'Verses for Children, and Songs for Music' is a collection of children's rhymes and poems written by the well-known British children's book author, Juliana Horatia Ewing. Featured titles to be found in this work include 'The Burial of the Linnet', 'Master Fritz', and 'The Willow-Man'.

Excerpt from Verses for Children, and Songs for Music The Songs for Music appeared in 1874 in a volume called Songs oy Four Friends, except the two last poems, Anemones and Autumn Tints. The former was given by Mrs. Ewing to her brother, Mr. Alfred scott-gatty, to set to music, and it has recently been published by Messrs. Boosey Autumn Tints was found amongst Mrs. Ewing's papers after her death, and is now printed for the first time. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This book explores the relationship between the Bible and the world of music, an association that is recorded from ancient times in the Old Testament, and one that has continued to characterize the cultural self-expression of Western Civilization ever since. The study surveys the emergence of this close relationship in the era following the end of the Roman Empire and through the Middle Ages, taking particular note of the role of Gregorian chant, folk music and the popularity of mystery, morality and passion plays in reflection of the Sacred Scripture and its themes during those times. With the emergence of polyphony and the advent of the Reformation in the sixteenth century, the interaction between the Bible and music increased dramatically, culminating in the evolution of opera and oratorio as specific genres during the Renaissance and the Early Baroque period. Both these genres have proved essential to the interplay between sacred revelation and the various types of music that have come to determine cultural expression in the history of Europe. The book initially provides an overview of how the various themes and types of Biblical literature have been explored in the story of Western music. It then looks closely at the role of oratorio and opera over four centuries, considering the most famous and striking examples and considering how the music has responded in different ages to the sacred text and narrative. The last chapter examines how biblical theology has been used to dramatic purpose in a particular operatic genre – that of French Grand Opera. The academic apparatus includes an iconography, a detailed bibliography and an index of biblical and musical references, themes and subjects.

Favorite stories from the Bible are told and sung in this package now tailored for the most modern Wee Sing fans, with a 64-page, full-color book and a one-hour audio CD. Pkg.