"A selection of cover, trading card, and gallery art from DC Comics' Vertigo imprint, Vertigo Visions showcases the work of seventy-five major artists whose illustrations bring the concepts and storylines of the Vertigo writers to life." "Collectively, the pieces in Vertigo Visions convey a truly astonishing range, in both subject matter and technique: images of surpassing loveliness alongside nightmarish visions of the macabre and grotesque; lighthearted takes on familiar characters next to phantasmagorical landscapes from unnamable worlds; impressionistic watercolors, classical oils, and complex collages; delicate line drawings, stencil art, and sophisticated computer-manipulated creations."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Fighting against corruption and greed, Brother Power, a.k.a. the Geek, stands for peace, love and universal harmony. But slowly, the Geek descends into everything he had so adamantly stood against. On the path to redemption, the Geek must reclaim his lost innocence while battling the diabolical Dr. Cull and his agents of corruption.

Appearing for the first time since his revival in THE BOOKS OF MAGIC miniseries, Doctor Occult faces his greatest challenge when his male and female aspects begin to radically interchange. The driving force appears to be his/her repressed sexuality fighting its way to the surface under the influence of Koth, Occult's oldest enemy. Koth's goal is to separate Occult from his female aspect, leading to a desperate quest in which Occult must reconcile his duality - or be obliterated.

At once intimate and wide-ranging, and as enthralling, surprising, and vivid as the place itself, this is a uniquely eye-opening tour of one of the great metropolises of the world, and its largest Spanish-speaking city. Horizontal Vertigo: The title refers to the fear of ever-impending earthquakes that led Mexicans to build their capital city outward rather than upward. With the perspicacity of a keenly observant flaneur, Juan Villoro wanders through Mexico City seemingly without a plan, describing people, places, and things while brilliantly drawing connections among them. In so doing he reveals, in all its multitudinous glory, the vicissitudes and triumphs of the city ’s cultural, political, and social history: from indigenous antiquity to the Aztec period, from the Spanish conquest to Mexico City today—one of the world’s leading cultural and financial centers. In this deeply iconoclastic book, Villoro organizes his text around a recurring series of topics: “Living in the City,” “City Characters,” “Shocks,” “Crossings,” and “Ceremonies.” What he achieves, miraculously, is a stunning, intriguingly coherent meditation on Mexico City’s genius loci, its spirit of place.

Old age can be its own kind of hell--just ask the tormented residents of the Paradise Gardens Retirement Home. Loneliness can be worse than purgatory-- just ask Naomi, a young woman working her first night shift at the home. But all that is about to change, because tonight is the night Naomi is going to meet a Stranger.

Born to immigrant parents during World War II and coming of age during the 1950s, DeSalvo finds herself rebelling against a script written by parental and societal expectations. In her revealing family memoir, DeSalvo sifts through painful memories to give voice to all that remained unspoken and unresolved in her life: a mother's psychotic depression, a father's rage and violent rigidity, a sister's early depression and eventual suicide, and emerging memories of childhood incest. At times humorous and often brutally candid, DeSalvo also delves through the more recent conflicts posed by marriage, motherhood, and the crisis that started her on the path of her life's work: becoming a writer in order to excavate the meaning of her life and community. In Vertigo, Louise DeSalvo paints a striking picture of the easy freedom of the husband and fatherless world of working-class Hoboken, New Jersey, the neighborhood of her early childhood, where mothers and children had an unaccustomed say in the running of their lives while men were off defending their country, but were jolted back into submission when World War II ended. Hoboken was not a place where girls were encouraged to develop their minds, or their independent spirits, yet it is that tenement-dotted city with its pulse and energy, wonderful Italian pastry, and sidewalk roller-skating contests, and not suburban Ridgefield, where the family moves when Louise is seven, that claims Louise's heart. Written with an honesty that is as rare as it is unsettling, Vertigo also speaks to broader truths about the impact of ethnicity, class, and gender in American life. Offering inspiration and a healthy dose of subversion, this personal story of a writer's life is also a study of the alchemy between lived experience and creativity, and the life-transforming possibilities of this process.

Frank Quitely's amazing, finely detailed artwork has been gracing theVertigo comic page for decades, including runs on WE3 and FlexMentallo: Muscle Man of Mystery.