drop it.”—NPR (Best Books of the Year) He broke the chains. Then he broke the world…. A decade ago Darrow led a revolution, and laid the foundations for a new world. Now he’s an outlaw. Cast out of the very Republic he founded, with half his fleet destroyed, he wages a rogue war on Mercury. Outnumbered and outgunned, is he still the hero who broke the chains? Or will he become the very evil he fought to destroy? In his darkening shadow, a new hero rises. Lysander au Lune, the displaced heir to the old empire, has returned to bridge the divide between the Golds of the Rim and Core. If united, their combined might may prove fatal to the fledgling Republic. On Luna, the embattled Sovereign of the Republic, Virginia au Augustus, fights to preserve her precious demokracy and her exiled husband. But one may cost her the other, and her son is not yet returned. Abducted by enemy agents, Pax au Augustus must trust in a Gray thief, Ephraim, for his salvation. Far across the void, Lyria, a Red refugee accused of treason, makes a desperate bid for freedom with the help of two unlikely new allies. Fear dims the hopes of the Rising, and as power is seized, lost, and reclaimed, the worlds spin on and on toward a new Dark Age. Don’t miss any of Pierce Brown’s Red Rising Saga: RED RISING • GOLDEN SON • MORNING STAR • IRON GOLD • DARK AGE • LIGHT BRINGER

The shocking new memoir from Death--this long-awaited autobiography finally reveals the inner story of one of the most troubling, and troubled, figures in history At last, the mysterious, feared, and misunderstood being known only as “Death” talks frankly and unforgettably about his infinitely awful existence, chronicling his abusive childhood, his near-fatal addiction to Life, his excruciating time in rehab, and the ultimate triumph of his true nature. For the first time, Death reveals his affairs with the living, his maltreatment at the hands of the Four Horsemen of the Apocalypse, the ungodly truth behind the infamous “Jesus Incident,” and the loneliness of being the End of All Things. Intense, unpredictable, and instantly engaging, Death: A Life is not only a story of triumph against all odds, but also a tender, moving tale of unconditional love in a universe that, despite its profound flaws, gave Death the fiery determination to carve out a successful existence on his own terms.

#1 bestselling author Patricia Cornwell returns to the world of gutsy medical examiner Kay Scarpetta in the seventh suspenseful novel in the forensic thriller series On a quiet day, away from the hustle of Richmond, in a small cottage on the Virginia coast, Dr. Kay Scarpetta receives a disturbing phone call from the Chesapeake police. Thirty feet deep in the murky waters of Virginia's Elizabeth River, a scuba diver's body is discovered near the Inactive Naval Shipyard.As the police begin searching for clues, the wallet of investigative reporter Ted Eddings is found. Unnerved by the possible identity of the victim, Scarpetta orders the crime scene roped off and left alone until she arrives. What was he doing there, searching for Civil War relics as the officer suggested, or was there a bigger story? As she rifles through the multitude of clues, a second murder hits much closer to home. This new development puts Scarpetta and her colleagues hot on the trail of a military conspiracy.

Science fiction stories that offer “a poignant glimpse into the author’s psyche . . . this bittersweet collection [is] one to be cherished” (Publishers Weekly). When we first meet Courane, he must face down TECT, the self-aware computer that has come to control Earth and its colonial planets. Exiled to Planet D, Courane races to cure the debilitating disease that attacks each of the planet’s residents, even as his own memory begins to fade. Unfortunately, his only source of information about the illness is TECT itself, and the computer’s agenda doesn’t seem to line up with Courane’s. In the seven other stories contained in A Thousand Deaths, Courane begins to blur reality and fiction as Effinger expertly plays with narrative conventions. However, these are not simply the whims of a science fiction writer; they are the frameworks the Nebula and Hugo Award–nominated author uses to answer questions about existence no one else even thought to ask. While George Alec Effinger’s Budayeen novel When Gravity Fails is perhaps his most famous work, his lesser-known novel The Wolves of Memory remained his favorite. In it, he introduced readers to Sandor Courane, an everyman and Effinger stand-in who struggles as he swims against the currents of fate. In life and in his multiple deaths, Sandor Courane serves as the unifying force in this collection of Effinger’s stories, starting with The Wolves of Memory and getting ever more clever and off the wall from there.

It's 1965 in a tight-knit working-class neighborhood in Queens, New York, and Ruth Malone -- a single mother who works long hours as a cocktail waitress -- wakes to discover her two small children, Frankie Jr. and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman -- and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance -- or is there something more sinister at play? Inspired by a true story, Little Deaths, like celebrated novels by Sarah Waters and Megan Abbott, is compelling literary crime fiction that explores the capacity for good and evil in us all.