This book provides a detailed account of verb movement across more than twenty standard and non-standard Romance varieties. Norma Schifano examines the position of the verb with respect to a wide selection of hierarchically-ordered adverbs, as laid out in Cinque's (1999) seminal work. She uses extensive empirical data to demonstrate that, contrary to traditional assumptions, it is possible to identify at least four distinct macro-typologies in the Romance languages: these macro-typologies stem from a compensatory mechanism between syntax and morphology in licensing the Tense, Aspect, and Mood interpretation of the verb. The volume adopts a hybrid cartographic/minimalist approach, in which cartography provides the empirical tools of investigation, and minimalist theory provides the technical motivations for the movement phenomena that are observed. It provides a valuable tool for the examination of fundamental morphosyntactic properties from a cross-Romance perspective, and constitutes a useful point of departure for further investigations into the nature and triggers of verb movement cross-linguistically.

This book provides a detailed account of verb movement across more than twenty standard and non-standard Romance varieties. Norma Schifano examines the position of the verb with respect to a wide selection of hierarchically-ordered adverbs, as laid out in Cinque's (1999) seminal work. She uses extensive empirical data to demonstrate that, contrary to traditional assumptions, it is possible to identify at least four distinct macro-typologies in the Romance languages: these macro-typologies stem from a compensatory mechanism between syntax and morphology in licensing the Tense, Aspect, and Mood interpretation of the verb. The volume adopts a hybrid cartographic/minimalist approach, in which cartography provides the empirical tools of investigation, and minimalist theory provides the technical motivations for the movement phenomena that are observed. It provides a valuable tool for the examination of fundamental morphosyntactic properties from a cross-Romance perspective, and constitutes a useful point of departure for further investigations into the nature and triggers of verb movement cross-linguistically.

This volume provides the first book-length study of the controversial topic of Verb Second and related properties in a range of Medieval Romance varieties. The findings have widespread implications for the understanding of both the key typological property of Verb Second and the development of Latin into the modern Romance languages.

Work on the movement of phrase categories, mostly Noun Phrases, has been a central element of syntactic theorizing almost since the earliest work on generative grammar. Work on the movement of lexical elements, heads, has been much less central until recent years. Verb movement is now, however, the center of current research in syntax. Parallel to the theoretical interest has been the attention focused on the description of verb-second languages and on the movement operations that place the verb in its "second" position. This volume represents the latest work from many of the leading researchers in an important field, and draws on analyses from a wide range of languages. It will have a significant impact on its field.

The book provides a formal analysis of root and complement clauses in Old Romanian. Virginia Hill and Gabriela Alboiu examine the combination of Balkan syntactic patterns such as generalized subjunctive complementation on the one hand, and the Romance morphology that supplies complementizers and grammatical mood forms on the other. The consequences of this mixed typology range from root clauses with non-finite verbs to split heads and repeated recycling in clausal complements. The book argues that discourse triggers at the left periphery are responsible for fluctuations in verb movement in finite clauses, while with gerunds and imperatives verb movement follows from functional constraints. It further argues that clausal complements to control and raising verbs systematically display the pattern of the Balkan subjunctive, and that the spell out of these clausal complements has been repeatedly recycled during the development of Romanian. Verb Movement and Clause Structure in Old Romanian presents a new perspective on the manifestation of Balkan Sprachbund properties in the language, and on the nature of parametric differences in relation to other Romance languages. It provides a unified explanation for a range of constructions that have previously been treated as separate phenomena, and places diachronic changes in Romanian in a wider context.

This is a collection of articles describing and analyzing several of the most important morphosyntactic features for which the formal comparison between Basque and its surrounding Romance languages is relevant, such as word order, inflection, case, argument structure and causatives. In the context of a language virtually all of whose speakers are bilingual in either Spanish or French, the theoretically informed in-depth description offered in this volume focuses on the fine grain of linguistic structures from languages typologically quite apart but coexisting and probably interacting in the minds of speakers. It therefore aims at shedding some light on the types of interactions between different systems and on the systems themselves.

This monograph offers the first in-depth lexical and semantic analysis of motion verbs in their development from Latin to nine Romance languages — Spanish, French, Italian, Portuguese, Romanian, Catalan, Occitan, Sardinian, and Raeto-Romance — demonstrating that the patterns of innovation and continuity attested in the data can be accounted for in cognitive linguistic terms. At the same time, the study illustrates how the insights gained from Latin and Romance historical data have profound implications for the cognitive approaches to language — in particular, for Leonard Talmy’s motion-framing typology and George Lakoff and Mark Johnson’s conceptual metaphor theory. The book should appeal to scholars interested in historical Romance linguistics, cognitive linguistics, and lexical change.