A novel about life under enlightened totalitarianism in the twenty-third century and the efforts of a mild-mannered junk dealer to change the human condition. Primitive literacy is redundant. Mere words are expelled. We inaugurate a world of pure presence. The mind, that intrudes itself between ourselves and those memories too terrible to know, must keep us moving beyond the grasp of their claw. To control the flow, it will be necessary that political order be imposed always temporarily. The state shall enjoy direct, creative access to the real. It's the end of the twenty-third century. Earth has violently self-destructed. Venusia, an experimental off-world colony, survives under the enlightened totalitarianism of the Princeps Crittendon regime. Using industrialized narcotics, holographic entertainment, and memory control, Crittendon has turned Venusia into a self-sustaining system of relative historical inertia. But when mild-mannered junk dealer Rogers Collectibles finds a book about early Venusian history, the colony—once fully immersed in the present—begins losing its grip on the real. With his Reality-V girlfriend Martha Dobbs, neuroscop operator Sylvia Yang, his midget friend Niftus Norrington, and a sentient plant, Rogers wages a war to alter the shape of spacetime, and in the process, revisions the whole human (and vegetable) condition.

200+ stunningly illustrated pages of epic fantasy and adventure by Pat McNamara, writer of the trailblazing ‘The Legend of Spacelord Mo Fo’ digital comic, and acclaimed pin-up artist and illustrator, Michal Dutkiewicz (Wolverine, Batman, Lost in Space). The almighty Dragonscarpe has fallen. The fate of the Realms hangs in the balance. The Outcast Velcca, has led the Triumvirate to a flawless victory over the Dragonscarpe's revered ruler, the Angelwitch Syrreis – or so she believes. The last surviving Paladin, Zayd Mon Awes, reeling from the murder of his beloved, Braede, by the Dragonscarpe's betrayer, his best friend, Wyun, is shocked by the revelation that the power of the Angelwitch has been passed to him. He is the new Angelwitch. Hunted by Velcca's brutal brother, Veccun, Zayd's only hope for escape from the ravaged Dragonscarpe, lies with four other survivors – the four young Elementalists, whose fragile truce threatens to unravel, as secret agendas are revealed. As the unlikely band of fugitives fight for freedom, a storm of chaos spreads across the Realms and, all the while, Velcca's army grows ever stronger...

300+ stunningly illustrated pages of epic fantasy and adventure by Pat McNamara, writer of the trailblazing ‘The Legend of Spacelord Mo Fo’ digital comic, and acclaimed pin-up artist and illustrator, Michal Dutkiewicz (Wolverine, Batman, Lost in Space). The Storm of war has engulfed the Realms. Five years suffering the hellish Rifts and their brutal spawn, the Rifters, has brought a long peace to the edge of ruin. Thrust into the heart of the turmoil is Zayd Mon Awes, Paladin of the Dragonscarpe. With a doomed love already weighing heavily upon him, Zayd is set the near-impossible task of training four beautiful Elementalists who could hold the key to winning the war – if they don't kill each other first. But when betrayal sees Rifters let loose on the once-unconquerable Dragonscarpe, the vengeful Outcast Velcca, architect of the turmoil, reveals the truth of the Rifts, and Zayd takes the first step to discovering that the only hope for survival lies in a distant past deliberately forgotten – beyond the barrier to the terrifying Nameless Realm... "Michal's art is outstanding, astounding and blindingly brilliant." - Robert N. Stephenson, Aurealis Xpress "It's humungous. It's ginormous. It's an absolutely mammoth book!" - Brian LeTendre, Secret Identity Podcast "Epic fantasy doesn't get much better than this!" - BooksMonthly.co.uk "I'm enjoying the hell out of some Dragonscarpe right now!" - Slacker and The Man Podcast

This book challenges prevailing models of the ways formerly enslaved individuals in Ancient Rome navigated their social and economic landscape. Drawing on the rich epigraphic evidence left behind by municipal freedmen and freedwomen, who had been owned and manumitted by the communities of Roman Italy, it pushes back against ameliorating views of slavery as a temporary condition and positive notions of a prosperous and consciously proud Roman freedman class. Manumission was a far more complex process, and it did not always put former slaves and their descendants on the straight and narrow path of upward mobility.

Describes and visualizes over 1,200 magical lands found in literature and film, discussing such exotic realms as Atlantis, Tolkien's Middle Earth, and Oz.