*NATIONAL BESTSELLER* A New York Times Editors' Choice Booker Prize winner and “Irish master” (The New Yorker) John Banville’s most ambitious crime novel yet brings two detectives together to solve a globe-spanning mystery In 1950s Dublin, Rosa Jacobs, a young history scholar, is found dead in her car. Renowned pathologist Dr. Quirke and DI St. John Strafford begin to investigate the death as a murder, but it’s the victim’s older sister Molly, an established journalist, who discovers a lead that could crack open the case. One of Rosa’s friends, it turns out, is from a powerful German family that arrived in Ireland under mysterious circumstances shortly after World War II. But as Quirke and Strafford close in, their personal lives may put the case—and everyone involved—in peril, including Quirke’s own daughter. Spanning the mountaintops of Italy, the front lines of World War II Bavaria, the gritty streets of Dublin and other unexpected locales, The Lock-Up is an ambitious and arresting mystery by one of the world’s most celebrated authors.

Rita Hayworth dancing by candlelight in a small Mexican village; Elizabeth Taylor devouring homemade pasta and tenderly wrapping him in her pashmina scarf; streaking for Sir Laurence Olivier in a drafty English castle; terrifying a dozing Jackie Onassis; carrying an unconscious Montgomery Clift to safety on a dark New York City street. Captured forever in a unique memoir, Frank Langella's myriad encounters with some of the past century's most famous human beings are profoundly affecting, funny, wicked, sometimes shocking, and utterly irresistible. With sharp wit and a perceptive eye, Mr. Langella takes us with him into the private worlds and privileged lives of movie stars, presidents, royalty, literary lions, the social elite, and the greats of the Broadway stage. What, for instance, was Jack Kennedy doing on that coffee table? Why did the Queen Mother need Mr. Langella's help? When was Paul Mellon going to pay him money owed? How did Brooke Astor lose her virginity? Why was Robert Mitchum singing Gilbert & Sullivan patter songs at top volume, and what did Marilyn Monroe say to him that helped change the course of his life? Through these shared experiences, we learn something, too, of Mr. Langella's personal journey from the age of fifteen to the present day. Dropped Names is, like its subjects, riveting and unforgettable.

The most corrupt court in Elizabethan England has turned deadly. Francis Bacon’s clerk, Thomas Clarady, has finally passed the bar. Now it’s time to sue for his livery in the Court of Wards. Alas, nothing is simple in the most corrupt institution in Tudor England. The attorney tries to wring a bribe from Tom, who refuses in threatenting terms. When the attorney turns up dead, Tom’s the most likely suspect. He goes into hiding, leaving Bacon and Lady Dorchester to find out who really did the deed. Every ward has reasons aplenty to hate the court and its officers. Some guardians have been keeping dark secrets from their wards. That attorney had other targets closer to home. As Tom’s wits unravel, Francis and Trumpet must take on his roles in the investigation as well as their own. Clues lead them in circles. The best ones lead straight back to Tom. Can they catch the villain before the sheriff grows tired of waiting?

“Everything in this book is fictional and everything is true,” wrote Victor Serge in the epigraph to Men in Prison. “I have attempted, through literary creation, to bring out the general meaning and human content of a personal experience.” The author of Men in Prison served five years in French penitentiaries (1912–1917) for the crime of “criminal association”—in fact for his courageous refusal to testify against his old comrades, the infamous “Tragic Bandits” of French anarchism. “While I was still in prison,” Serge later recalled, “fighting off tuberculosis, insanity, depression, the spiritual poverty of the men, the brutality of the regulations, I already saw one kind of justification of that infernal voyage in the possibility of describing it. Among the thousands who suffer and are crushed in prison—and how few men really know that prison!—I was perhaps the only one who could try one day to tell all… There is no novelist’s hero in this novel, unless that terrible machine, prison, is its real hero. It is not about ‘me,’ about a few men, but about men, all men crushed in that dark corner of society.” Ironically, Serge returned to writing upon his release from a GPU prison in Soviet Russia, where he was arrested as an anti-Stalinist subversive in 1928. He completed Men in Prison (and two other novels) in “semi-captivity” before he was rearrested and deported to the Gulag in 1933. Serge’s classic prison novel has been compared to Dostoyevsky’s House of the Dead, Koestler’s Spanish Testament, Genet’s Miracle of the Rose, and Solzhenitsyn’s One Day in the Life of Ivan Denisovitch both for its authenticity and its artistic achievement. This edition features a substantial new introduction by translator Richard Greeman, situating the work in Serge’s life and times.

''Wait. Patient. Now. Not long. Good girl. Wait here. Brave girl. Back in a jiffy. Think of it as a vacation.'' Big Bend, population 500. South Dakota, 1988. Eight-year-old Tiny Mite lives in a ramshackle farmhouse next to her grandfather’s crashed airplane and the pine tree where she trains as a spy. Goddamn is her favourite word. Taking pictures with a homemade camera is her new big thing. She lives with Bee, her apocalypse-obsessed grandmother and Luvie, her hard-drinking great-aunt. And then there’s her mother, Velvet – beautiful, heartbroken, desperate, impulsive. One night, Tiny Mite goes to the basement and hears a cry, but it’s not what she imagines and nothing will ever be the same. Six years later, Clea won’t let anyone call her Tiny Mite anymore. Luvie is sober and Bee’s health is failing. Velvet has been gone for years, and nobody except Bee will even mention her name. Alone, angry and dressed in her grandfather’s old hunting clothes, Clea mopes through ditches and fields taking photographs until she hatches a plan with another loner, a boy with an unspeakable past. This is a story of mothers and daughters. Of people tied by blood and home. Of moments captured and lifetimes lost. And of things never quite turning out as expected. ''Not The Only Sky is not only beautifully and poignantly written, but also provides fascinating insights into life in rural America. Alyssa Warren captures perfectly the profound vulnerability of her characters, particularly that of Tiny Mite and her mother Velvet. Tiny Mite’s voice is highly original, as she gives meaning to a life and childhood experiences that might otherwise be impossible to make sense of.'' – JULIET CONLIN, author of The Uncommon Life of Alfred Warner in Six Days