Poet, weaver, mystic, saint, Shah Hussein created a stir in sixteenth-century Punjab through his unconventional lifestyle and the subversive power of his poetry. Popularly known as Madho Lal Hussein, after he adopted the name of his young lover and disciple, he remains a beguiling, enigmatic figure: a firebrand whose growing fame was a cause of anxiety for the political elite, a Muslim who fell in love with a Hindu boy and won his heart and devotion, a rebel philosopher who found solace in ignominy. Deceptively simple and astonishingly relevant, the poems in this magnificent collection are charged with longing, and offer insight into the true nature of love and death, desire and sublimation. Naveed Alam’s lilting translation brings out the verve and allure of Hussein’s verses which continue to be sung and recited over 400 years after his death.

Jamal Malik provides new insights into the social and intellectual history of the complex forms of cultural articulation among Muslims in South Asia from the seventh to twenty-first century, elaborating on various trends and tendencies in a highly plural setting.

In this prize-winning exploration of the meaning of home, Annie Zaidi reflects on places, cultures and conflicts that shape identity.

NOMINATED FOR TATA LITERATURE LIVE AWARDS AND SHORTLISTED FOR GAJA CAPITAL BEST BUSINESS BOOK PRIZE The book is an untold human story of an enterprise and its creator, Dilip Shanghvi, who raced ahead of Mukesh Ambani to become the richest Indian in 2015 Shanghvi is one of the most interesting and least understood business minds of India whose journey has been shrouded in mystery because of his reticence. The book reveals the riveting story of the fiercely intense personality that lies beneath his calm demeanour. Based on interviews with over 150 friends, family members, rivals, former aides and Shanghvi himself, it traces his transformation from a quiet, curious child working in his father's small shop to an astute strategist, who built India's largest pharma company, Sun Pharma, despite being untrained in science. The tale unravels his contrarian and controversial bets that made Sun a global force, and him a 'turn-around' artist. It is also about the friends and family Shanghvi started his company with, the hurt and emotional conflicts surrounding their separation, and how Shanghvi staked his closest relationships to professionalize Sun. This book is an extraordinary story of an ordinary man, who chooses to stay anti-famous. He would rather have his face unrecognized, his story untold. But at a time, when a billion dreams are simmering in an aspiring India, this tale is for everyone who has once had a secret dream, an insanely bold one.

Bringing together disciplines across the arts, humanities and social sciences, this Handbook presents novel and lively examinations of the dynamic ways religion, gender and sexuality operate. Applying feminist, intersectional, and reflexive approaches, the volume aims to loosen imperialist and exclusionary figurations that have underwritten and tethered religion, gender, and sexuality together. While holding onto the field of inquiry, the Handbook offers contributions that interrogate and untie it from the terms and conditions that have formed it. The volume is organized into thematic sections: - Forces and Futures - Activisms and Labors - Agencies and Practices - Relationships and Institutions - Texts and Objects Chapters range across religious, geographical, historical, political, and social contexts and feature an array of case-studies, experiences, and topics that exemplify the reflexive intention of the volume, including explorations of race, whiteness, colonialism, and the institutional intolerance of minority groups. Contributors also advance new areas of research in religion including artificial intelligence, farming, migrant mothering, child sexual abuse, mediatization, national security, legal frameworks, addiction and recovery, decolonial hermeneutics, creative arts, sport, sexual practices, and academic friendship. This is an essential contribution to the fields of religious studies and gender and sexuality studies.

Jāmī in Regional Contexts: The Reception of ʿAbd Al-Raḥmān Jāmī’s Works in the Islamicate World is the first attempt to present in a comprehensive manner how ʿAbd al-Raḥmān Jāmī (d. 898/1492), a most influential figure in the Persian-speaking world, reshaped the canons of Islamic mysticism, literature and poetry and how, in turn, this new canon prompted the formation of regional traditions. As a result, a renewed geography of intellectual practices emerges as well as questions surrounding authorship and authority in the making of vernacular cultures. Specialists of Persian, Arabic, Chinese, Georgian, Malay, Pashto, Sanskrit, Urdu, Turkish, and Bengali thus provide a unique connected account of the conception and reception of Jāmī’s works throughout the Eurasian continent and maritime Southeast Asia.

A modern translation of verses by Bullhe Shah, the iconic eighteenth-century Sufi poet, treasured by readers worldwide to this day. Bullhe Shah’s work is among the glories of Panjabi literature, and the iconic eighteenth-century poet is widely regarded as a master of mystical Sufi poetry. His verses, famous for their vivid style and outspoken denunciation of artificial religious divisions, have long been beloved and continue to win audiences around the world. This striking new translation is the most authoritative and engaging introduction to an enduring South Asian classic.