For many Americans, Vermont still seems what the United States at least in myth once was--a bucolic landscape of wooded hills, neat farms, and handsome villages--before modern forces transformed our agrarian nation into an urban-industrial giant. Vermonters have long been respected as sturdy Americans who prize hard work, honest dealing, town-meeting government, and dry humor. Their way of life, along with the beauty of their Green Mountains and quiet valleys, remains immensely attractive to natives and newcomers who seek beauty and the satisfaction of self-sufficiency in a natural environment where rocky soil and a varied climate have always compelled respect.

Howard Frank Mosher has spent the greater part of his career depicting a relatively isolated section of Vermont known as the Northeast Kingdom. Yet, even as he writes about that particular area in the Green Mountain State, he is investigating age-old themes from among the best English and American literary works. His first novel, Disappearances (1977), signaled the arrival of a master craftsman harkening us back to Melville's Billy Budd and Moby-Dick, in terms of humankind's struggle against an ever present evil. A full 33 years after the publication of his first novel, the Vermont author, in Walking to Gatlinburg (2010), examined the polarity between cowardice and honor. In the intervening years, between Disappearances and Gatlinburg, Mosher explored crucial matters such as the disappearing wilderness, industrialization, black male/white female encounters, the necessity of humor, the quest for salvation, and the immortality of romantic love, all issues that he delved into as he staked out a unique terrain within the pantheon of Bunyan, Shakespeare, Dreiser, Twain, Faulkner, Steinbeck, Harper Lee, and others.

George Perkins Marsh (1801–1882) was the first to reveal the menace of environmental misuse, to explain its causes, and to prescribe reforms. David Lowenthal here offers fresh insights, from new sources, into Marsh’s career and shows his relevance today, in a book which has its roots in but wholly supersedes Lowenthal’s earlier biography George Perkins Marsh: Versatile Vermonter (1958). Marsh’s devotion to the repair of nature, to the concerns of working people, to women’s rights, and to historical stewardship resonate more than ever. His Vermont birthplace is now a national park chronicling American conservation, and the crusade he launched is now global. Marsh’s seminal book Man and Nature is famed for its ecological acumen. The clue to its inception lies in Marsh’s many-sided engagement in the life of his time. The broadest scholar of his day, he was an acclaimed linguist, lawyer, congressman, and renowned diplomat who served 25 years as U.S. envoy to Turkey and to Italy. He helped found and guide the Smithsonian Institution, shaped the Washington Monument, penned potent tracts on fisheries and on irrigation, spearheaded public science, art, and architecture. He wrote on camels and corporate corruption, Icelandic grammar and Alpine glaciers. His pungent and provocative letters illuminate life on both sides of the Atlantic. Like Darwin’s Origin of Species, Marsh’s Man and Nature marked the inception of a truly modern way of looking at the world, of taking care lest we irreversibly degrade the fabric of humanized nature we are bound to manage. Marsh’s ominous warnings inspired reforestation, watershed management, soil conservation, and nature protection in his day and ours. George Perkins Marsh: Prophet of Conservation was awarded the Association for American Geographers' 2000 J. B. Jackson Prize. The book was also on the shortlist for the first British Academy Book Prize, awarded in December 2001.

Some oldthinkers still read books . . . Carl Wells has been one of them. Some of those books have made a huge impression on him. Books I Have Loved gives us Wells' response to 46 books (by 41 authors) encountered through a longish life mostly spent (misspent?) reading books. His only regret is that he didn't spend more time reading.

The proliferation of book clubs, reading groups, "outline" volumes, and new forms of book reviewing in the first half of the twentieth century influenced the tastes and pastimes of millions of Americans. Joan Rubin here provides the first comprehensive analysis of this phenomenon, the rise of American middlebrow culture, and the values encompassed by it. Rubin centers her discussion on five important expressions of the middlebrow: the founding of the Book-of-the-Month Club; the beginnings of "great books" programs; the creation of the New York Herald Tribune's book-review section; the popularity of such works as Will Durant's The Story of Philosophy; and the emergence of literary radio programs. She also investigates the lives and expectations of the individuals who shaped these middlebrow institutions--such figures as Stuart Pratt Sherman, Irita Van Doren, Henry Seidel Canby, Dorothy Canfield Fisher, John Erskine, William Lyon Phelps, Alexander Woollcott, and Clifton Fadiman. Moreover, as she pursues the significance of these cultural intermediaries who connected elites and the masses by interpreting ideas to the public, Rubin forces a reconsideration of the boundary between high culture and popular sensibility.

More than Petticoats: Remarkable Vermont Women celebrates the women who shaped the Green Mountain State. Short, illuminating biographies and archival photographs and paintings tell the stories of women from across the state who served as teachers, writers, entrepreneurs, and artists.