Veronica Brady in her Own Words, is a collection of essays and papers by Veronica, many unpublished and all without a date and cover a range of topics: religion, the arts, politics and relations with Australian indigenous peoples.

Veronica Brady in her Own Words, is a collection of essays and papers by Veronica, many unpublished and all without a date and cover a range of topics: religion, the arts, politics and relations with Australian indigenous peoples.

Veronica Brady (1929-2015) was a nun, academic and activist. Her intellectual life, firmly rooted in Australian culture, was focussed on stripping the thin veneer of our dominant materialistic culture to forge a greater understanding of our place in a more just world. One-time member of the ABC Board, Brady was a wine-loving, bike-riding, diminutive figure with a fierce reputation for plain speaking. An expert on Australian literature, and living life as a "communist" in a community of Loreto nuns, teaching, she cut a non-conformist figure in an age when the humanist values she upheld seemed increasingly under threat. She strove to defend them with a sharp mind, a contemporary Christian theology, and a willingness to put her boots on the ground in street protests. The essays gathered here by colleagues, students, friends and family bring her compassion, interests and concerns to life with an immediacy, fondness and respect. She inspired others, through her writings, actions and teaching, and the essays reveal her larger-than-life character, her passion for teaching, her concerns for justice for Indigenous Australians, and the intellectual and spiritual legacy she bequeathed to us all.

The central argument of the thesis, the representation and reception of otherness, is followed throughout White's novels with the support of a complex critical instrumentarium made up of postcolonial theory, reader response theory, cultural-critical frameworks, alterity theory, and narratology. Otherness in its manifold representations is a main component of Patrick White's fiction. It functions on several levels and this requires a deeper entanglement on the part of the reader. The different levels previously referred to are embodied in the various Others who people White's novels: ethnic Others as members of the Australian multicultural society and the Aborigines as colonial Others, as well as gender Others, who also play an important role in White's fictional world. Reading Patrick White is an exercise in tolerance, endurance and acceptance of alternatives. But the efforts of the reader do not remain unrewarded. In his endeavour to change what it meant to imagine Australia, the writer broke down the barriers of what it meant to imagine otherness.

Denis Edwards was a theoloian concerned with the science and religion discourse and eco-theology. He died in March 2019. This book is a collection of his till now unpusblished talks and essays.

Ob-scene Spaces in Australian Narrative is an exhaustive survey of Australian literature proposing itself as a journey through time and space. With a careful selection of texts which recount Australian history from the early days of white colonization to the present, this study endeavours to cast light on the process of socio-topographic construction that the settlers imposed upon the continent.As suggested by the title, the textual inquiry conducted in this book is driven by the stimulating ambiguity that lies between physical space and its discursive construction. A selection of canonical and non-canonical texts by authors ranging from Henry Lawson to Christos Tsiolkas aims to reveal the relationship between the space of the city (the scene) and the outback (the ob-scene space beyond the metropolitan area) and its role in the process of spatial construction that, through the last two centuries, has shaped Australia.Pablo Armellino’s distinctive approach to Australian literature makes Ob-scene Spaces in Australian Narrative a very interesting work. Using a carefully selected range of novels, linked together using social and literary theory, it recounts the history of colonization in Australia in a particularly approachable manner. Through the analysis of each text the reader seamlessly learns about the expansion of the frontier, the creation of an ob-scene space beyond it and the use the Discourse makes of this mechanism. These characteristics would appeal to both an academic audience, which would appreciate the detailed text analysis, and a general audience, which would enjoy the historical and thematic aspect of the book.– Professor Carmen Concilio and Professor Pietro Deandrea, Facoltà di Lingue, Università di Torino

Veronica Brady (1929-2015) was a nun, academic and activist. Her intellectual life, firmly rooted in Australian culture, was focussed on stripping the thin veneer of our dominant materialistic culture to forge a greater understanding of our place in a more just world. One-time member of the ABC Board, Brady was a wine-loving, bike-riding, diminutive figure with a fierce reputation for plain speaking. An expert on Australian literature, and living life as a "communist" in a community of Loreto nuns, teaching, she cut a non-conformist figure in an age when the humanist values she upheld seemed increasingly under threat. She strove to defend them with a sharp mind, a contemporary Christian theology, and a willingness to put her boots on the ground in street protests. The essays gathered here by colleagues, students, friends and family bring her compassion, interests and concerns to life with an immediacy, fondness and respect. She inspired others, through her writings, actions and teaching, and the essays reveal her larger-than-life character, her passion for teaching, her concerns for justice for Indigenous Australians, and the intellectual and spiritual legacy she bequeathed to us all.